Dress And Identity In America
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Author | : Daniel Delis Hill |
Publisher | : Bloomsbury Publishing |
Total Pages | : 257 |
Release | : 2023-12-14 |
Genre | : Design |
ISBN | : 1350373931 |
Dress and Identity in America is an examination of the conservatism and materialism that swept across the country in the late 1940s through the 1950s-a backlash to the wartime tumult, privations, and social upheavals of the Second World War. The study looks at how American men sought to recapture a masculine identity from a generation earlier, that of the stoic patriarch, breadwinner, and dutiful father, and in the process, became the men in the gray flannel suits who were complacently conventional and conformist. Parallel to that is a look at how American women, who had donned pants and went to work in wartime munitions factories or joined services like the WACS and WAVES, were now expected to stay at home as housewives and mothers, dressed in cinched, ultrafeminine New Look fashions. As the Space Age dawned, their baby boom children rejected the conventions of their elders and experimented with their own ideas of identity and dress in an emerging era of counterculture revolutions.
Author | : Ann Pollard Rowe |
Publisher | : UBS Publishers' Distributors |
Total Pages | : 348 |
Release | : 1998 |
Genre | : Crafts & Hobbies |
ISBN | : 9780295977423 |
Costume and Identity in Highland Ecuador offers particular insight into the role of costume - clothing, jewelry, hairstyles, and bodily adornment - in a society changing from a subsistence to a wage-based economy. In some highland regions costumes are still relatively conservative; in others, machine-made cloth has replaced handmade cloth or distinctive costumes are disappearing altogether. In this volume a number of textile experts focus their attention on the creation and use of the clothing itself, including loom styles and fabrics, but in addition they explore the historical forces that have helped shape indigenous costume. This work is the first detailed survey of Ecuadorian costume and will become a standard reference and a much-needed model for other areas of South America. Pulling together many and varied field studies, it spans more than twenty years and presents research in a useful, comparative format. Many of the 286 photographs of daily and fiesta dress were taken on location; some depict significant examples from the renowned collection of The Textile Museum. All attest to the visual stimulation of Ecuadorian costume.
Author | : Diana Crane |
Publisher | : University of Chicago Press |
Total Pages | : 353 |
Release | : 2012-06-12 |
Genre | : Social Science |
ISBN | : 0226924831 |
It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed. Crane compares nineteenth-century societies—France and the United States—where social class was the most salient aspect of social identity signified in clothing with late twentieth-century America, where lifestyle, gender, sexual orientation, age, and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisure clothes convey meanings ranging from trite to political. In today's multicode societies, clothes inhibit as well as facilitate communication between highly fragmented social groups. Crane extends her comparison by showing how nineteenth-century French designers created fashions that suited lifestyles of Paris elites but that were also widely adopted outside France. By contrast, today's designers operate in a global marketplace, shaped by television, film, and popular music. No longer confined to elites, trendsetters are drawn from many social groups, and most trends have short trajectories. To assess the impact of fashion on women, Crane uses voices of college-aged and middle-aged women who took part in focus groups. These discussions yield fascinating information about women's perceptions of female identity and sexuality in the fashion industry. An absorbing work, Fashion and Its Social Agendas stands out as a critical study of gender, fashion, and consumer culture. "Why do people dress the way they do? How does clothing contribute to a person's identity as a man or woman, as a white-collar professional or blue-collar worker, as a preppie, yuppie, or nerd? How is it that dress no longer denotes social class so much as lifestyle? . . . Intelligent and informative, [this] book proposes thoughtful answers to some of these questions."-Library Journal
Author | : National Museum of the American Indian |
Publisher | : Harper Collins |
Total Pages | : 164 |
Release | : 2007-02-06 |
Genre | : History |
ISBN | : 0061153699 |
This beautiful book presents a fascinating array of complete women's and girls' outfits dating from the 1830s to the present, including dresses, shawls, shoes, belts, bags, fans, and hair accessories. Also included is historical and contemporary background information on Native life and Native women and their dress. To accompany a major exhibit of the same name at the NMAI in March 2007.
