The Baroque Double Bass Violone

The Baroque Double Bass Violone
Author: Alfred Planyavsky
Publisher: Scarecrow Press
Total Pages: 220
Release: 1998-08-06
Genre: Music
ISBN: 146167249X

In the nineteenth century, use of the violone, a bass instrument with many sizes and variations, was nearly eliminated from musical repertoires, and its traditional parts were parceled out to other instruments such as the violoncello. The following phases of revival of the double-bass have been hampered by a lack of physical evidence and diligent research into the historical uses of the instrument. The Baroque Double Bass Violone is a comprehensive study that examines a cross-section of standard works to enhance contemporary violone research, and provide information for musicologists, music publishers, ensemble leaders, and revivalists, all of whom have been unable to reconstruct an essential part of Baroque music. This translation finally makes the most exhaustive study of the double bass violone accessible to English-speaking musical enthusiasts. The book includes lists of terminology, the most comprehensive bibliography to date, and 48 illustrations that make this a compendium of string bass research.

Annotations

Annotations
Author: Indiana University, Bloomington. Music Library
Publisher:
Total Pages: 338
Release: 1985
Genre: Music
ISBN:

Bass is best

Bass is best
Author: Caroline Emery
Publisher:
Total Pages: 72
Release: 1988
Genre: Double bass
ISBN:

"... a much acclaimed book for beginners, aimed at young children from the age of six. Volume 1 is the product of Caroline's pioneering work as a leading teacher of the Yorke Mini-Bass Project."--Caswell's website (viewed March 8, 2019).

Experiencing the Violin Concerto

Experiencing the Violin Concerto
Author: Franco Sciannameo
Publisher: Rowman & Littlefield
Total Pages: 205
Release: 2016-08-04
Genre: Music
ISBN: 0810888866

Since the eighteenth century, violin concertos have provided a showcase for dramatic interplay between a soloist’s virtuosity and the blended sonority of an orchestra’s many instruments. Using this genre to showcase skill and ingenuity, composers cemented the violin concerto as a key genre of classical music and gifted our ears with such timeless masterpieces as Vivaldi’s Four Seasons. In Experiencing the Violin Concerto, Franco Sciannameo draws on his years of scholarship and violin performance to trace the genre through Baroque, Classical, and modern periods. Along the way, he explores the social and personal histories of composers, and the fabulous virtuosi who performed concertos, and audiences they conquered worldwide. Inviting readers to consider not only the components of the music but also the power of perception and experience, Sciannameo recreates the atmosphere of a live performance as he paints a narrative history of technique and innovation. Experiencing the Violin Concerto uses descriptions in place of technical jargon to make the world of classical music accessible to amateur music lovers. As part of the Listener’s Companion series, the volume gives readers an enhanced experience of key works by investigating the environments in which the works were written and first performed as well as those in which they are enjoyed today.

From the Clarinet D'Amour to the Contra Bass

From the Clarinet D'Amour to the Contra Bass
Author: Albert R. Rice
Publisher: Oxford University Press
Total Pages: 486
Release: 2009-03-31
Genre: Music
ISBN: 0199711178

Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them. Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves--Rice's expert presentation is nothing short of exhaustive. From the Clarinet d'Amour to the Contrabass will engage all who love the clarinet and its music.