Dissertation on Musical Taste
Author | : Thomas Hastings |
Publisher | : |
Total Pages | : 310 |
Release | : 1853 |
Genre | : Church music |
ISBN | : |
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Author | : Thomas Hastings |
Publisher | : |
Total Pages | : 310 |
Release | : 1853 |
Genre | : Church music |
ISBN | : |
Author | : Thomas Hastings |
Publisher | : |
Total Pages | : 236 |
Release | : 1822 |
Genre | : Church music |
ISBN | : |
Author | : Thomas HASTINGS (of New York.) |
Publisher | : |
Total Pages | : 308 |
Release | : 1853 |
Genre | : |
ISBN | : |
Author | : Stanley R. McDaniel |
Publisher | : Wipf and Stock Publishers |
Total Pages | : 837 |
Release | : 2024-05-23 |
Genre | : Music |
ISBN | : 1666755931 |
Servanthood of Song is a history of American church music from the colonial era to the present. Its focus is on the institutional and societal pressures that have shaped church song and have led us directly to where we are today. The gulf which separates advocates of traditional and contemporary worship—Black and White, Protestant and Catholic—is not new. History repeatedly shows us that ministry, to be effective, must meet the needs of the entire worshiping community, not just one segment, age group, or class. Servanthood of Song provides a historical context for trends in contemporary worship in the United States and suggests that the current polemical divisions between advocates of contemporary and traditional, classically oriented church music are both unnecessary and counterproductive. It also draws from history to show that, to be the powerful component of worship it can be, music—whatever the genre—must be viewed as a ministry with training appropriate to that. Servanthood of Song provides a critical resource for anyone considering a career in either musical or pastoral ministries in the American church as well as all who care passionately about vital and authentic worship for the church of today.
Author | : Patrik N. Juslin |
Publisher | : Oxford University Press |
Total Pages | : 990 |
Release | : 2011-03-17 |
Genre | : Education |
ISBN | : 0199604967 |
A successor to the acclaimed 'Music and Emotion', The Handbook of Music and Emotion provides comprehensive coverage of the field, in all its breadth and depth. As well as summarizing what is currently known about music and emotion, it will also stimulate further research in promising directions that have been little studied.
Author | : David P. DeVenney |
Publisher | : Pendragon Press |
Total Pages | : 278 |
Release | : 1995 |
Genre | : Music |
ISBN | : 9780965064705 |
Author | : Council for Research in Music Education |
Publisher | : |
Total Pages | : 408 |
Release | : 2005 |
Genre | : Music |
ISBN | : |
Author | : Ann Ostendorf |
Publisher | : University of Georgia Press |
Total Pages | : 274 |
Release | : 2011 |
Genre | : History |
ISBN | : 082033975X |
Sounds American provides new perspectives on the relationship between nationalism and cultural production by examining how Americans grappled with musical diversity in the early national and antebellum eras. During this period a resounding call to create a distinctively American music culture emerged as a way to bind together the varied, changing, and uncertain components of the new nation. This played out with particular intensity in the lower Mississippi River valley, and New Orleans especially. Ann Ostendorf argues that this region, often considered an exception to the nation—with its distance from the center of power, its non-British colonial past, and its varied population—actually shared characteristics of many other places eventually incorporated into the country, thus making it a useful case study for the creation of American culture. Ostendorf conjures the territory's phenomenally diverse “music ways” including grand operas and balls, performances by church choirs and militia bands, and itinerant violin instructors. Music was often associated with “foreigners,” in particular Germans, French, Irish, and Africans. For these outsiders, music helped preserve collective identity. But for critics concerned with developing a national culture, this multitude of influences presented a dilemma that led to an obsessive categorization of music with racial, ethnic, or national markers. Ultimately, the shared experience of categorizing difference and consuming this music became a unifying national phenomenon. Experiencing the unknown became a shared part of the American experience.
Author | : Richard Colwell |
Publisher | : Oxford University Press |
Total Pages | : 1249 |
Release | : 2002-04-18 |
Genre | : Music |
ISBN | : 0199771529 |
Featuring chapters by the world's foremost scholars in music education and cognition, this handbook is a convenient collection of current research on music teaching and learning. This comprehensive work includes sections on arts advocacy, music and medicine, teacher education, and studio instruction, among other subjects, making it an essential reference for music education programs. The original Handbook of Research on Music Teaching and Learning, published in 1992 with the sponsorship of the Music Educators National Conference (MENC), was hailed as "a welcome addition to the literature on music education because it serves to provide definition and unity to a broad and complex field" (Choice). This new companion volume, again with the sponsorship of MENC, explores the significant changes in music and arts education that have taken place in the last decade. Notably, several chapters now incorporate insights from other fields to shed light on multi-cultural music education, gender issues in music education, and non-musical outcomes of music education. Other chapters offer practical information on maintaining musicians' health, training music teachers, and evaluating music education programs. Philosophical issues, such as musical cognition, the philosophy of research theory, curriculum, and educating musically, are also explored in relationship to policy issues. In addition to surveying the literature, each chapter considers the significance of the research and provides suggestions for future study. Covering a broad range of topics and addressing the issues of music education at all age levels, from early childhood to motivation and self-regulation, this handbook is an invaluable resource for music teachers, researchers, and scholars.