Early Spanish Manuscript Illumination

Early Spanish Manuscript Illumination
Author: John Williams
Publisher: New York : G. Braziller
Total Pages: 130
Release: 1977
Genre: Art
ISBN:

Spanish culture is the result of many civilizations - Visigoth, Jewish, Berber, Arabic - which mingled with the traditions of the Romanized Celtic-Iberian population, once colonized by Carthage. Of special interest among Spain's artistic treasure are the manuscripts produced from the seventh through the eleventh centuries, especially those masterpieces which were decorated in the Mozarabic style (the term given to the Christians who lived in the Iberian Peninsula under Moslem rule). These manuscripts present a strange vision of the world with strong, deep colors that cover the picture with vibrant bands of green, red, yellows and violet, providing the background for monsters, tempests, human figures of every description, - all displaying an incredible virile mysticism, evoking a new ideal, the antithesis of the Classic which was to influence the art of the latter Middle Ages throughout all Europe, but which was anticipated in Spain by nearly two centuries. - Publisher.

Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts

Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts
Author: Thomas Kren
Publisher: Getty Publications
Total Pages: 130
Release: 1997-11-13
Genre: Art
ISBN: 0892364467

The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.

A Companion to the History of the Book

A Companion to the History of the Book
Author: Simon Eliot
Publisher: John Wiley & Sons
Total Pages: 617
Release: 2009-03-30
Genre: Literary Criticism
ISBN: 140519278X

A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.

Architecture and Ideology in Early Medieval Spain

Architecture and Ideology in Early Medieval Spain
Author: Jerrilynn Denise Dodds
Publisher: Penn State University Press
Total Pages: 272
Release: 1990
Genre: Architecture
ISBN: 9780271006710

In analyzing the early medieval architecture of Christian and Islamic Spain, Jerrilynn Dodds explores the principles of artistic response to social and cultural tension, offering an account of that unique artistic experience that set Spain apart from the rest of Europe and established a visual identity born of the confrontation of cultures that perceived one another as alien. Architecture and Ideology in Early Medieval Spain covers the Spanish medieval experience from the Visigothic oligarchy to the year 1000, addressing a variety of cases of cultural interchange. It examines the embattled reactive stance of Hispano-Romans to their Visigothic rulers and the Asturian search for a new language of forms to support a political position dissociated from the struggles of a peninsula caught in the grip of a foreign and infidel rule. Dodds then examines the symbolic meaning of the Mozarabic churches of the tenth century and their reflection of the Mozarabs' threatened cultural identity. The final chapter focuses on two cases of artistic interchange between Islamic and Christian builders with a view toward understanding the dynamics of such interchange between conflicting cultures. Dodds concludes with a short account of the beginning of Romanesque architecture in Spain and an analysis of some of the ways in which artistic expression can reveal the subconscious of a culture.

Apocalypse Illuminated

Apocalypse Illuminated
Author: Richard Kenneth Emmerson
Publisher: Penn State University Press
Total Pages: 269
Release: 2018
Genre: Apocalypse in art
ISBN: 9780271078656

"Studies the illustration of Revelation in manuscripts from the ninth to the fifteenth century. Examines how twenty-five of the most important illustrated Apocalypses illustrate the biblical text and interpret it for diverse audiences"--Résumé de l'auteur.

Illuminated Manuscripts

Illuminated Manuscripts
Author: D. M. Gill
Publisher:
Total Pages: 100
Release: 1996
Genre: Design
ISBN: 9781841861012

Illuminated manuscripts are among the world's greatest artistic masterpieces. Many of them survive, allowing us to appreciate their radiance and the skill of the men who created them. This book examines the exquisite decorative techniques which captured some of the most important chronicles of history.

Mirror of the Medieval World

Mirror of the Medieval World
Author: Barbara Drake Boehm
Publisher: Metropolitan Museum of Art
Total Pages: 294
Release: 1999
Genre: Art
ISBN: 0870997858

The publication of this comprehensive catalogue celebrates the distinguished career of William D. Wixom at the Metropolitan. Highlighted in these pages are more than three hundred purchases and gifts, the great majority of which have been on view but many of which have remained unpublished until now. -- Metropolitan Museum of Art website.