Eastman Johnson

Eastman Johnson
Author: Teresa A. Carbone
Publisher: Rizzoli International Publications
Total Pages: 280
Release: 1999
Genre: Art
ISBN:

Published in conjunction with the Brooklyn Museum of Art, this volume accompanies the first major retrospective of 19th-century American painter Eastman Johnson (1824-1906) in more than 25 years. 210 illustrations, 110 in color.

The Civil War and American Art

The Civil War and American Art
Author: Eleanor Jones Harvey
Publisher: Yale University Press
Total Pages: 353
Release: 2012-12-03
Genre: Art
ISBN: 0300187335

Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.

Sugaring Off

Sugaring Off
Author: Brian T. Allen
Publisher: Clark Art Institute
Total Pages: 55
Release: 2004-01-01
Genre: Architecture
ISBN: 9780300103519

This lovely book provides the first comprehensive examination of Eastman Johnson's vivid paintings of a quintessential New England theme - the making of maple sugar. This series of pictures, executed during the 1860s, is perhaps the most ambitious project in the artist's career. Brian Allen discusses the ways in which Johnson's maple sugar paintings reflect a New England on the edge of vast changes, both in the technology of farming and in the social structures of small communities. He notes how Johnson conveys the tense, shifting relationship that existed between industrial innovation and New England's distinctive brand of community spirit, evident through maple sugar's close association with free labour, as opposed to cane sugar's connection with slavery. Presented here in full colour, Johnson's maple sugar paintings are both a celebration of New England and a commentary on a bygone era. This book is the catalogue for an exhibition organized by the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts (January 18 to April 18, 2004), and traveling to The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California (May 11 to August 1, 2004).

Eastman Johnson's Lake Superior Indians

Eastman Johnson's Lake Superior Indians
Author: Patricia Condon Johnston
Publisher: Afton Historical Society Press
Total Pages: 80
Release: 1983
Genre: Art
ISBN:

"Synopsis: Eastman Johnson was the most celebrated American genre painter of his era. Lionized during the 1860s and 1870s for his sensitive paintings of country life, his subjects were commonly haymakers and cornhuskers, cranberry pickers and maple sugar makers. Less well known is a series of paintings and drawings made early in his career of the native Ojibwe at Lake Superior. Painted in 1856 and 1857, Johnson's individual portraits and group scenes rank with the finest examples of Indians in art in the nineteenth century."--Www.abebooks.com/Eastman-Johnsons-Lake-Superior-Indians-Patricia/6230948332/bd.

For America

For America
Author: Jeremiah William McCarthy
Publisher: Yale University Press
Total Pages: 305
Release: 2019-01-01
Genre: Art
ISBN: 0300244282

Featuring paintings by American icons like Winslow Homer and Thomas Eakins, this book illustrates the ways American artists have viewed themselves, their peers, and their painted worlds over 200 years.

Mobility and Identity in US Genre Painting

Mobility and Identity in US Genre Painting
Author: Lacey Baradel
Publisher: Routledge
Total Pages: 164
Release: 2020-12-30
Genre: Art
ISBN: 1000290409

This book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in US genre paintings during the second half of the long nineteenth century (c. 1860–1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824–1906), Enoch Wood Perry, Jr. (1831–1915), Thomas Hovenden (1840–95), and John Sloan (1871–1951). It also complicates art history’s canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by, instead, privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography.

The Planter's Prospect

The Planter's Prospect
Author: John Michael Vlach
Publisher: UNC Press Books
Total Pages: 248
Release: 2002
Genre: Art
ISBN:

Planter's Prospect: Privilege and Slavery in Plantation Paintings

Art and the Empire City

Art and the Empire City
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Total Pages: 658
Release: 2000
Genre: Art, American
ISBN: 0870999575

Presented in conjunction with the September 2000 exhibition at the Metropolitan Museum, this volume presents the complex story of the proliferation of the arts in New York and the evolution of an increasingly discerning audience for those arts during the antebellum period. Thirteen essays by noted specialists bring new research and insights to bear on a broad range of subjects that offer both historical and cultural contexts and explore the city's development as a nexus for the marketing and display of art, as well as private collecting; landscape painting viewed against the background of tourism; new departures in sculpture, architecture, and printmaking; the birth of photography; New York as a fashion center; shopping for home decorations; changing styles in furniture; and the evolution of the ceramics, glass, and silver industries. The 300-plus works in the exhibition and comparative material are extensively illustrated in color and bandw. Oversize: 9.25x12.25". Annotation copyrighted by Book News Inc., Portland, OR

Painting a Nation

Painting a Nation
Author: Thomas Denenberg
Publisher: Rizzoli Publications
Total Pages: 0
Release: 2017-06-06
Genre: Art
ISBN: 0847859584

An in-depth look at one of the richest collections of American art, assembled by Electra Havemeyer Webb, renowned collector and founder of Shelburne Museum. Electra Havemeyer Webb assembled Shelburne Museum’s trove of American paintings in the late 1950s, creating a renowned and rich survey of American portraits, landscapes, marine paintings, sporting art, still lifes, and genre scenes from the eighteenth to the early twentieth centuries. During an era that preferred European modernism and abstraction, Webb’s visionary endeavor presented a new story of the United States: an attractive and industrious nation with its own valuable artistic traditions. This handsome book features the best of Shelburne’s American paintings, including works by colonial painters John Wollaston and John Singleton Copley, portraits by William Matthew Prior and Ammi Phillips, Hudson River School landcapes by Thomas Cole, Albert Bierstadt, and John Frederick Kensett, and scenes of American life by Eastman Johnson, Winslow Homer, Andrew Wyeth, and many more. The collection is also notable for its great depth in the works by Fitz Henry Lane, Martin Johnson Heade, Arthur Fitzwilliam Tait, Carl Rungius, Grandma Moses, and Ogden Pleissner.

Book of the Artists

Book of the Artists
Author: Henry Theodore Tuckerman
Publisher:
Total Pages: 660
Release: 1867
Genre: Biography & Autobiography
ISBN: