Early American Books And Printing
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Author | : Benjamin Railton |
Publisher | : Rowman & Littlefield |
Total Pages | : 175 |
Release | : 2016-11-10 |
Genre | : Literary Criticism |
ISBN | : 1442276371 |
Throughout history, creative writers have often tackled topical subjects as a means to engage and influence public discourse. American authors—those born in the States and those who became naturalized citizens—have consistently found ways to be critical of the more painful pieces of the country’s past yet have done so with the patriotic purpose of strengthening the nation’s community and future. In History and Hope in American Literature: Models of Critical Patriotism, Ben Railton argues that it is only through an in-depth engagement with history—especially its darkest and most agonizing elements—that one can come to a genuine form of patriotism that employs constructive criticism as a tool for civic engagement. The author argues that it is through such critical patriotism that one can imagine and move toward a hopeful, shared future for all Americans. Railton highlights twelve works of American literature that focus on troubling periods in American history, including John Steinbeck’s The Grapes of Wrath,David Bradley’s The Chaneysville Incident, Louise Erdrich’s Love Medicine, Tony Kushner’s Angels in America, Junot Díaz’s The Brief Wondrous Life of Oscar Wao, and Dave Eggers’s What Is the What. From African and Native American histories to the Depression and the AIDS epidemic, Caribbean and Rwandan refugees and immigrants to global climate change, these works help readers confront, understand, and transcend the most sorrowful histories and issues. In so doing, the authors of these books offer hard-won hope that can help point people in the direction of a more perfect union. History and Hope in American Literature will be of interest to students and practitioners of American literature and history.
Author | : Roger Eliot Stoddard |
Publisher | : Penn State Press |
Total Pages | : 833 |
Release | : 2012 |
Genre | : Literary Criticism |
ISBN | : 027105221X |
"A bibliography of poetry composed in what is now the United States of America and printed in the form of books or pamphlets before 1821"--Provided by publisher.
Author | : Jonathan Senchyne |
Publisher | : Studies in Print Culture and t |
Total Pages | : 0 |
Release | : 2020 |
Genre | : History |
ISBN | : 9781625344731 |
The true scale of paper production in America from 1690 through the end of the nineteenth century was staggering, with a range of parties participating in different ways, from farmers growing flax to textile workers weaving cloth and from housewives saving rags to peddlers collecting them. Making a bold case for the importance of printing and paper technology in the study of early American literature, Jonathan Senchyne presents archival evidence of the effects of this very visible process on American writers, such as Anne Bradstreet, Herman Melville, Lydia Sigourney, William Wells Brown, and other lesser-known figures. The Intimacy of Paper in Early and Nineteenth-Century American Literature reveals that book history and literary studies are mutually constitutive and proposes a new literary periodization based on materiality and paper production. In unpacking this history and connecting it to cultural and literary representations, Senchyne also explores how the textuality of paper has been used to make social and political claims about gender, labor, and race.
Author | : Scott E. Casper |
Publisher | : |
Total Pages | : 488 |
Release | : 2002 |
Genre | : Antiques & Collectibles |
ISBN | : |
CD-ROM contains: Digital image archive of books, magazines, manuscripts, technologies, and readers to accompany text.
Author | : Thomas A. Horrocks |
Publisher | : |
Total Pages | : 248 |
Release | : 2008 |
Genre | : Health & Fitness |
ISBN | : |
Explores the role of almanacs in early American culture.
Author | : John Sutherland |
Publisher | : |
Total Pages | : 127 |
Release | : 2007 |
Genre | : American fiction |
ISBN | : 9780191776960 |
For the last century, the tastes and preferences of readers of fiction have been reflected in the American and British bestseller lists. John Sutherland takes an engaging look through the lists to reveal what we have been reading - and why.
Author | : A. Franklin Parks |
Publisher | : Penn State Press |
Total Pages | : 234 |
Release | : 2012-02-01 |
Genre | : History |
ISBN | : 0271052120 |
William Parks: The Colonial Printer in the Transatlantic World of the Eighteenth Century is a cultural biography that traces the important early American printer and newspaper publisher&’s path from the rural provinces of England to London and then to colonial Maryland and Virginia. While incorporating much new biographical information, the book widens the lens to take in the print culture on both sides of the Atlantic&—as well as the societal pressures on printing and publishing in England and colonial America in the early to mid-eighteenth century, with the printer as a focal point. After a struggling start in England, William Parks became a critical figure for both Annapolis and Williamsburg. He provided the southern United States with its first newspapers as well as civic leadership, book printing and selling, paper, and even postal services. Despite Jefferson&’s later dismissal of his Williamsburg newspaper as simply a governmental organ, Parks often pushed the limits of what was expected of a public printer, occasionally getting into trouble and confronting the kind of control and censorship that would eventually make evident the need for press freedoms in the new republic. It has often been asserted that, had Parks not died unexpectedly and relatively young, his reputation would have rivaled that of Franklin as a printer, entrepreneur, and man of affairs.
Author | : Charles Brockden Brown |
Publisher | : |
Total Pages | : 214 |
Release | : 1859 |
Genre | : |
ISBN | : |
Author | : Phillip H. Round |
Publisher | : Univ of North Carolina Press |
Total Pages | : 297 |
Release | : 2010-10-11 |
Genre | : Social Science |
ISBN | : 080789947X |
In 1663, the Puritan missionary John Eliot, with the help of a Nipmuck convert whom the English called James Printer, produced the first Bible printed in North America. It was printed not in English but in Algonquian, making it one of the first books printed in a Native language. In this ambitious and multidisciplinary work, Phillip Round examines the relationship between Native Americans and printed books over a two-hundred-year period, uncovering the individual, communal, regional, and political contexts for Native peoples' use of the printed word. From the northeastern woodlands to the Great Plains, Round argues, alphabetic literacy and printed books mattered greatly in the emergent, transitional cultural formations of indigenous nations threatened by European imperialism. Removable Type showcases the varied ways that Native peoples produced and utilized printed texts over time, approaching them as both opportunity and threat. Surveying this rich history, Round addresses such issues as the role of white missionaries and Christian texts in the dissemination of print culture in Indian Country, the establishment of "national" publishing houses by tribes, the production and consumption of bilingual texts, the importance of copyright in establishing Native intellectual sovereignty (and the sometimes corrosive effects of reprinting thereon), and the significance of illustrations.
Author | : Jared Gardner |
Publisher | : University of Illinois Press |
Total Pages | : 227 |
Release | : 2012-05-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 025209381X |
Countering assumptions about early American print culture and challenging our scholarly fixation on the novel, Jared Gardner reimagines the early American magazine as a rich literary culture that operated as a model for nation-building by celebrating editorship over authorship and serving as a virtual salon in which citizens were invited to share their different perspectives. The Rise and Fall of Early American Magazine Culture reexamines early magazines and their reach to show how magazine culture was multivocal and presented a porous distinction between author and reader, as opposed to novel culture, which imposed a one-sided authorial voice and restricted the agency of the reader.