Do I Look Funny In This? An investigation into the perception and representation of female comedians on the stand-up circuit and their audiences

Do I Look Funny In This? An investigation into the perception and representation of female comedians on the stand-up circuit and their audiences
Author: Leah Dennison
Publisher: diplom.de
Total Pages: 52
Release: 2015-01-01
Genre: Performing Arts
ISBN: 3954898470

This piece investigates the perception and representation of female comics on the stand-up circuit and their audiences. It begins with a review of various theories of humour examining three major strands of thought: theories on repression, release and incongruity. It goes on to give an historical overview of British stand-up comedy, covering the Music Hall/Variety tradition, the Working Men’s Club tradition and the Alternative Comedy tradition examining the cultural attitudes of the time alongside these various stages of British comedy and the place women found within them. Concluding with a case study on Bridget Christie and her success at navigating the patriarchal world of comedy, an investigation of current panel shows figures and their representation of female comics and interview responses from current women stand-ups on the circuit. Illustrating that audiences may no longer perpetuate these long held stereotypes, but instead the industry ‘gatekeepers’, the bookers, promoters and producers within the comedy business, are limiting aspiring female comedians from garnering mass exposure.

Queens of Comedy

Queens of Comedy
Author: Susan Horowitz
Publisher:
Total Pages:
Release: 2012
Genre:
ISBN: 9781476154886

They are comedy legends: Lucille Ball, Phyllis Diller, Carol Burnett, and Joan Rivers! Cinderella had a glass slipper, but comics have clown shoes that leave footprints on our fannies and handprints on our hearts. Queens of Comedy includes Dr. Sue's personal interviews with great stars, show business advice, comedy secrets, and insights into humor and gender.Dr. Sue Horowitz asks pertinent questions, receives candid answers, and offers a banquet of food for thought. What can these great ladies of laughs teach us about how to be funny, appeal to audiences, look fabulous (yes, they do, despite the self-deprecating jokes), overcome obstacles, and make a success in show business - or any business? How do they connect (they must - or they wouldn't be so popular) with the lives and fantasies of people all over the world? Do they simply reflect gender roles (with a girlish giggle)? Or do their imaginative schemes, clever remarks, and the fact that they are outrageously funny women challenge and undermine those roles?Dr. Sue shows how gifted performers turn their lives into laughs and indelible stage and screen personalities. These show business icons share their secrets of comic delivery, writing, and connecting to audiences. They also share details about their personal lives - often a triumph of sheer determination over harsh adversity. They made hard choices, honed their talents, and turned private pain into public success - and laughed all the way to the bank!Dr. Sue also places her four queens in context in the grand tradition of female comedy, present and past - Ellen DeGeneres, Tina Fey, Goldie Hawn, Joy Behar, Lily Tomlin, Whoopi Goldberg, Lily Tomlin, Elayne Boosler, Mae West, Sophie Tucker, Moms Mabley, Fanny Brice, Totie Fields Gracie Allen and other talented but less-known performers. These great ladies of laughs stormed the barricades (or charmed the guards) to gain admittance to the "all-boys club" of traditional comedy. They challenged stereotypes and stigmas that limit all of us. They know the difference between being the butt of a sexist joke and the self-defined subject of a laugh-line and - and so should we.Queens of Comedy is a fun, thoughtful glimpse into the private lives, public personae, and comic craft of these great ladies of laughs. Anthologies of comedians often ignore or minimize the talents of funny women - despite their powerful presence in media that reach millions of people all over the world.Dr. Sue's engaging book makes a lively, original, cogent argument that it's all about sex appeal, comic appeal and power - and that show business is everybody's business. Queens of Comedy shows that, like the queens on a chess board, women comics can be powerful, make the last move, and have the last word!Endorsements:"Susan Horowitz has analyzed female comedy and dissected it clear to the bone. She's used a fine-tooth-comb to find motivation, why and how. Queens of Comedy is truly a textbook worthy of study." - Phyllis Diller, Comedienne"The subject of women who make people laugh seems an ongoing source of interest. And just when you thought everything had been said, along comes Susan Horowitz with a whole new slant. A must for the student of comedy and anyone else who wants to crack the mystery of estrogen-induced yuks." - Joy Behar, Comedienne"Dr. Sue Horowitz is a wonderful combination of somebody who puts women's comedy in context, and is a funny, effervescent performer!" -- Regina "Gina" Barreca, Ph.D., Author/Editor/ Professor of English Literature and Feminist Theory at the University of Connecticut"Queens of Comedy is informative, original, and vastly entertaining - a must-read for comedy fans and a seriously funny way to look at gender roles."-- Professor...

