Edgar Payne
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Author | : Edgar Alwin Payne |
Publisher | : |
Total Pages | : 170 |
Release | : 2005-11-01 |
Genre | : Composition (Art) |
ISBN | : 9780939370115 |
7th Edition, 8th printing of the original 1941 publication, many added color plates and addenda by Evelyn Payne Hatcher, the artist/author's daughter. A must for art collectors, artists, teachers and art dealers.
Author | : Edgar Payne |
Publisher | : |
Total Pages | : 82 |
Release | : 1987-01-01 |
Genre | : Artists |
ISBN | : 9780961780203 |
Author | : Scott A. Shields |
Publisher | : Pomegranate Communications |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Art |
ISBN | : 9780764960536 |
One of the most gifted of the historic California plein-air painters, Edgar Alwin Payne (1883-1947) utilized the animated brushwork, vibrant palette, and shimmering light of Impressionism, but his powerful imagery was unique among artists of his generation. While his contemporaries favored a quieter, more idyllic representation of the natural landscape, Payne was devoted to subjects of rugged beauty. Largely self-taught, he found inspiration and instruction in nature itself. His majestic, vital landscapes, informed by his reverence for the natural world, are imbued with an internal force and an active dynamism. An avid traveler, Payne was among the first painters to capture the vigor of the Sierra Nevada, and his travels through the Southwest resulted in equally magnificent depictions of the desert. In Europe he rendered the towering peaks of the Alps and the colorful harbors of France and Italy. His unending quest to convey the "unspeakably sublime" in his landscapes won him widespread acclaim-one prominent critic called him a "poet who sings in colors." Released in conjunction with the traveling exhibition organized by the Pasadena Museum of California Art, Edgar Payne: The Scenic Journey presents more than 125 reproductions of Payne's paintings, drawings, and decorative arts, as well as rarely seen photographs from the artist's travels and selections from his personal collection of compositional studies. Essays by Peter H. Hassrick, Lisa N. Peters, Scott A. Shields, Jean Stern, and Patricia Trenton trace Payne's development as he traveled the world, discovering magnificence in diverse settings ranging from the California coast, the Sierra Nevada, and the stark Southwest desert to the Swiss Alps and the harbors and waterways of Europe. A richly researched chronology by Shields presents the biographical influences that shaped Payne's illustrious career.
Author | : Kevin Macpherson |
Publisher | : Penguin |
Total Pages | : 331 |
Release | : 2006-10-06 |
Genre | : Art |
ISBN | : 1600615902 |
Paint with passion, purpose and pleasure What do you want your landscape painting to say about this place, this moment? How do you use the visual vocabulary - line, shape, value, color, edges - to say it? With this book, your conversation with nature will direct your brush. With an exhilarating, synergistic combination of indoor and outdoor painting, Kevin Macpherson shows you how to create personal, poetic landscapes that capture the feeling of being there. Learn how to: • Use a limited palette in a way that is more liberating than limiting • Experience nature to the fullest and capture its vibrancy back in the studio through photos, sketches and outdoor studies • Cope with the fleeting qualities of atmosphere and light by establishing a value plan early and sticking with it • Incorporate impressionistic touches of broken color to give your landscape a depth and vibrancy that enhances its realism • Approach painting as a layering and corrective process that encourages non-formulaic solutions Stimulating warm-up exercises in the studio prepare you for your adventures outside, while eight step-by-step demonstrations show you how to put these methods into action. Throughout, Macpherson's own light-filled landscapes illustrate the power of these techniques. Full of fresh air and fresh art, Landscape Painting Inside and Out will guide and encourage beginners while challenging more accomplished artists to bring greater vitality and a more natural, less formulaic finish to their paintings.
Author | : Susan Landauer |
Publisher | : Univ of California Press |
Total Pages | : 112 |
Release | : 1996 |
Genre | : Art |
ISBN | : 9780915977222 |
The years around the turn of the century were a dynamic time in American art. Different and seemingly contradictory movements were evolving, and the dominant style that emerged during this period was Impressionism. Based in part on the broken brushwork and high-keyed palette of Claude Monet, it was a form especially suited to the dramatic landscape and shimmering light of California . . . This book celebrates forty Impressionist painters who worked in California from 1900 through the beginning of the Great Depression . . . it includes widely recognized California artists such as Maurice Braun and Guy Rose, less well known artists such as Mary DeNeale Morgan and Donna Schuster, and eastern painters who worked briefly in the region, such as Childe Hassam and William Merritt Chase . . . The contributors' essays examine the socioeconomic forces that shaped this art movement, as well as the ways in which the art reflected California's self-cultivated image as a healthful, sun-splashed arcadia.
