Early Modern Tales of Orient
Author | : Kenneth Parker |
Publisher | : Psychology Press |
Total Pages | : 304 |
Release | : 1999 |
Genre | : British |
ISBN | : 9780415147576 |
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
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Author | : Kenneth Parker |
Publisher | : Psychology Press |
Total Pages | : 304 |
Release | : 1999 |
Genre | : British |
ISBN | : 9780415147576 |
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Kenneth Parker |
Publisher | : Routledge |
Total Pages | : 308 |
Release | : 2013-10-28 |
Genre | : Literary Criticism |
ISBN | : 1135637474 |
Early Modern Tales of Orient is the first volume to collect together these travellers' tales and make them available to today's students and scholars. By introducing a fascinating array of accounts (of exploration, diplomatic, and commercial ventures), Kenneth Parker challenges widely-held assumptions about Early Modern encounters in the Orient. The documents assembled in Early Modern Tales of Orient have extraordinary resonance for us today. Many of the discourses which in part, emerged from those early encounters - such as Islamophobia, English Nationalism, and the Catholic/Protestant divide - are still active in contemporary society. This volume sheds a unique light on the development of a very English interest in 'the exotic'.
Author | : S. P. Cerasano |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 356 |
Release | : 2006-10 |
Genre | : Literary Criticism |
ISBN | : 9780838641194 |
Medieval and Renaissance Drama in England is an international volume published annually. Each volume contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama before 1642. Volume 19 reflects a variety of scholarly interests. The collection opens with two essays - each exploring different aspects of John Webster and James Shirley - that further our understanding of attribution studies. One essay - on the ownership of the Bell Savage Playhouse - showcases MaRDiE's ongoing interest in early playhouses, while another - on Marston's Entertainment at Ashby - addresses performance history. Two further essays discuss issues related to stage costuming. Issues of actual identity are raised in an essay concerning John Lyly's biography, while two other authors probe the complex connections between drama and economics. William Rowley's All Lost by Lust becomes the centerpiece for a reassessment of rape tragedy. S. P. Cerasano is the Edgar W. B. Fairchild Professor of Literature at Colgate University.
Author | : Aidan Norrie |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 253 |
Release | : 2020-07-06 |
Genre | : Drama |
ISBN | : 1501514024 |
This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.
Author | : |
Publisher | : BRILL |
Total Pages | : 250 |
Release | : 2013-03-22 |
Genre | : History |
ISBN | : 900423148X |
The interplay between knowledge and religion forms a pivotal component of how early modern individuals and societies understood themselves and their surroundings. Knowledge of the self in pursuit of salvation, humanistic knowledge within a confessional education, as well as inherently subversive knowledge acquired about religion(s) offer instructive instances of this interplay. To these are added essays on medical knowledge in its religious and social contexts, the changing role of imagination in scientific thought, the philosophical and political problems of representation, and attempts to counter Enlightenment criteria of knowledge at the end of the period, serving here as multifaceted studies of the dynamics and shifts in sensitivity and stress in the interplay between knowledge and religion within evolving early modern contexts.
Author | : Bernadette Andrea |
Publisher | : Cambridge University Press |
Total Pages | : 196 |
Release | : 2008-01-17 |
Genre | : Literary Criticism |
ISBN | : 1139468022 |
In this innovative study, Bernadette Andrea focuses on the contributions of women and their writings in the early modern cultural encounters between England and the Islamic world. She examines previously neglected material, such as the diplomatic correspondence between Queen Elizabeth I and the Ottoman Queen Mother Safiye at the end of the sixteenth century, and resituates canonical accounts, including Lady Mary Wortley Montagu's travelogue of the Ottoman empire at the beginning of the eighteenth century. Her study advances our understanding of how women negotiated conflicting discourses of gender, orientalism, and imperialism at a time when the Ottoman empire was hugely powerful and England was still a marginal nation with limited global influence. This book is a significant contribution to critical and theoretical debates in literary and cultural, postcolonial, women's, and Middle Eastern studies.
