Diversifying Greek Tragedy On The Contemporary Us Stage
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| Author | : Melinda Powers |
| Publisher | : Oxford University Press |
| Total Pages | : 279 |
| Release | : 2018-08-16 |
| Genre | : Literary Collections |
| ISBN | : 0191083143 |
In its long history of performance and reception, Greek drama has been interpreted and adapted in ever-changing ways to share in the preoccupations and tensions of particular historical moments. Diversifying Greek Tragedy on the Contemporary US Stage explores this tradition by investigating a cross section of theatrical productions that have reimagined Greek tragedy in order to address social and political concerns in the US. Studying performance and its role in creating social, historical, and cultural identities, this volume draws on cutting-edge research to move discussion away from the interpretation of dramatic texts in isolation from their performance contexts and towards an analysis of the dynamic experience of live theatre. The study focuses particularly on the ability of engaged performances to pose critical challenges to the long-standing stereotypes and political policies that have contributed to the misrepresentation and marginalization of underrepresented communities. However, in the process it also uncovers the ways in which such performances can inadvertently reinforce the very stereotypes they aim to challenge, demonstrating that ancient drama can be a powerful, yet dangerous tool in the search for justice.
| Author | : Melinda Powers |
| Publisher | : Oxford University Press |
| Total Pages | : 247 |
| Release | : 2018-07-26 |
| Genre | : Literary Collections |
| ISBN | : 0191083135 |
In its long history of performance and reception, Greek drama has been interpreted and adapted in countless ways and forms in response to and as a reflection of the preoccupations and tensions of particular historical moments. This volume continues this tradition by investigating a cross-section of theatrical productions on the contemporary American stage that have reimagined Greek tragedy in order to address the political and social concerns of minority communities. Studying performance and its role in creating and reflecting social, cultural, and historical identity in contemporary America, it draws on cutting-edge research in the field to move discussion away from the interpretation of dramatic texts in isolation from their performance context, and towards an analysis of the dynamic experience of live theatre. The discussion focuses particularly on the ability of engaged performances to pose critical challenges to the long-standing stereotypes that have contributed to the misrepresentation and marginalization of minority cultures. However, in the process it also uncovers the ways in which such performances can inadvertently reinforce the very stereotypes they aim to execute, demonstrating that ancient drama can be a powerful and dangerous tool in the search for social justice.
| Author | : Nurit Yaari |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 480 |
| Release | : 2018 |
| Genre | : Drama |
| ISBN | : 0198746679 |
This first in-depth study of the reception of ancient Greek drama in Israeli theatre over the last 70 years offers ground-breaking analysis of a wide range of translations, adaptations, and new writing, and how performances of these works were created and staged at key points in the development of Israeli culture.
| Author | : Julia Mickenberg |
| Publisher | : Oxford University Press |
| Total Pages | : 601 |
| Release | : 2011-01-15 |
| Genre | : Literary Criticism |
| ISBN | : 0199701911 |
The Oxford Handbook of Children's Literature is at once a literary history, an introduction to various theoretical perspectives and methodological approaches, a review of genres, and a selection of original and interdisciplinary essays on canonical and popular works for children in the Anglo-American tradition. It is geared toward graduate students, advanced undergraduates, and scholars new to the study of children's literature, as well as teachers and anyone wishing to keep up with new research and innovative approaches to children's literature. Twenty-six essays by top scholars from varied disciplines address theoretical, historical, sociological, and critical issues through analyses of classic novels such as Alice's Adventures in Wonderland, Anne of Green Gables, The Swiss Family Robinson, Tom Sawyer, Kidnapped, and Five Little Peppers and How They Grew; early educational and religious works such as The New England Primer and Froggy's Little Brother; picture books, comics and graphic novels such as Millions of Cats, Where the Wild Things Are, the Peanuts series and American Born Chinese; early readers such as The Cat in the Hat and the Frog and Toad books; newer children's classics including Are You There, God? It's Me, Margaret, Jade, Roll of Thunder, Hear My Cry, The Circuit, the Harry Potter series and His Dark Materials trilogy; works of poetry such as The Bat Poety and The Dreamkeeper; a play, Peter Pan; and media classics such as Free to Be You and Me and Dumbo. An editors' introduction surveys key trends in criticism, the field's history, and foundational scholarship.
| Author | : Sandie Byrne |
| Publisher | : Oxford University Press |
| Total Pages | : 337 |
| Release | : 2022 |
| Genre | : Classical education |
| ISBN | : 0198861079 |
Tony Harrison and the Classics comprises fifteen chapters examining the lasting importance of Tony Harrison's classical education, the extent of the influence of Greek and Roman texts on his subjects, themes, and styles, his contribution to knowledge and understanding of classical literature, his popularization of classical works, and his innovative treatment of classical drama in plays which have been performed globally. Harrison's work fosters debates about the role and perception of the classics and adaptations of classical literature in relation to education, 'high' and 'popular' culture, accessibility, and reception. A unifying theme of the collection is the way in which Harrison finds in classical literature fruitful matter for the articulation and dramatization of his longstanding preoccupations: language, class, access to art, and the causes and effects of war. Through his adaptations and translations, Harrison uses classical drama to stage interventions in modern politics, but neither idealizes nor romanticizes the ancient world, depicting inequality, bigotry, greed, and brutality.
