East Christian Paintings in the Freer Collection (Classic Reprint)

East Christian Paintings in the Freer Collection (Classic Reprint)
Author: Charles R. Morey
Publisher:
Total Pages: 154
Release: 2015-08-09
Genre: Art
ISBN: 9781332535880

Excerpt from East Christian Paintings in the Freer Collection In the preparation of the Studies presented in the following pages I have been indebted to many for kind assistance. First of all, I am under deep obligation to Mr. Charles L. Freer for affording every facility in the use of the material in his collection and for his generous support of the publication. M. Charles Diehl, of the Sorbonne, read the Studies in proof and made valuable suggestions. Dr. E. C. Richardson of Princeton University, and Professor H. A. Sanders of the University of Michigan, assisted in the solving of palaeographical difficulties. The extent of my obligation to Strzygowski, Brockhaus, Dalton, and other masters in the field of East Christian art may be inferred from the number of citations of their contributions in the notes and in the list of illustrations. The colored plates and heliotype plates in this volume were made by The Heliotype Company, of Boston; the negatives for plates XI-XIII were prepared by Mr. George R. Swain. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Historical Painting Techniques, Materials, and Studio Practice

Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
Total Pages: 241
Release: 1995-08-24
Genre: Art
ISBN: 0892363223

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.