Disorient
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| Author | : Greg Lawson |
| Publisher | : Blurb |
| Total Pages | : 320 |
| Release | : 2018-02-09 |
| Genre | : Fiction |
| ISBN | : 9781366062895 |
Deputy Mental Health Investigator Adam Thompson had worked hard for his position, but he soon discovers with increased responsibilities comes increased risk. A week before Christmas Adam faces a law enforcement officer's nightmare, the murder of his partner. Prevented from participating in the murder investigation and tracking down the killer, Adam is forced to carry on as usual. The following week brings a series of bizarre mental health investigations that pushes him to his limits.
| Author | : Ami Harbin |
| Publisher | : Oxford University Press |
| Total Pages | : 257 |
| Release | : 2016-04-01 |
| Genre | : Philosophy |
| ISBN | : 019061174X |
This book is a philosophical exploration of disorientation and its significance for action. Disorientations are human experiences of losing one's bearings, such that life is disrupted and it is not clear how to go on. In the face of life experiences like trauma, grief, illness, migration, education, queer identification, and consciousness raising, individuals can be deeply disoriented. These and other disorientations are not rare. Although disorientations can be common and powerful parts of individuals' lives, they remain uncharacterized by Western philosophers, and overlooked by ethicists. Disorientations can paralyze, overwhelm, embitter, and misdirect moral agents, and moral philosophy and motivational psychology have important insights to offer into why this is. More perplexing are the ways disorientations may prompt improved moral action. Ami Harbin draws on first person accounts, philosophical texts, and qualitative and quantitative research to show that in some cases of disorientation, individuals gain new forms of awareness of political complexity and social norms, and new habits of relating to others and an unpredictable moral landscape. She then argues for the moral and political promise of these gains. A major contention of the book is that disorientations have 'non-resolutionary effects': they can help us act without first helping us resolve what to do. In exploring these possibilities, Disorientation and Moral Life contributes to philosophy of emotions, moral philosophy, and political thought from a distinctly feminist perspective. It makes the case for seeing disorientations as having the power to motivate profound and long-term shifts in moral and political action. A feminist re-envisioning of moral psychology provides the framework for understanding how they do so.
| Author | : Elaine Hsieh Chou |
| Publisher | : Pan Macmillan |
| Total Pages | : 389 |
| Release | : 2022-07-21 |
| Genre | : Fiction |
| ISBN | : 1529080681 |
'The funniest, most poignant novel of the year' - Vogue For fans of Yellowface by Rebecca F Kuang, Disorientation is an uproarious and big-hearted satire – alive with sharp edges, immense warmth, and a cast of unforgettable characters – that asks: who gets to tell our stories? Ingrid Yang is desperate to finish her PhD dissertation on the much-lauded poet Xiao-Wen Chou and never read about ‘Chinese-y’ things again, when she accidentally stumbles upon a strange note in the Chou archives that she thinks may be her ticket out of academic hell. But Ingrid has no idea that the note will lead to an explosive secret, upending her entire life and the lives of those around her. Her clumsy exploits to discover the truth set off a rollercoaster of mishaps and misadventures, from campus protests and over-the-counter drug hallucinations, to book burnings and a movement that stinks of Yellow Peril propaganda. In the aftermath, she’ll have to question everything, from her relationship with her fiancé to the kind of person she dares to be. 'The funniest novel I’ve read all year' - Aravind Adiga, author of The White Tiger 'Fearless' - Observer 'Elaine Hsieh Chou's pen is a scalpel' - Raven Leilani, author of Luster
| Author | : Négar Djavadi |
| Publisher | : Europa Editions |
| Total Pages | : 282 |
| Release | : 2018-05-01 |
| Genre | : Fiction |
| ISBN | : 1609454529 |
National Book Award Finalist: “A multigenerational epic of the Sadr family’s life in Iran and their eventual exile . . . Full of surprises” (The Globe and Mail). Winner of the 2019 Albertine Prize and Lambda Literary Award Kimiâ Sadr fled Iran at the age of ten in the company of her mother and sisters to join her father in France. Now twenty-five and facing the future she has built for herself, as well as the prospect of a new generation, Kimiâ is inundated by her own memories and the stories of her ancestors, which come to her in unstoppable, uncontainable waves. In the waiting room of a Parisian fertility clinic, generations of flamboyant Sadrs return to her, including her formidable great-grandfather Montazemolmolk, with his harem of fifty-two wives, and her parents, Darius and Sara, stalwart opponents of each regime that befalls them. It is Kimiâ herself—punk-rock