Author | : L. McJannet |
Publisher | : Springer |
Total Pages | : 278 |
Release | : 2011-08-29 |
Genre | : Literary Criticism |
ISBN | : 0230119824 |
The essays in this book analyze a range of genres and considers geographical areas beyond the Ottoman Empire to deepen our post-Saidian understanding of the complexity of real and imagined "traffic" between England and the "Islamic worlds" it encountered and constructed.
Author | : Nathalie Rivère de Carles |
Publisher | : Springer |
Total Pages | : 242 |
Release | : 2016-10-13 |
Genre | : Literary Criticism |
ISBN | : 113743693X |
This book explores the secret relations between theatre and diplomacy from the Tudors to the Treaty of Westphalia. It offers an original insight into the art of diplomacy in the 1580-1655 period through the prism of literature, theatre and material history. Contributors investigate English, Italian and German plays of Renaissance theoretical texts on diplomacy, lifting the veil on the intimate relations between ambassadors and the artistic world and on theatre as an unexpected instrument of 'soft power'. The volume offers new approaches to understanding Early Modern diplomacy, which was a source of inspiration for Renaissance drama for Shakespeare and his European contemporaries, and contributed to fashion the aesthetic and the political ideas and practice of the Renaissance.
Author | : Thomas Betteridge |
Publisher | : Routledge |
Total Pages | : 328 |
Release | : 2017-03-02 |
Genre | : History |
ISBN | : 1351954911 |
Early modern Europe was obsessed with borders and travel. It found, imagined and manufactured new borders for its travellers to cross. It celebrated and feared borders as places or states where meanings were charged and changed. In early modern Europe crossing a border could take many forms; sailing to the Americas, visiting a hospital or taking a trip through London's sewage system. Borders were places that people lived on, through and against. Some were temporary, like illness, while others claimed to be absolute, like that between the civilized world and the savage, but, as the chapters in this volume show, to cross any of them was an exciting, anxious and often a potentially dangerous act. Providing a trans-European interdisciplinary approach, the collection focuses on three particular aspects of travel and borders: change, status and function. To travel was to change, not only humans but texts, words, goods and money were all in motion at this time, having a profound influence on cultures, societies and individuals within Europe and beyond. Likewise, status was not a fixed commodity and the meaning and appearance of borders varied and could simultaneously be regarded as hostile and welcoming, restrictive and opportunistic, according to one's personal viewpoint. The volume also emphasizes the fact that borders always serve multiple functions, empowering and oppressing, protecting and threatening in equal measure. By using these three concepts as measures by which to explore a variety of subjects, Borders and Travellers in Early Modern Europe provides a fascinating new perspective from which to re-assess the way in which early modern Europeans viewed themselves, their neighbours and the wider world with which they were increasingly interacting.
Author | : Andrew Scheil |
Publisher | : University of Toronto Press |
Total Pages | : 360 |
Release | : 2016-05-09 |
Genre | : Literary Criticism |
ISBN | : 1442625139 |
Babylon under Western Eyes examines the mythic legacy of ancient Babylon, the Near Eastern city which has served western culture as a metaphor for power, luxury, and exotic magnificence for more than two thousand years. Sifting through the many references to Babylon in biblical, classical, medieval, and modern texts, Andrew Scheil uses Babylon’s remarkable literary ubiquity as the foundation for a thorough analysis of the dynamics of adaptation and allusion in western literature. Touching on everything from Old English poetry to the contemporary apocalyptic fiction of the “Left Behind” series, Scheil outlines how medieval Christian society and its cultural successors have adopted Babylon as a political metaphor, a degenerate archetype, and a place associated with the sublime. Combining remarkable erudition with a clear and accessible style, Babylon under Western Eyes is the first comprehensive examination of Babylon’s significance within the pantheon of western literature and a testimonial to the continuing influence of biblical, classical, and medieval paradigms in modern culture.