Dire Emotions and Lethal Behaviours
| Author | : Charles T. Stewart |
| Publisher | : Routledge |
| Total Pages | : 281 |
| Release | : 2008 |
| Genre | : Family & Relationships |
| ISBN | : 1134132417 |
Dire Emotions And Lethal Behaviors
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Mikkaminumanosakura
| Author | : Kezia Kos |
| Publisher | : Ukiyoto Publishing |
| Total Pages | : 438 |
| Release | : 2023-07-15 |
| Genre | : Fiction |
| ISBN | : 9357701699 |
Betrayal hurts, especially when committed by those we love the most. Kez is devastated when she finds out the lengths of her mom's betrayal, and is shattered by her father's passivity before his spouse's crimes. Blamed as an accomplice by her mom's relatives, isolated in spiraling depression and financially broke, Kez needs to find a job, pay her bills, pay the bank, and get out of her mom's house as soon as possible. As she fights back the legacy of carelessness from those who are supposed to love her unconditionally, she must make the ultimate decision: she will either sacrifice all she has achieved in Germany, abandoning the life she had built away from all this mess, or return to look after her father in his last days. Her decision has the potential to destroy her. The aftermath has the power of ripping her away from her family. once and for all.
New Ideas about Eating Disorders
| Author | : Charles T. Stewart |
| Publisher | : Routledge |
| Total Pages | : 194 |
| Release | : 2012-03-12 |
| Genre | : Psychology |
| ISBN | : 1136625321 |
In this book, Charles Stewart discusses how the positive affects of the life instinct such as interest and joy, and the crisis affects such as fear, anguish, rage, shame and contempt, condition and can even dissociate the hunger drive, thereby contributing to either positive or negative attitudes toward eating. New Ideas About Eating Disorders presents clinical case studies of individuals from infancy to adulthood suffering from various eating disorders, a new theory as to their etiology, and suggestions for treatment and prevention. This book will be essential reading for all professionals engaged in caring for patients experiencing an eating disorder and for those developing theories to deepen our knowledge of these disturbances. It will also be of interest to those in the field of analytical psychology, as well as anyone wanting to know how contemporary affect theory can help us understand eating and its disorders.
The Psychology of Theft and Loss
| Author | : Robert Tyminski |
| Publisher | : Routledge |
| Total Pages | : 200 |
| Release | : 2014-07-11 |
| Genre | : Psychology |
| ISBN | : 1317700457 |
Why do we steal? This question has confounded everyone from parents to judges, teachers to psychologists, economists to more than a few moral thinkers. Stealing can be a result of deprivation, of envy, or of a desire for power and influence. An act of theft can also bring forth someone’s hidden traits – paradoxically proving beneficial to their personal development. Robert Tyminski explores the many dimensions of stealing, and in particular how they relate to a subtle balance of loss versus gain that operates in all of us. Our natural aversion to loss can lead to extreme actions as a means to acquire what we may not be able to obtain through time, work or money. Tyminski uses the myth of Jason, Medea and the Golden Fleece to explore the dilemmas involved in such situations and demonstrate the timelessness of theft as fundamentally human. The Psychology of Theft and Loss incorporates Jungian and psychoanalytic theories as well as more recent cognitive research findings to deepen our appreciation for the complexity of human motivations when it comes to stealing, culminating in consideration of the idea of a perpetually present ‘inner thief’. Combining case studies, Jungian theory and analysis of many different types of stealing including robbery, kidnapping, plagiarism and technotheft, The Psychology of Theft and Loss is a fascinating study which will appeal to psychoanalysts, psychologists, psychiatrists, social workers, family therapists and students.
The Art and Science of Dance/Movement Therapy
| Author | : Sharon Chaiklin |
| Publisher | : Routledge |
| Total Pages | : 397 |
| Release | : 2015-08-27 |
| Genre | : Psychology |
| ISBN | : 1317436423 |
The Art and Science of Dance/Movement Therapy offers both a broad understanding and an in-depth view of how and where dance therapy can be used to produce change. The chapters go beyond the basics that characterize much of the literature on dance/movement therapy, and each of the topics covered offers a theoretical perspective followed by case studies that emphasize the techniques used in the varied settings. Several different theoretical points of view are presented in the chapters, illuminating the different paths through which dance can be approached in therapy.