aficionado, storyteller extraordinaire, a Scheherazade of our time, and above all a modern woman divided between family traditions and her own “disorientalization”—who forms the heart of this bestselling and beloved novel, recipient of numerous literary honors. “Where initially Disoriental seems focused on Kimiâ’s father and his pro-democracy activism—first against the Shah, then the Ayatollah Khomeini—this is truly Kimiâ’s story of disorientation—national, familial and sexual—and finding herself again.” —The Globe and Mail “A tour de force of storytelling . . . Djavadi deftly weaves together the history of 20th-century Iran [and] the spellbinding chronicle of her own ancestors. . . . Perfectly blends historical fact with contemporary themes.” —Library Journal “Riveting . . . Djavadi is an immensely gifted storyteller, and Kimiâ’s tale is especially compelling.” —Booklist (starred review) “A wonder and a pleasure to read.” —Rivka Galchen, author of Atmospheric Disturbances WINNER 2019 ALBERTINE PRIZE WINNER 2019 LAMBDA LITERARY AWARD FINALIST 2018 NATIONAL BOOK AWARD FINALIST 2019 CLMP FIRECRACKER AWARD FINALIST 2019 BEST TRANSLATED BOOK AWARD WINNER LE PRIX DU ROMAN NEWS WINNER STYLE PRIZE WINNER 2016 LIRE BEST DEBUT NOVEL WINNER LA PORTE DORÉE PRIZE ONE OF THE GLOBE & MAIL’S BEST BOOKS OF 2018
| Author | : James Buzard |
| Publisher | : Princeton University Press |
| Total Pages | : 331 |
| Release | : 2009-01-10 |
| Genre | : Literary Criticism |
| ISBN | : 1400826675 |
This book gives an ambitious revisionist account of the nineteenth-century British novel and its role in the complex historical process that ultimately gave rise to modern anthropology's concept of culture and its accredited researcher, the Participant Observer. Buzard reads the great nineteenth-century novels of Charles Dickens, Charlotte Brontë, George Eliot, and others as "metropolitan autoethnographies" that began to exercise and test the ethnographic imagination decades in advance of formal modern ethnography--and that did so while focusing on Western European rather than on distant Oriental subjects. Disorienting Fiction shows how English Victorian novels appropriated and anglicized an autoethnographic mode of fiction developed early in the nineteenth century by the Irish authors of the National Tale and, most influentially, by Walter Scott. Buzard demonstrates that whereas the fiction of these non-English British subjects devoted itself to describing and defending (but also inventing) the cultural autonomy of peripheral regions, the English novels that followed them worked to imagine limited and mappable versions of English or British culture in reaction against the potential evacuation of cultural distinctiveness threatened by Britain's own commercial and imperial expansion. These latter novels attempted to forestall the self-incurred liabilities of a nation whose unprecedented reach and power tempted it to universalize and export its own customs, to treat them as simply equivalent to a globally applicable civilization. For many Victorian novelists, a nation facing the prospect of being able to go and to exercise its influence just about anywhere in the world also faced the danger of turning itself into a cultural nowhere. The complex autoethnographic work of nineteenth-century British novels was thus a labor to disorient or de-globalize British national imaginings, and novelists mobilized and freighted with new significance some basic elements of prose narrative in their efforts to write British culture into being. Sure to provoke debate, this book offers a commanding reassessment of a major moment in the history of British literature.
| Author | : Peter Pomerantsev |
| Publisher | : PublicAffairs |
| Total Pages | : 256 |
| Release | : 2019-08-06 |
| Genre | : Political Science |
| ISBN | : 1541762134 |
Learn how the perception of truth has been weaponized in modern politics with this "insightful" account of propaganda in Russia and beyond during the age of disinformation (New York Times). When information is a weapon, every opinion is an act of war. We live in a world of influence operations run amok, where dark ads, psyops, hacks, bots, soft facts, ISIS, Putin, trolls, and Trump seek to shape our very reality. In this surreal atmosphere created to disorient us and undermine our sense of truth, we've lost not only our grip on peace and democracy -- but our very notion of what those words even mean. Peter Pomerantsev takes us to the front lines of the disinformation age, where he meets Twitter revolutionaries and pop-up populists, "behavioral change" salesmen, Jihadi fanboys, Identitarians, truth cops, and many others. Forty years after his dissident parents were pursued by the KGB, Pomerantsev finds the Kremlin re-emerging as a great propaganda power. His research takes him back to Russia -- but the answers he finds there are not what he expected. Blending reportage, family history, and intellectual adventure, This Is Not Propaganda explores how we can reimagine our politics and ourselves when reality seems to be coming apart.