Pretty/Funny

Pretty/Funny
Author: Linda Mizejewski
Publisher: University of Texas Press
Total Pages: 279
Release: 2014-03-01
Genre: Performing Arts
ISBN: 0292756917

Women in comedy have traditionally been pegged as either "pretty" or "funny." Attractive actresses with good comic timing such as Katherine Hepburn, Lucille Ball, and Julia Roberts have always gotten plum roles as the heroines of romantic comedies and television sitcoms. But fewer women who write and perform their own comedy have become stars, and, most often, they've been successful because they were willing to be funny-looking, from Fanny Brice and Phyllis Diller to Lily Tomlin and Carol Burnett. In this pretty-versus-funny history, women writer-comedians—no matter what they look like—have ended up on the other side of "pretty," enabling them to make it the topic and butt of the joke, the ideal that is exposed as funny. Pretty/Funny focuses on Kathy Griffin, Tina Fey, Sarah Silverman, Margaret Cho, Wanda Sykes, and Ellen DeGeneres, the groundbreaking women comics who flout the pretty-versus-funny dynamic by targeting glamour, postfeminist girliness, the Hollywood A-list, and feminine whiteness with their wit and biting satire. Linda Mizejewski demonstrates that while these comics don't all identify as feminists or take politically correct positions, their work on gender, sexuality, and race has a political impact. The first major study of women and humor in twenty years, Pretty/Funny makes a convincing case that women's comedy has become a prime site for feminism to speak, talk back, and be contested in the twenty-first century.

The Laughing Stalk

The Laughing Stalk
Author: Judy Batalion
Publisher: Parlor Press LLC
Total Pages: 250
Release: 2011-12-15
Genre: Humor
ISBN: 1602352453

With contributions by leading scholars, writers and comedians in the USA, the UK and Canada, The Laughing Stalk: Live Comedy and Its Audiences focuses on the dynamics of audience behavior. Performers, writers, historians, producers, and theorists explore the practice and reception of live comedy performance, including cultural and historical variations in comedy audience conduct, the reception of “low” versus “high” comedy, and the differences between televised and live jokes. Contributors reflect on the subjectivity of audience members and the spread of affect, as well as the two-way relationship between joker and listener. They investigate race, sexuality and gender in humor, and contemplate the comedy club as a distinct spatial and emotional environment. The Laughing Stalk: Live Comedy and Its Audiences includes excerpts and scripts from Michael Frayne’s Audience and Andrea Fraser’s Inaugural Speech. Judy Batalion interviews noted comic writers, performers, and theater designers, including Iain Mackintosh, Shazia Mirza, Julia Chamberlain, Scott Jacobson, and Andrea Fraser. Sarah Boyes contributes a short photographic essay on comedy clubbers. Essay contributors include Alice Rayner, Matthew Daube, Lesley Harbidge, Gavin Butt, Diana Solomon, Rebecca Krefting, Kevin McCarron, Nile Seguin, Elizabeth Klaver, Frances Gray, AL Kennedy, Kélina Gotman, and Samuel Godin. The comedy duo of Sable & Batalion share their conclusions about audience responses to hip-hop theater.

Comedy and Distinction

Comedy and Distinction
Author: Sam Friedman
Publisher: Routledge
Total Pages: 241
Release: 2014-04-24
Genre: Social Science
ISBN: 1135009015

This book was shortlisted for the 2015 BSA Philip Abrams Memorial Prize. Comedy is currently enjoying unprecedented growth within the British culture industries. Defying the recent economic downturn, it has exploded into a booming billion-pound industry both on TV and on the live circuit. Despite this, academia has either ignored comedy or focused solely on analysing comedians or comic texts. This scholarship tends to assume that through analysing an artist’s intentions or techniques, we can somehow understand what is and what isn’t funny. But this poses a fundamental question – funny to whom? How can we definitively discern how audiences react to comedy? Comedy and Distinction shifts the focus to provide the first ever empirical examination of British comedy taste. Drawing on a large-scale survey and in-depth interviews carried out at the Edinburgh Festival Fringe, the book explores what types of comedy people like (and dislike), what their preferences reveal about their sense of humour, how comedy taste lubricates everyday interaction, and how issues of social class, gender, ethnicity and geographical location interact with patterns of comic taste. Friedman asks: Are some types of comedy valued higher than others in British society? Does more ‘legitimate’ comedy taste act as a tangible resource in social life – a form of cultural capital? What role does humour play in policing class boundaries in contemporary Britain? This book will be of interest to students and scholars of sociology, social class, social theory, cultural studies and comedy studies.