Shame and Creativity
| Author | : Vibeke Skov |
| Publisher | : Routledge |
| Total Pages | : 198 |
| Release | : 2017-08-23 |
| Genre | : Psychology |
| ISBN | : 131546411X |
Shame and Creativity: From Affect Towards Individuation is about shame and the ways in which we can use creative methods to transform shame into a lifelong process of self-development. Using a Jungian understanding of the personal and collective unconscious, shame is described as a key affect in relation to self-worth and quality of life. The book is divided into three parts. Part One is about shame, based on affect theory, Jungian psychology and psychological creativity. Part Two discusses shame in relation to seven primary affects, introducing the ‘Blue Diamante model’ to describe how shame is often hidden behind other affects and suggesting that all affects must be involved in processing shame. Part Three identifies the steps in the ‘Blue Diamante model’ with the ancient myth of Inanna’s descent to the underworld; it discusses the development of the original self behind shame and presents a new model for transforming the relationship between the masculine and feminine aspects of the psyche, together with art therapy methods. The originality of Shame and Creativity lies in its combination of affect theory, Jungian psychology and a creative methodology. It aims to inspire clinicians to recognize shame and to work more directly with shame as it appears in therapy. The book will be of great interest to art therapists and students of art therapy. It will also appeal to all readers interested in creativity, shame, Jungian analysis and affect theory.
Wisdom of the Psyche
| Author | : Ginette Paris |
| Publisher | : Routledge |
| Total Pages | : 192 |
| Release | : 2016-02-22 |
| Genre | : Psychology |
| ISBN | : 1317458656 |
The first edition of Wisdom of the Psyche engaged with one of the main dilemmas of contemporary psychology and psychotherapy: how to integrate findings and insights from neuroscience and medicine into an approach to healing founded upon activation of the imagination. In this revised edition, Ginette Paris re-focuses her attention on the modern lack of desire to become adult and updates the book with brand new neuroscientific research. Paris uses cogent and passionate argument, as well as stories from patients, to demonstrate that the human psyche seeks to destroy relationships and lives as well as to sustain them. She makes clear that the way out of those destructive states does not start with an upward, positive, wilful effort of the ego, but with an opening of the imagination, and aims to foster the dialogue between psychotherapists and neuroscientists. In clear and accessible language, Paris describes how depth psychology can be seen as a subject of the humanities rather than the sciences, and explains how gaining an understanding of neuroscience will not necessarily make us psychologically wiser. A unique and powerful book, Wisdom of the Psyche will be fascinating reading for Jungian and depth psychologists, psychotherapists, analysts and others in the helping professions, as well as students and those in training, and readers with an interest in psychology and neuroscience who want to create an inner life worth living.
Male Alienation at the Crossroads of Identity, Culture and Cyberspace
| Author | : Robert Tyminski |
| Publisher | : Routledge |
| Total Pages | : 393 |
| Release | : 2018-10-03 |
| Genre | : Psychology |
| ISBN | : 1351660489 |
"I’m broken." When a boy or man says this, he is expressing deep alienation from himself and the world. Something’s wrong, and he usually cannot begin to explain why. What brings boys and men into psychotherapy or analysis? Many of them struggle with access to their inner worlds. Experiences of alienation can lead to destructive and self-destructive behaviors, including addiction and violence. This book explores the reasons for this and considers why boys and men seek professional help. How do psychotherapists and analysts engage them when they often protest that they want to be left alone? Looking at the male psyche from boyhood through adolescence and into adulthood, Male Alienation at the Crossroads of Identity, Culture and Cyberspace provides examples from clinical practice, current events, art, and literature that show what happens when alienation is severe and leads boys and men to discharge their emotional problems in the outside world. The book examines compulsive internet use, flawed concepts of masculinity, difficulties with mutually intimate relationships, trouble showing emotions, and identity issues, as well as the role of fathers, with a focus on the types of fathers that many boys and men describe as being difficult. Tyminski provides various practical ideas about working with boys and men to encourage them to be open to their inner worlds, and emphasizes a contrast between having meaningful contacts or having a merely transactional approach to relating. Male Alienation at the Crossroads of Identity, Culture and Cyberspace will be essential reading for Jungian analysts, psychotherapists, and psychoanalysts as well as a wide range of other professionals who work with men and boys.