| Author | : Ian Williams |
| Publisher | : Europa Editions |
| Total Pages | : 173 |
| Release | : 2021-11-30 |
| Genre | : Biography & Autobiography |
| ISBN | : 1609457404 |
A Boston Globe Best Book of 2021: “Lyrical, closely observed” essays on being Black in the US, Canada, and Trinidad, and how those experiences differed (Kirkus Reviews). Finalist for the 2021 Hilary Weston Writers’ Trust Prize for Nonfiction With that one eloquent word, disorientation, Scotiabank Giller Award winner Ian Williams captures the impact of racial encounters on racialized people—the whiplash of race that occurs while minding one’s own business. Sometimes the consequences are only irritating, but sometimes they are deadly. Spurred by the police killings and street protests of 2020, Williams offers a perspective that is distinct from that of US writers addressing similar themes. Williams has lived in Trinidad (where he was never the only Black person in the room), in Canada (where he often was), and in the United States (where as a Black man from the Caribbean, he was a different kind of “only”). He brings these formative experiences fruitfully to bear on his theme in Disorientation. Inspired by the essays of James Baldwin, in which the personal becomes the gateway to larger ideas, Williams explores such matters as the unmistakable moment when a child realizes they are Black; the ten characteristics of institutional whiteness; how friendship forms a bulwark against being a target of racism; the meaning and uses of a Black person’s smile; and blame culture—or how do we make meaningful change when no one feels responsible for the systemic structures of the past. Disorientation is a book for all readers who believe that civil conversation on even the most charged subjects is possible. Employing his wit, his empathy for all, and his vast and astonishing gift for language, Ian Williams gives readers an open, candid, and personal perspective on an undeniably important subject. “Honest, vulnerable, courageous and funny.” —Lawrence Hill, author of The Book of Negroes
| Author | : |
| Publisher | : |
| Total Pages | : 108 |
| Release | : 1999 |
| Genre | : American literature |
| ISBN | : |
| Author | : Kristin Dickinson |
| Publisher | : Penn State Press |
| Total Pages | : 271 |
| Release | : 2021-05-04 |
| Genre | : Literary Criticism |
| ISBN | : 0271090294 |
The fields of comparative and world literature tend to have a unidirectional, Eurocentric focus, with attention to concepts of “origin” and “arrival.” DisOrientations challenges this viewpoint. Kristin Dickinson employs a unique multilingual archive of German and Turkish translated texts from the early nineteenth through the mid-twentieth century. In this analysis, she reveals the omnidirectional and transtemporal movements of translations, which, she argues, harbor the disorienting potential to reconfigure the relationships of original to translation, past to present, and West to East. Through the work of three key figures—Johann Wolfgang von Goethe, Friedrich Schrader, and Sabahattin Ali—Dickinson develops a concept of translational orientation as a mode of omnidirectional encounter. She sheds light on translations that are not bound by the terms of economic imperialism, Orientalism, or Westernization, focusing on case studies that work against the basic premises of containment and originality that undergird Orientalism’s system of discursive knowledge production. By linking literary traditions across retroactively applied periodizations, the translations examined in this book act as points of connection that produce new directionalities and open new configurations of a future German-Turkish relationship. Groundbreaking and erudite, DisOrientations examines literary translation as a complex mode of cultural, political, and linguistic orientation. This book will appeal to scholars and students of translation theory, comparative literature, Orientalism, and the history of German-Turkish cultural relations.
| Author | : Lance Esplund |
| Publisher | : Basic Books |
| Total Pages | : 252 |
| Release | : 2018-11-27 |
| Genre | : Art |
| ISBN | : 0465094678 |
A veteran art critic helps us make sense of modern and contemporary art The landscape of contemporary art has changed dramatically during the last hundred years: from Malevich's 1915 painting of a single black square and Duchamp's 1917 signed porcelain urinal to Jackson Pollock's midcentury "drip" paintings; Chris Burden's "Shoot" (1971), in which the artist was voluntarily shot in the arm with a rifle; Urs Fischer's "You" (2007), a giant hole dug in the floor of a New York gallery; and the conceptual and performance art of today's Ai Weiwei and Marina Abramovic. The shifts have left the art-viewing public (understandably) perplexed. In The Art of Looking, renowned art critic Lance Esplund demonstrates that works of modern and contemporary art are not as indecipherable as they might seem. With patience, insight, and wit, Esplund guides us through the last century of art and empowers us to approach and appreciate it with new eyes. Eager to democratize genres that can feel inaccessible, Esplund encourages viewers to trust their own taste, guts, and common sense. The Art of Looking will open the eyes of viewers who think that recent art is obtuse, nonsensical, and irrelevant, as well as the eyes of those who believe that the art of the past has nothing to say to our present.
