Early Lectures Of Ralph Waldo Emerson 1833 1836
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Author | : Ralph Waldo Emerson |
Publisher | : Harvard University Press |
Total Pages | : 592 |
Release | : 1959 |
Genre | : Literary Collections |
ISBN | : 9780674221505 |
In his early lectures we find the first ordering of Emerson's thoughts. The lectures are the immediate source of much in his essays, whose composition cannot be understood without them. This volume contains among others the lectures on Science, Biography, and English Literature, with extensive textual and informational notes.
Author | : Ralph Waldo Emerson |
Publisher | : |
Total Pages | : 636 |
Release | : 1904 |
Genre | : Character |
ISBN | : |
Author | : Ralph Waldo Emerson |
Publisher | : University of Virginia Press |
Total Pages | : 310 |
Release | : 2017-02-03 |
Genre | : Literary Criticism |
ISBN | : 0813939534 |
Ralph Waldo Emerson is one of the most important figures in American nature writing, yet until now readers have had no book devoted to this central theme in his work. "The Best Read Naturalist" fills this lacuna, placing several of Emerson’s lesser-known pieces of nature writing in conversation with his canonical essays. Organized chronologically, the thirteen selections—made up of sermons, lectures, addresses, and essays—reveal an engagement with natural history that spanned Emerson’s career. As we watch him grapple with what he called the "book of nature," a more environmentally connected thinker emerges—a "green" Emerson deeply concerned with the physical world and fascinated with the ability of science to reveal a correspondence between the order of nature and that of the mind. "The Best Read Naturalist" illuminates the vital influence that the study of natural history had on the development of Emerson’s mature philosophy.
Author | : Ralph Waldo Emerson |
Publisher | : |
Total Pages | : 592 |
Release | : 1959 |
Genre | : American essays |
ISBN | : |
Author | : Kate Stanley |
Publisher | : Cambridge University Press |
Total Pages | : 257 |
Release | : 2018-07-19 |
Genre | : Literary Criticism |
ISBN | : 1108554199 |
Practices of Surprise in American Literature After Emerson locates a paradoxical question - how does one prepare to be surprised? - at the heart of several major modernist texts. Arguing that this paradox of perception gives rise to an American literary methodology, this book dramatically reframes how practices of reading and writing evolved among modernist authors after Emerson. Whereas Walter Benjamin defines modernity as a 'series of shocks' inflicted from without, Emerson offers a countervailing optic that regards life as a 'series of surprises' unfolding from within. While Benjaminian shock elicits intimidation and defensiveness, Emersonian surprise fosters states of responsiveness and spontaneity whereby unexpected encounters become generative rather than enervating. As a study of how such states of responsiveness were cultivated by a post-Emerson tradition of writers and thinkers, this project displaces longstanding models of modernist perception defined by shock's passive duress, and proposes alternate models of reception that proceed from the active practice of surprise.
Author | : Nieves Mathews |
Publisher | : Yale University Press |
Total Pages | : 620 |
Release | : 1996-01-01 |
Genre | : Philosophy |
ISBN | : 9780300064414 |
In 1621 Bacon fell from power as Lord Chancellor, the highest position in the land. Charged with accepting bribes, he was convicted, fined, imprisoned and exiled from the Court. He died five years later, disgraced and deeply in debt.
Author | : Ben Lazare Mijuskovic |
Publisher | : John Benjamins Publishing |
Total Pages | : 224 |
Release | : 1984-01-01 |
Genre | : Philosophy |
ISBN | : 9789060322543 |
Author | : Drew Maciag |
Publisher | : Cornell University Press |
Total Pages | : 303 |
Release | : 2013-04-19 |
Genre | : Political Science |
ISBN | : 0801467861 |
The statesman and political philosopher Edmund Burke (1729–1797) is a touchstone for modern conservatism in the United States, and his name and his writings have been invoked by figures ranging from the arch Federalist George Cabot to the twentieth-century political philosopher Leo Strauss. But Burke's legacy has neither been consistently associated with conservative thought nor has the richness and subtlety of his political vision been fully appreciated by either his American admirers or detractors. In Edmund Burke in America, Drew Maciag traces Burke's reception and reputation in the United States, from the contest of ideas between Burke and Thomas Paine in the Revolutionary period, to the Progressive Era (when Republicans and Democrats alike invoked Burke’s wisdom), to his apotheosis within the modern conservative movement.Throughout, Maciag is sensitive to the relationship between American opinions about Burke and the changing circumstances of American life. The dynamic tension between conservative and liberal attitudes in American society surfaced in debates over the French Revolution, Jacksonian democracy, Gilded Age values, Progressive reform, Cold War anticommunism, and post-1960s liberalism. The post–World War II rediscovery of Burke by New Conservatives and their adoption of him as the "father of conservatism" provided an intellectual foundation for the conservative ascendancy of the late twentieth century. Highlighting the Burkean influence on such influential writers as George Bancroft, E. L. Godkin, and Russell Kirk, Maciag also explores the underappreciated impact of Burke’s thought on four U.S. presidents: John Adams and John Quincy Adams, Theodore Roosevelt, and Woodrow Wilson. Through close and keen readings of political speeches, public lectures, and works of history and political theory and commentary, Maciag offers a sweeping account of the American political scene over two centuries.
Author | : David S. Reynolds |
Publisher | : Oxford University Press |
Total Pages | : 656 |
Release | : 2011-06-01 |
Genre | : Literary Criticism |
ISBN | : 0199976406 |
The award-winning Beneath the American Renaissance is a classic work on American literature. It immeasurably broadens our knowledge of our most important literary period, as first identified by F.O. Matthiessen's American Renaissance. With its combination of sharp critical insight, engaging observation, and narrative drive, it represents the kind of masterful cultural history for which David Reynolds is known. Here the major works of Emerson, Thoreau, Whitman, Poe, Hawthorne, Melville, and Dickinson receive striking, original readings set against the rich backdrop of contemporary popular writing. Now back in print, the volume includes a new foreword by historian Sean Wilentz that reveals the book's impact and influence. A magisterial work of criticism and cultural history, Beneath the American Renaissance will fascinate anyone interested in the genesis of America's most significant literary epoch and the iconic figures who defined it.
Author | : Michael T. Gilmore |
Publisher | : University of Chicago Press |
Total Pages | : 342 |
Release | : 2010-08-15 |
Genre | : Literary Criticism |
ISBN | : 0226294153 |
How did slavery and race impact American literature in the nineteenth century? In this ambitious book, Michael T. Gilmore argues that they were the carriers of linguistic restriction, and writers from Frederick Douglass to Stephen Crane wrestled with the demands for silence and circumspection that accompanied the antebellum fear of disunion and the postwar reconciliation between the North and South. Proposing a radical new interpretation of nineteenth-century American literature, The War on Words examines struggles over permissible and impermissible utterance in works ranging from Thoreau’s “Civil Disobedience” to Henry James’s The Bostonians. Combining historical knowledge with groundbreaking readings of some of the classic texts of the American past, The War on Words places Lincoln’s Cooper Union address in the same constellation as Margaret Fuller’s feminism and Thomas Dixon’s defense of lynching. Arguing that slavery and race exerted coercive pressure on freedom of expression, Gilmore offers here a transformative study that alters our understanding of nineteenth-century literary culture and its fraught engagement with the right to speak.