Author | : Monica L. Miller |
Publisher | : Duke University Press |
Total Pages | : 409 |
Release | : 2009-10-08 |
Genre | : Social Science |
ISBN | : 0822391511 |
Slaves to Fashion is a pioneering cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art worlds of London and New York. It is populated by sartorial impresarios such as Julius Soubise, a freed slave who sometimes wore diamond-buckled, red-heeled shoes as he circulated through the social scene of eighteenth-century London, and Yinka Shonibare, a prominent Afro-British artist who not only styles himself as a fop but also creates ironic commentaries on black dandyism in his work. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora. Dandyism was initially imposed on black men in eighteenth-century England, as the Atlantic slave trade and an emerging culture of conspicuous consumption generated a vogue in dandified black servants. “Luxury slaves” tweaked and reworked their uniforms, and were soon known for their sartorial novelty and sometimes flamboyant personalities. Tracing the history of the black dandy forward to contemporary celebrity incarnations such as Andre 3000 and Sean Combs, Miller explains how black people became arbiters of style and how they have historically used the dandy’s signature tools—clothing, gesture, and wit—to break down limiting identity markers and propose new ways of fashioning political and social possibility in the black Atlantic world. With an aplomb worthy of her iconographic subject, she considers the black dandy in relation to nineteenth-century American literature and drama, W. E. B. Du Bois’s reflections on black masculinity and cultural nationalism, the modernist aesthetics of the Harlem Renaissance, and representations of black cosmopolitanism in contemporary visual art.
Author | : Megan Cifarelli |
Publisher | : Oxbow Books Limited |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Clothing and dress |
ISBN | : 9781789252545 |
Presents a wide ranging examination of the social roles of dressed bodies in ancient contexts, texts, and images.
Author | : Deirdre Clemente |
Publisher | : UNC Press Books |
Total Pages | : 209 |
Release | : 2014 |
Genre | : Design |
ISBN | : 1469614073 |
Dress Casual: How College Students Redefined American Style
Author | : Kyunghee Pyun |
Publisher | : Springer |
Total Pages | : 429 |
Release | : 2018-10-25 |
Genre | : Social Science |
ISBN | : 3319971999 |
This edited volume on radical dress reforms in East Asia takes a fresh look at the symbols and languages of modernity in dress and body. Dress reform movements around the turn of the twentieth century in the region have received little critical attention as a multicultural discourse of labor, body, gender identity, colonialism, and government authority. With contributions by leading experts of costume/textile history of China, Korea, and Japan, this book presents up-to-date scholarship using diverse methodologies in costume history, history of consumption, and international trade. Thematically organized into sections exploring the garments and uniforms, accessories, fabrics, and fashion styles of Asia, this edited volume offers case studies for students and scholars in an ever-expanding field of material culture including, but not limited to, economic history, visual culture, art history, history of journalism, and popular culture. Fashion, Identity, and Power in Modern Asia stimulates further research on the impact of modernity and imperialism in neglected areas such as military uniform, school uniform, women’s accessories, hairstyles, and textile trade.
Author | : Fred Davis |
Publisher | : University of Chicago Press |
Total Pages | : 239 |
Release | : 2013-11-11 |
Genre | : Social Science |
ISBN | : 022616795X |
What do our clothes say about who we are or who we think we are? How does the way we dress communicate messages about our identity? Is the desire to be "in fashion" universal, or is it unique to Western culture? How do fashions change? These are just a few of the intriguing questions Fred Davis sets out to answer in this provocative look at what we do with our clothes—and what they can do to us. Much of what we assume to be individual preference, Davis shows, really reflects deeper social and cultural forces. Ours is an ambivalent social world, characterized by tensions over gender roles, social status, and the expression of sexuality. Predicting what people will wear becomes a risky gamble when the link between private self and public persona can be so unstable.
Author | : Patricia Cunningham |
Publisher | : Berg Publishers |
Total Pages | : 294 |
Release | : 2005-03-01 |
Genre | : Design |
ISBN | : 9781845200732 |
Americans began the twentieth century standing in Europe's sartorial shadow, yet ended by outfitting the world in blue jeans, T-shirts and sneakers. How did this come about? What changes in American culture were reflected in fashion? What role did popular culture play?This important overview of American fashion in the twentieth century considers how Americans went from imitating British and French fashion to developing their own sense of style. It examines such influences on dress as class, jazz and hip hop, war, the space race, movies, television and sports. Further, the book shows how gender, psychology, advertising, public policy, shifting family values, the American design movement and expertise in mass production profoundly influenced an American style that has been exported across the globe. From New York City's Bohemians to Hollywood's stars, Twentieth-Century American Fashion reveals the continuing importance of clothing to American identity and individual experience.