Documenta 11 2002 Plattform 4
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Author | : Gary Willis |
Publisher | : UoM Custom Book Centre |
Total Pages | : 274 |
Release | : 2010 |
Genre | : Art |
ISBN | : 1921775181 |
This thesis argues that the contemporary artist's objective is the production of new social space and the institution of new cultural knowledge. It does this by drawing an unexpected parallel between the social and political expectations facing the contemporary artist and the deepest philosophic conception of the artist's function. It traces art's historical trajectory from 20th century modernism, post-modernism to post-colonialism, from a broad range of critical, theoretical and curatorial perspectives.
Author | : Annette Schelb |
Publisher | : |
Total Pages | : 28 |
Release | : 2002 |
Genre | : |
ISBN | : |
Author | : Patricia Pisters |
Publisher | : Amsterdam University Press |
Total Pages | : 225 |
Release | : 2005 |
Genre | : Performing Arts |
ISBN | : 905356750X |
Shooting the Family, a collection of essays on the contemporary media landscape, explores ever-changing representations of family life on a global scale. The contributors argue that new recording technologies allows families an unusual kind of freedom—until now unknown—to define and respond to their own lives and memories. Recently released videos made by young émigrés as they discover new homelands and resolve conflicts with their parents, for example, reverberate alongside the dark portrayals of family life in the formal filmmaking of Ang Lee. This book will be a boon to scholars of film theory and media studies, as well as to anyone interested in the construction of the family in a postmodern world.
Author | : MatthewC. Potter |
Publisher | : Routledge |
Total Pages | : 313 |
Release | : 2017-07-05 |
Genre | : Art |
ISBN | : 1351545477 |
A novel investigation into art pedagogy and constructions of national identities in Britain and Ireland, this collection explores the student-master relationship in case studies ranging chronologically from 1770 to 2013, and geographically over the national art schools of England, Ireland, Scotland and Wales. Essays explore the manner in which the Old Masters were deployed in education; fuelled the individual creativity of art teachers and students; were used as a rhetorical tool for promoting cultural projects in the core and periphery of the British Isles; and united as well as divided opinions in response to changing expectations in discourse on art and education. Case studies examined in this book include the sophisticated tradition of 'academic' inquiry of establishment figures, like Joshua Reynolds and Frederic Leighton, as well as examples of radical reform undertaken by key individuals in the history of art education, such as Edward Poynter and William Coldstream. The role of 'Modern Masters' (like William Orpen, Augustus John, Gwen John and Jeff Wall) is also discussed along with the need for students and teachers to master the realm of art theory in their studio-based learning environments, and the ultimate pedagogical repercussions of postmodern assaults on the academic bastions of the Old Masters.
Author | : Amelia Jones |
Publisher | : John Wiley & Sons |
Total Pages | : 648 |
Release | : 2009-02-09 |
Genre | : Art |
ISBN | : 9781405152358 |
A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in contemporary art since 1945, primarily in the Euro-American context. Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field. Contains dual chronological and thematic coverage of the major themes in the art of our time: politics, culture wars, public space, diaspora, the artist, identity politics, the body, and visual culture. Offers synthetic analysis, as well as new approaches to, debates central to the visual arts since 1945 such as those addressing formalism, the avant-garde, the role of the artist, technology and art, and the society of the spectacle.
Author | : Schomburg Center for Research in Black Culture |
Publisher | : |
Total Pages | : 728 |
Release | : 2003 |
Genre | : African Americans |
ISBN | : |
Author | : Liana Ricci |
Publisher | : Springer |
Total Pages | : 220 |
Release | : 2015-12-30 |
Genre | : Technology & Engineering |
ISBN | : 3319271261 |
This book explores whether and how a reinterpretation of Sub-Saharan cities, through the concept of adaptive capacity, could bridge this distance and contribute to a new understanding of the contemporary city. The research contributes to improved knowledge of urban and environmental planning and of the dynamics of development and environmental management in peri-urban areas of Dar es Salaam. This knowledge highlights the limits of certain common generalizations on the character of peri-urban areas. Moreover, the research provides methodological contribution derived from considerations on the strengths and weakness of tools and methods for investigating adaptive capacity and for environmental management, in the city of Dar es Salaam. Finally, it highlights controversial issues and possible research paths related to the relationship between adaptive capacity and urban and environmental planning.
Author | : Karin Zitzewitz |
Publisher | : Univ of California Press |
Total Pages | : 288 |
Release | : 2022-09-06 |
Genre | : Art |
ISBN | : 0520344928 |
Feminist networks, new biennials, and performance -- Painting and the image condition at the millennium -- Materiality, ephemerality, and haptics -- Language, the documentary, and art in a discursive mode -- Infrastructure, collaboration, and the cut -- Conclusion : Infrastructure is not (only) a metaphor.
Author | : Alexander Dumbadze |
Publisher | : John Wiley & Sons |
Total Pages | : 487 |
Release | : 2012-12-06 |
Genre | : Art |
ISBN | : 1118298888 |
An engaging account of today’s contemporary art world that features original articles by leading international art historians, critics, curators, and artists, introducing varied perspectives on the most important debates and discussions happening around the world. Features a collection of all-new essays, organized around fourteen specific themes, chosen to reflect the latest debates in contemporary art since 1989 Each topic is prefaced by an introduction on current discussions in the field and investigated by three essays, each shedding light on the subject in new and contrasting ways Topics include: globalization, formalism, technology, participation, agency, biennials, activism, fundamentalism, judgment, markets, art schools, and scholarship International in scope, bringing together over forty of the most important voices in the field, including Sofía Hernández Chong Cuy, David Joselit, Michelle Kuo, Raqs Media Collective, and Jan Verwoert A stimulating guide that will encourage polemical interventions and foster critical dialogue among both students and art aficionados
Author | : dele jegede |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 324 |
Release | : 2009-03-20 |
Genre | : Art |
ISBN | : 0313080607 |
African American heritage is rich with stories of family, community, faith, love, adaptation and adjustment, grief, and suffering, all captured in a variety of media by artists intimately familiar with them. From traditional media of painting and artists such as Horace Pippin and Faith Ringgold, to photography of Gordon Parks, and new media of Sam Gilliam and Martin Puryear (installation art), the African American experience is reflected across generations and works. Eight pages of color plates and black and white images throughout the book introduce both favorite and new artists to students and adult readers alike. African American heritage is rich with stories of family, community, faith, love, adaptation and adjustment, grief, and suffering, all captured in a variety of media by artists intimately familiar with them. From traditional media of painting and artists such as Horace Pippin and Faith Ringgold, to photography of Gordon Parks, and new media of Sam Gilliam and Martin Puryear (installation art), the African American experience is reflected across generations and works. Eight pages of color plates and black and white images throughout the book introduce both favorite and new artists to students and adult readers alike. A sampling of the artists included: Romare Bearden, Elizabeth Catlett, Achamyele Debela, and Melvin Edwards.