The Death of Web 2.0
| Author | : Greg Singh |
| Publisher | : Routledge |
| Total Pages | : 196 |
| Release | : 2018-12-07 |
| Genre | : Computers |
| ISBN | : 042967077X |
With all our contemporary connectivity, are we really connected? What does the nature of connectivity tell us about interpersonal and community relationships? What ethical concerns are raised through an always-on culture? Communication in today’s world is characterised by a condition of persistent, semi-permanent connectivity, which seems to bring us closer together, but which can also be profoundly alienating. The Death of Web 2.0 takes a retrospective look at a moment in recent media history that has had, and will continue to have, a lasting impact upon the predominant attitude towards cultures of connectivity. Greg Singh draws from a range of approaches, intellectual traditions and scholarly disciplines to engage key questions underpinning the contemporary communications media ecosystem. Bringing together influences from communitarian ethics, recognition theory and relational and depth psychology, Singh synthesises key approaches to produce a critical inquiry that projects the tensions at the heart of connectivity as a principle of Web 2.0. He argues that Web 2.0 is a cultural moment that is truly over, and that what is popularly described as 'Web 2.0' is an altogether different set of principles and practices. The Death of Web 2.0 recognises the consequences of our 'always-on' culture, where judgments are made quickly and where impacts can be far-reaching, affecting our relationships, wellbeing, mental health and the health of our communities, and it concludes by asking what an ethics of connectivity would look like. This unique interdisciplinary work will be essential reading for academics and students of Jungian and post-Jungian studies, media and cultural studies and psychosocial studies as well as anyone interested in the social implications of new media.
Feeling Film: Affect and Authenticity in Popular Cinema
| Author | : Greg Singh |
| Publisher | : Routledge |
| Total Pages | : 261 |
| Release | : 2014-01-21 |
| Genre | : Psychology |
| ISBN | : 1317813685 |
Cinema has the capacity to enflame our passions, to arouse our pity, to inspire our love. Feeling Film is a book that examines the emotional encounters found in contemporary popular cinema cultures. Examining melodrama, film noir, comic book franchises, cult indie movies and romantic comedy within the context of a Jungian-informed psychology and contemporary movements in film-philosophy, this book considers the various kinds of feelings engendered by our everyday engagements with cinema. Greg Singh questions the popular idea of what cinema is, and considers what happens during the anticipation and act of watching a movie, through to the act of sharing our feelings about them, the reviewing process and repeat-viewing practices. Feeling Film does this through a critique of purely textual approaches, instead offering a model which emphasises lived, warm (embodied and inhabited) psychological relationships between the viewer and the viewed. It extends the narrative action of cinema beyond the duration of the screening into realms of anticipation and afterlife, in particular providing insight into the tertiary and participatory practices afforded through rich media engagement. In rethinking the everyday, co-productive relationship between viewer and viewed from this perspective, Feeling Film reinstates the importance of feelings as a central concern for film theory. What emerges from this study is a re-engagement of the place of emotion, affect and feeling in film theory and criticism. In reconsidering the duration of the cinematic encounter, Feeling Film makes a significant contribution to the understanding of the inter-subjective relationship between viewer and viewed. It takes post-Jungian criticism into the realms of post-cinema technologies and reignites the dialogue between depth psychology and the study of images as they appear to, and for, us. This book will make essential reading for those interested in the relationship between film and aspects of depth psychology, film and philosophy students at advanced undergraduate and postgraduate levels, film and cinema academics and cinephiles.
