Echocardiology

Echocardiology
Author: H. Rijsterborgh
Publisher: Springer Science & Business Media
Total Pages: 462
Release: 2012-12-06
Genre: Medical
ISBN: 9400982992
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This symposium is the fourth of a series of scientific meetings in the field of echocardiology, held at the Erasmus University, Rotterdam.* The series was initiated by Klaas Born, who organized the first two meetings, and was continued by Charles Lancee. These previous symposia met with great success. These proceedings comprise most of the invited lectures and free commu nications which had their' live performance' during the 4th Symposium on Echocardiology. We decided, again, to maintain one ofthe most striking features of the last meetings: having the proceedings available at the time of the meeting. As a consequence, the authors-to-be were confronted with a very tight schedule. The editing time was also limited and therefore neither terminology nor units have been completely standardized. However, as a result, these proceedings do reflect the 'state of the art' in echocardiology. This is not a textbook on echocardiology, but cardiologists and techni cians, with experience in the field of echocardiology, will certainly appreciate the educational features of this book. This symposium was organized in association with Interuniversity Institute of Cardiology, Amsterdam, the Netherlands. Dutch Society of Ultrasound in Medicine and Biology Dutch Heart Foundation, The Hague, the Netherlands European Society of Cardiology Financial support was given by Interuniversity Institute of Cardiology, Amsterdam, the Netherlands University-fund Rotterdam Foundation, Rotterdam, the Netherlands Dutch Heart Foundation, The Hague, the Netherlands.

Echo

Echo
Author: Amit Pinchevski
Publisher: MIT Press
Total Pages: 232
Release: 2022-05-10
Genre: Social Science
ISBN: 026236882X
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An exploration of echo not as simple repetition but as an agent of creative possibilities. In this volume in the MIT Press Essential Knowledge series, Amit Pinchevski proposes that echo is not simple repetition and the reproduction of sameness but an agent of change and a source of creation and creativity. Pinchevski views echo as a medium, connecting and mediating across and between disparate domains. He reminds us that the mythological Echo, sentenced by Juno to repeat the last words of others, found a way to make repetition expressive. So too does echo introduce variation into sameness, mediating between self and other, inside and outside, known and unknown, near and far. Echo has the potential to bring back something unexpected, either more or less than what was sent. Pinchevski distinguishes echo from the closely related but sometimes conflated reflection, reverberation, and resonance; considers echolalia as an active, reactive, and creative vocalic force, the launching pad of speech; and explores echo as a rhetorical device, steering between appropriation and response while always maintaining relation. He examines the trope of echo chamber and both destructive and constructive echoing; describes various echo techniques and how echo can serve practical purposes from echolocation in bats and submarines to architecture and sound recording; explores echo as a link to the past, both literally and metaphorically; and considers echo as medium using Marshall McLuhan’s tetrad.

Echo Chambers

Echo Chambers
Author: Conrad Riker
Publisher: Conrad Riker
Total Pages: 182
Release: 101-01-01
Genre: Humor
ISBN:
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Are you tired of feeling trapped within your own beliefs, constantly surrounded by the same perspectives and opinions? Are you seeking a way to break free from these self-reinforcing cycles of thought? This book offers a comprehensive and incisive exploration of echo chambers, their psychological underpinnings, historical contexts, and impact on today's society. Understanding Echo Chambers provides practical insights into the phenomenon and offers strategies for escaping these intellectual prisons. Whether you are a concerned citizen, a curious academic, or a social media user, this book will resonate with your desire for a more open dialogue and diverse perspectives. Key Features of the Book: - A timely exploration of the psychological phenomena behind echo chambers. - A historical perspective on echo chambers and their prevalence. - An analysis of the role of media in fostering echo chambers. - A look at the influence of echo chambers on politics and decision-making. - An in-depth examination of echo chambers on social media platforms. - A critical view of echo chambers in academia. - A scientific approach to understanding and combating echo chambers. - A discussion on the implications for free speech and open dialogue. - A guide on strategies to break free from echo chambers. If you're ready to break out of your echo chamber and seek a more balanced and enriching dialogue, then this book is an essential read. Order your copy today to start your journey towards intellectual freedom and diversity of thought. This book is not just a guide, but a beacon, illuminating the path towards a more open, diverse, and inclusive worldview. It's time to step out of the echo chamber and into the real world of differing perspectives. With this book, you can finally start to see the bigger picture. So, what are you waiting for? Order now and let the journey begin!