A Comedian and an Activist Walk into a Bar

A Comedian and an Activist Walk into a Bar
Author: Caty Borum Chattoo
Publisher: University of California Press
Total Pages: 295
Release: 2020-03-24
Genre: Social Science
ISBN: 0520299760

Comedy is a powerful contemporary source of influence and information. In the still-evolving digital era, the opportunity to consume and share comedy has never been as available. And yet, despite its vast cultural imprint, comedy is a little-understood vehicle for serious public engagement in urgent social justice issues – even though humor offers frames of hope and optimism that can encourage participation in social problems. Moreover, in the midst of a merger of entertainment and news in the contemporary information ecology, and a decline in perceptions of trust in government and traditional media institutions, comedy may be a unique force for change in pressing social justice challenges. Comedians who say something serious about the world while they make us laugh are capable of mobilizing the masses, focusing a critical lens on injustices, and injecting hope and optimism into seemingly hopeless problems. By combining communication and social justice frameworks with contemporary comedy examples, authors Caty Borum Chattoo and Lauren Feldman show us how comedy can help to serve as a vehicle of change. Through rich case studies, audience research, and interviews with comedians and social justice leaders and strategists, A Comedian and an Activist Walk Into a Bar: The Serious Role of Comedy in Social Justice explains how comedy – both in the entertainment marketplace and as cultural strategy – can engage audiences with issues such as global poverty, climate change, immigration, and sexual assault, and how activists work with comedy to reach and empower publics in the networked, participatory digital media age.

Comedy and the Politics of Representation

Comedy and the Politics of Representation
Author: Helen Davies
Publisher: Springer
Total Pages: 268
Release: 2018-07-27
Genre: Social Science
ISBN: 3319905066

This edited collection explores the representations of identity in comedy and interrogates the ways in which “humorous” constructions of gender, sexuality, ethnicity, religion, class and disability raise serious issues about privilege, agency and oppression in popular culture. Should there be limits to free speech when humour is aimed at marginalised social groups? What are the limits of free speech when comedy pokes fun at those who hold social power? Can taboo joking be used towards politically progressive ends? Can stereotypes be mocked through their re-invocation? Comedy and the Politics of Representation: Mocking the Weak breaks new theoretical ground by demonstrating how the way people are represented mediates the triadic relationship set up in comedy between teller, audience and butt of the joke. By bringing together a selection of essays from international scholars, this study unpacks and examines the dynamic role that humour plays in making and remaking identity and power relations in culture and society.

Fem and Funny

Fem and Funny
Author: Rachel Eliza Blackburn
Publisher:
Total Pages: 98
Release: 2013
Genre:
ISBN:

Phyllis Diller, Joan Rivers, and Lisa Lampanelli as performers demonstrate an arc of evolving female empowerment in the world of stand-up comedy. In this thesis I shall study the development of each woman's career by examining her material, progression of her comic persona, and relationship to women's gender roles, both personally and professionally. While there are many other female comics who contribute to the story of women's stand-up comedy in the contemporary period (in particular, Moms Mabley and Elayne Boosler), Diller, Rivers and Lampanelli each represent a distinct shift in how their persona combined with subject matter, allowing women to break new barriers in terms of comic performance. Diller's comedy carved a space for Rivers', and Rivers' comedy carved a space for the likes of Lampanelli. In viewing the trajectory of their effect on comedy as a whole, we can see how each woman asserted herself in stand-up performance, and forever changed the nature of who was allowed to get up on stage, and also, what they were allowed to say by their audiences. To quote Joan Rivers, "First there was a gasp...and then there was a laugh" (Rivers "Piece of Work").

Queens of Comedy

Queens of Comedy
Author: Susan Horowitz
Publisher: Routledge
Total Pages: 186
Release: 2012-10-12
Genre: Performing Arts
ISBN: 1136642870

Through candid personal interviews with Lucille Ball, Carol Burnett, and other visionary performers, Queens of Comedy explores how comediennes have redefined the roles of women in not only the entertainment business, but society as a whole. Detailing both their public and private lives - as well as their many and varied performances - Queen of Comedy examines the impact these women have had on the predominantly male-oriented world of comedy. Performers like Carol Burnett, Joan Rivers, and their more recent counterparts, comediennes Brett Butler and Roseanne, have helped to sift women's roles in comedy from object to subject. This book maps out this shift, providing an often brutally honest picture of women's lives in both the spotlight of comedy and this modern world.

“They’re Only Laughing ‘cause You’re Pretty”

“They’re Only Laughing ‘cause You’re Pretty”
Author:
Publisher:
Total Pages: 38
Release: 2017
Genre: Electronic books
ISBN:

Stand-up comedy, like many forms of public entertainment or workplace organizations, is a field dominated by men. The deeply embedded perception that women are not funny, or not as funny as their counterparts, allow men’s privileged position in pursuing their career in comedy without their humor being questions based on their gender. However, the women’s’ experiences were found to be challenging with women’s humor being questioned and overshadowed by a hostile environment of sexual harassment. This disparity in the number of women represented in comedy is even more prevalent when it comes to the number of women who participate in stand-up comedy at the amateur level of open mic nights. This thesis examines gender disparity among comedians, the prejudices and discrimination women comedians face at the level of amateur comedian, and how they navigate through those barriers in comedy. Based on the findings from 14 in depth-interviews with 7 men and 7 women comedians, as well as observations of open-mic nights, this study investigates their experiences and perceptions of gender politics in comedy.