Drawings By Stefano Della Bella
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| Author | : Caroline O. Fowler |
| Publisher | : Harvey Miller |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Drawing |
| ISBN | : 9781909400399 |
A study of drawing and philosophy in artistic practice, important not only for art history but also for literature studies, intellectual history, religious history, history of the book,and history of science. 00Leon Battista Alberti wrote in 'De pictura' (1435) that painting is divine because, ?as they say of friendship, a painting lets the absent be present.? Absence and Presence in Early-Modern Drawing Pedagogy examines this relationship between absent and present objects and subjects in early-modern artistic pedagogy. This book studies the intersections among artistic treatises, natural philosophy and theology from 1400-1700, arguing that drawing pedagogy sought to teach the painting of histories that stimulated in the viewer the sensation of being present before the historical moment, the person, the still life. The manifestation of presence remained not only in the sensation of sight but also in all the sensory perceptions of touch, taste, smell and the sixth sense of sensing, the experience of existence. This book demonstrates the pedagogical means by which artists sought to teach the simulation of presence (and the sensorial perception of absence
| Author | : Jolanta Talbierska |
| Publisher | : |
| Total Pages | : 462 |
| Release | : 2001 |
| Genre | : Etching |
| ISBN | : |
| Author | : Anthony Blunt |
| Publisher | : |
| Total Pages | : 152 |
| Release | : 1954 |
| Genre | : Art, Italian |
| ISBN | : |
| Author | : Carl Goldstein |
| Publisher | : Cambridge University Press |
| Total Pages | : 239 |
| Release | : 2012-02-13 |
| Genre | : History |
| ISBN | : 1139505033 |
In this book, Carl Goldstein examines the print culture of seventeenth-century France through a study of the career of Abraham Bosse, a well-known printmaker, book illustrator, and author of books and pamphlets on a variety of technical subjects. The consummate print professional, Bosse persistently explored the endless possibilities of print – single-sheet prints combining text and image, book illustration, broadsides, placards, almanacs, theses, and pamphlets. Bosse had a profound understanding of print technology as a fundamental agent of change. Unlike previous studies, which have largely focused on the printed word, this book demonstrates the extent to which the contributions of an individual printmaker and the visual image are fundamental to understanding the nature and development of early modern print culture.
| Author | : Mark Stocker |
| Publisher | : Harvey Miller Publishers |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 9781909400382 |
"This book is a Festschrift to honour Jean Michel Massing, Professor of the History of Art at the University of Cambridge, on his retirement and contains essays from 21 of his colleagues and former students. An indispensable study for all admirers of Jean Michel Massing's work, this publication includes essays reflecting some of the many fields of research that he has explored throughout his academic career. Twenty-one of Professor Massing's colleagues and former students have contributed to this volume on the occasion of his retirement as Professor of Art at the University of Cambridge. The global aspect of Jean Michel Massing's oeuvre forms the binding element between the various topics covered in this collection, paying homage to the interdisciplinary nature of his approach to the field of art history. Defying strictly linear, spatio-temporal trajectories, this volume is an ongoing conversation with Professor Massing, ambitiously taking his brilliant work as the inspiration and basis for the further development of a global history of art."--Publisher's website.
| Author | : Amy Golahny |
| Publisher | : Brill's Studies in Intellectua |
| Total Pages | : 258 |
| Release | : 2020 |
| Genre | : Art |
| ISBN | : 9789004382664 |
"Rembrandt: Studies in his Varied Approaches to Italian Art explores his engagement with imagery by Italian masters. His references fall into three categories: pragmatic adaptations, critical commentary, and conceptual rivalry. These are not mutually exclusive but provide a strategy for discussion. This study also discusses Dutch artists' attitudes toward traveling south, surveys contemporary literature praising and/or criticizing Rembrandt, and examines his art collection and how he used it. It includes an examination of the vocabulary used by Italians to describe Rembrandt's art, with a focus on the patron Don Antonio Ruffo, and closes by considering the reception of his works by Italian artists"--
| Author | : Cathy Leahy |
| Publisher | : |
| Total Pages | : 87 |
| Release | : 2012 |
| Genre | : Apocalypse in art |
| ISBN | : 9780724103577 |
Europe experienced great turmoil between the fifteenth and seventeenth centuries. Bitter religious conflicts, war and other disasters such as plague and famine generated deep anxieties and were increasingly read as divine punishments or warnings that the Last Days were imminent. Artists gave expression to these fears in a range of extraordinary images that are analysed in depth in this publication. Illustrations of the Apocalypse, as well as images of skeletons personifying Death, and of physically deformed creatures, extreme natural phenomena and diabolical witches were all manifestations of the sense of impending social and religious crisis. Lavishly illustrated with works by artists including Albrecht Drer, Jacques de Gheyn II and Stefano della Bella, The Four Horsemen: Apocalypse, Death and Disaster provides a fascinating insight into the art, culture and turbulent times in later medieval, Renaissance and early modern Europe.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 394 |
| Release | : 2008 |
| Genre | : Art del Renaixement |
| ISBN | : 1588393003 |
"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.
| Author | : Sue Welsh Reed |
| Publisher | : Museum of Fine Arts Boston |
| Total Pages | : 362 |
| Release | : 1989 |
| Genre | : Art |
| ISBN | : |
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 146 |
| Release | : 1975 |
| Genre | : Artists' preparatory studies |
| ISBN | : 0870991264 |