Author | : Arnold Skolnick |
Publisher | : UNM Press |
Total Pages | : 132 |
Release | : 2002 |
Genre | : Art |
ISBN | : 9780826328434 |
A rare collection of art and literature perfectly suited for the artist, traveler, or anyone enchanted by the Southwest.
Author | : Arthur L. Guptill |
Publisher | : Watson-Guptill |
Total Pages | : 257 |
Release | : 1997-08-01 |
Genre | : Art |
ISBN | : 0823045293 |
Arthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.
Author | : Mitchell Albala |
Publisher | : Watson-Guptill |
Total Pages | : 202 |
Release | : 2011-11-15 |
Genre | : Art |
ISBN | : 0823008347 |
Because nature is so expansive and complex, so varied in its range of light, landscape painters often have to look further and more deeply to find form and structure, value patterns, and an organized arrangement of shapes. In Landscape Painting, Mitchell Albala shares his concepts and practices for translating nature's grandeur, complexity, and color dynamics into convincing representations of space and light. Concise, practical, and inspirational, Landscape Painting focuses on the greatest challenges for the landscape artist, such as: • Simplification and Massing: Learn to reduce nature's complexity by looking beneath the surface of a subject to discover the form's basic masses and shapes.• Color and Light: Explore color theory as it specifically applies to the landscape, and learn the various strategies painters use to capture the illusion of natural light.• Selection and Composition: Learn to select wisely from nature's vast panorama. Albala shows you the essential cues to look for and how to find the most promising subject from a world of possibilities. The lessons in Landscape Painting—based on observation rather than imitation and applicable to both plein air and studio practice—are accompanied by painting examples, demonstrations, photographs, and diagrams. Illustrations draw from the work of more than 40 contemporary artists and such masters of landscape painting as John Constable, Sanford Gifford, and Claude Monet. Based on Albala's 25 years of experience and the proven methods taught at his successful plein air workshops, this in-depth guide to all aspects of landscape painting is a must-have for anyone getting started in the genre, as well as more experienced practitioners who want to hone their skills or learn new perspectives.
Author | : Jim Wilcox |
Publisher | : |
Total Pages | : 190 |
Release | : 2008 |
Genre | : Art, American |
ISBN | : 9781606431771 |
Author | : Ted Goerschner |
Publisher | : Echo Point Books & Media |
Total Pages | : 146 |
Release | : 2014-12-05 |
Genre | : Art |
ISBN | : 9781626548558 |
One of the best things about attending a workshop led by a skilled instructor is that you're a better artist by the end of the week. Don't expect anything less from this workshop-in-print. If you want to learn how to capture your subjects in an expressive and colorful style, this book is the next best thing to attending a Ted Goerschner workshop. Get the workshop experience in the comfort of your own studio, at whatever pace that is right for you Day 1: Ted shares his secrets to obtaining fresh, bright color Day 2: Find out how to build a perfect scene Day 3: Ted shows you how to choose and focus on a subject while painting in nature Day 4: Discover a simple five-step approach that works for every painting Day 5: As every artist has difficult days, learn how open-minded perseverance can lead to a successful painting Day 6: Ted demonstrates how to add life to your landscapes and put people in your paintings Day 7: Ted shows how to incorporate design techniques to make your art more exciting Ted also performs a dozen of his famous paint-on demos, in which he actually paints on top of a student's work to correct problems that virtually every student struggles with. By the end of the workshop, you'll be loosened up and creating paintings filled with light, color, and great juicy brushstrokes. So what are you waiting for? You don't want to be late for your first day Ted Goerschner (1933-2013) was inspired by his grandfather's success as a sculptor and painter and knew by the age of six that he wanted to be an artist. Goerschner attended the Newark School of Fine and Industrial Art, and after serving two years in the Korean War, he studied painting at the Art Students League in New York City. His career finally took off when Charles Movalli wrote an article on him in American Artist in 1977. As an award-winning painter, he has been featured in a number of art periodicals and exhibited at the Art Students League in New York, National Academy of Design in New York, Salamagundi Club in New York, and Rockport Art Association. Lewis Barret Lehrman has been a working artist and writer, in one form or other, for all his working life. He is the author of a number of books on art, including Being an Artist, Energize Your Paintings With Color, Freshen Your Paintings with New Ideas, Capturing Light in Watercolor, and Harley Brown's Eternal Truths For Every Artist. A New York native, Lehrman currently resides in Scottsdale, Arizona with his wife Lola. For more information on this artist, visit his website: www.lewisblehrman.com.