Echo's Chambers

Echo's Chambers
Author: Joseph L. Clarke
Publisher: University of Pittsburgh Press
Total Pages: 325
Release: 2021-06-08
Genre: Architecture
ISBN: 0822988038
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A room’s acoustic character seems at once the most technical and the most mystical of concerns. Since the early Enlightenment, European architects have systematically endeavored to represent and control the propagation of sound in large interior spaces. Their work has been informed by the science of sound but has also been entangled with debates on style, visualization techniques, performance practices, and the expansion of the listening public. Echo’s Chambers explores how architectural experimentation from the seventeenth through the mid-twentieth centuries laid the groundwork for concepts of acoustic space that are widely embraced in contemporary culture. It focuses on the role of echo and reverberation in the architecture of Pierre Patte, Claude-Nicolas Ledoux, Carl Ferdinand Langhans, and Le Corbusier, as well as the influential acoustic ideas of Athanasius Kircher, Richard Wagner, and Marshall McLuhan. Drawing on interdisciplinary theories of media and auditory culture, Joseph L. Clarke reveals how architecture has impacted the ways we continue to listen to, talk about, and creatively manipulate sound in the physical environment.

The Synthesizer

The Synthesizer
Author: Mark Vail
Publisher: Oxford University Press
Total Pages: 427
Release: 2014-01-22
Genre: Music
ISBN: 0199334854
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Electronic music instruments weren't called synthesizers until the 1950s, but their lineage began in 1919 with Russian inventor Lev Sergeyevich Termen's development of the Etherphone, now known as the Theremin. From that point, synthesizers have undergone a remarkable evolution from prohibitively large mid-century models confined to university laboratories to the development of musical synthesis software that runs on tablet computers and portable media devices. Throughout its history, the synthesizer has always been at the forefront of technology for the arts. In The Synthesizer: A Comprehensive Guide to Understanding, Programming, Playing, and Recording the Ultimate Electronic Music Instrument, veteran music technology journalist, educator, and performer Mark Vail tells the complete story of the synthesizer: the origins of the many forms the instrument takes; crucial advancements in sound generation, musical control, and composition made with instruments that may have become best sellers or gone entirely unnoticed; and the basics and intricacies of acoustics and synthesized sound. Vail also describes how to successfully select, program, and play a synthesizer; what alternative controllers exist for creating electronic music; and how to stay focused and productive when faced with a room full of instruments. This one-stop reference guide on all things synthesizer also offers tips on encouraging creativity, layering sounds, performance, composing and recording for film and television, and much more.

Literature and the Senses

Literature and the Senses
Author: Annette Kern-Stähler
Publisher: Oxford University Press
Total Pages: 540
Release: 2023-07-20
Genre: Literary Criticism
ISBN: 019284377X
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This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Literature and the Senses critically probes the role of literature in capturing and scrutinizing sensory perception. Organized around the five traditional senses, followed by a section on multisensoriality, the collection facilitates a dialogue between scholars working on literature written from the Middle Ages to the present day. The contributors engage with a variety of theorists from Maurice Merleau-Ponty to Michel Serres to Jean-Luc Nancy to foreground the distinctive means by which literary texts engage with, open up, or make uncertain dominant views of the nature of perception. Considering the ways in which literary texts intersect with and diverge from scientific, epistemological, and philosophical perspectives, these essays explore a wide variety of literary moments of sensation including: the interspecies exchange of a look between a swan and a young Indigenous Australian girl; the sound of bees as captured in an early modern poem; the noxious smell of the 'Great Stink' that recurs in the Victorian novel; the taste of an eggplant registered in a poetic performance; tactile gestures in medieval romance; and the representation of a world in which the interdependence of human beings with the purple hibiscus plant is experienced through all five senses. The collection builds upon and breaks new ground in the field of sensory studies, focusing on what makes literature especially suitable to engaging with, contributing to, and challenging our perennial understandings of, the senses.

The Wireless Past

The Wireless Past
Author: Emily C. Bloom
Publisher: Oxford University Press
Total Pages: 261
Release: 2016-11-08
Genre: Literary Criticism
ISBN: 0192513176
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The Oxford Mid-Century Studies series publishes monographs in several disciplinary and creative areas in order to create a thick description of culture in the thirty-year period around the Second World War. With a focus on the 1930s through the 1960s, the series concentrates on fiction, poetry, film, photography, theatre, as well as art, architecture, design, and other media. The mid-century is an age of shifting groups and movements, from existentialism through abstract expressionism to confessional, serial, electronic, and pop art styles. The series charts such intellectual movements, even as it aids and abets the very best scholarly thinking about the power of art in a world under new techno-political compulsions, whether nuclear-apocalyptic, Cold War-propagandized, transnational, neo-imperial, super-powered, or postcolonial. The Wireless Past chronicles the emergence of the British Broadcasting Corporation (BBC) as a significant promotional platform and aesthetic influence for Irish modernism from the 1930s to the 1960s. This is the first book-length study of Irish literary broadcasting on the BBC and situates the works of W. B. Yeats, Elizabeth Bowen, Louis MacNeice, and Samuel Beckett in the context of the media environments that shaped their works. Drawing upon unpublished radio archives, this book shows that radio broadcasting, rather than prompting a break with literary history and traditional literary forms, in fact served as an important means for reinterpreting the legacies of oral and print traditions. In the years surrounding World War II, radio came to be seen as a catalyst for literary revivals and, simultaneously, a force for experimentation. This double valence of radio--the conjoining of revivalism and experimentation--create a distinctive radiogenic aesthetics in mid-century modernism.