| Author | : Aaron Mark |
| Publisher | : Dramatists Play Service, Inc. |
| Total Pages | : 52 |
| Release | : 2019-05-22 |
| Genre | : Performing Arts |
| ISBN | : 0822239221 |
Marcus Sharp is a charismatic and enigmatic New York actor who recounts in gruesome detail how his obsessions with a wealthy doctor named Jason and the myth of Medea lead to horrific, unspeakable events. At once ancient and contemporary, this provocative mono-thriller is Grand Guignol horror in the style of Spalding Gray.
| Author | : William L. Andrews |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 234 |
| Release | : 1999-01-21 |
| Genre | : Literary Criticism |
| ISBN | : 0195107969 |
With the continued expansion of the literary canon, multicultural works of modern literary fiction and autobiography have assumed an increasing importance for students and scholars of American literature. This exciting new series assembles key documents and criticism concerning these works that have so recently become central components of the American literature curriculum. Each casebook will reprint documents relating to the work's historical context and reception, present the best in critical essays, and when possible, feature an interview of the author. The series will provide, for the first time, an accessible forum in which readers can come to a fuller understanding of these contemporary masterpieces and the unique aspects of American ethnic, racial, or cultural experience that they so ably portray. This casebook to Morrison's classic novel presents seven essays that represent the best in contemporary criticism of the book. In addition, the book includes a poem and an abolitionist's tra published after a slave named Margaret Garner killed her child to save her from slavery—the very incident Morrison fictionalizes in Beloved.
| Author | : Michael Valdez Moses |
| Publisher | : Oxford University Press |
| Total Pages | : 263 |
| Release | : 1995-05-25 |
| Genre | : Literary Criticism |
| ISBN | : 0195358287 |
Bringing together canonical European authors with authors from the Third World, this book analyzes the emergence of the modern global novel, and the way it mirrors the underlying process of cultural globalization. Through detailed readings of Stendhal, Hardy, Conrad, Achebe, and Vargas Llosa, this study reveals how the spread of Western modernity--materially and culturally--has been shadowed by the destruction of traditional societies. These novels focus on the individual tragedies of those who represent pre-modern ways of life; in the process, offering a corrective to Hegel's abstruse philosophy of history. From rural Victorian England to the Malay Archipelago, and from the Igbo heartland in Africa to the backlands of Brazil, a global narrative unfolds, one where the forces of modernization clash with the defenders of traditional society. Moses contributes to the ongoing debate on Alexandre Kojève and the "end of history", while, at the same time, moving beyond sterile oppositions--canonical versus non-canonical works, formal literary criticism versus political/historical critique. With its new conceptualization of modernity and globalization, this book will interest the literary scholar, cultural critic, social scientist, and political theorist.
| Author | : Melinda Powers |
| Publisher | : Routledge |
| Total Pages | : 334 |
| Release | : 2020-08-12 |
| Genre | : Drama |
| ISBN | : 0429893752 |
Reclaiming Greek Drama for Diverse Audiences features the work of Native-American, African-American, Asian-American, Latinx, and LGBTQ theatre artists who engage with social justice issues in seven adaptations of Sophocles’ Antigone, Euripides’ Trojan Women, Hippolytus, Bacchae, Alcestis, and Aristophanes’ Frogs, as well as a work inspired by the myth of the Fates. Performed between 1989 and 2017 in small theatres across the US, these contemporary works raise awareness about the trafficking of Native-American women, marriage equality, gender justice, women’s empowerment, the social stigma surrounding HIV, immigration policy, and the plight of undocumented workers. The accompanying interviews provide a fascinating insight into the plays, the artists’ inspiration for them, and the importance of studying classics in the college classroom. Readers will benefit from an introduction that discusses practical ways to teach the adaptations, ideas for assignments, and the contextualization of the works within the history of classical reception. Serving as a key resource on incorporating diversity into the teaching of canonical texts for Classics, English, Drama and Theatre Studies students, this anthology is the first to present the work of a range of contemporary theatre artists who utilize ancient Greek source material to explore social, political, and economic issues affecting a variety of underrepresented communities in the US.
| Author | : Elizabeth Brewer Redwine |
| Publisher | : Oxford University Press |
| Total Pages | : 230 |
| Release | : 2021-05-20 |
| Genre | : Literary Criticism |
| ISBN | : 0192650173 |
Gender, Performance, and Authorship at the Abbey Theatre argues for a reconsideration of authorship at the Abbey Theatre. The actresses who performed the key roles at the Abbey contributed original ideas, language, stage directions, and revisions to the theatre's most renowned performances and texts, and this study asks that we consider the role of actresses in the development of these plays. Plays that have been historically attributed to W. B. Yeats and J. M. Synge have complicated histories, and the neglect of these women's contributions over the past century reflects power dynamics that privilege male, Anglo Irish writers over the contributions of working class actresses. The study asks that readers consider the importance of past performance in the creation of written text. Yeats began his earliest plays performing with and writing for Laura Armstrong, a young woman who was a precursor to Maud Gonne in her irreverent challenge to traditional gender roles. After writing his first plays and poems for Armstrong, Yeats met Gonne and developed two Cathleen plays, The Countess Cathleen and Cathleen ni Houlihan, for her to perform, beginning a lifetime of fruitful argument between the two writers about how Ireland should appear onstage. The book then turns to Synge's work with Molly Allgood in creating The Playboy of the Western World and Molly's contributions to Synge's Deirdre of the Sorrows. A section on Yeats's Deirdre shows the contributions of Lady Gregory and the play's performers. The book ends with a reconsideration of Abbey actress Sara Allgood's performances in British and American film as she brought her earliest work in the pre-Abbey tableau movement to American audiences in the 1940s, in ways that challenged ideas of Irishness, American identity, and aging women on screen.
