Diplomats Rock
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| Author | : Danielle Fosler-Lussier |
| Publisher | : Univ of California Press |
| Total Pages | : 346 |
| Release | : 2015-04-30 |
| Genre | : Music |
| ISBN | : 0520959787 |
During the Cold War, thousands of musicians from the United States traveled the world, sponsored by the U.S. State Department’s Cultural Presentations program. Performances of music in many styles—classical, rock ’n’ roll, folk, blues, and jazz—competed with those by traveling Soviet and mainland Chinese artists, enhancing the prestige of American culture. These concerts offered audiences around the world evidence of America’s improving race relations, excellent musicianship, and generosity toward other peoples. Through personal contacts and the media, musical diplomacy also created subtle musical, social, and political relationships on a global scale. Although born of state-sponsored tours often conceived as propaganda ventures, these relationships were in themselves great diplomatic achievements and constituted the essence of America’s soft power. Using archival documents and newly collected oral histories, Danielle Fosler-Lussier shows that musical diplomacy had vastly different meanings for its various participants, including government officials, musicians, concert promoters, and audiences. Through the stories of musicians from Louis Armstrong and Marian Anderson to orchestras and college choirs, Fosler-Lussier deftly explores the value and consequences of "musical diplomacy."
| Author | : Nicholas Kralev |
| Publisher | : |
| Total Pages | : 415 |
| Release | : 2024-03-20 |
| Genre | : Political Science |
| ISBN | : 1009121251 |
As universities and governments seek to prepare the next generation of diplomats to manage international affairs, they finally have a teaching tool focusing on the practical knowledge and skills that in the past could be learned only on the job. Edited by Nicholas Kralev, founder of the Washington International Diplomatic Academy, Diplomatic Tradecraft brings together 18 career ambassadors with decades of experience to lift the curtain on a mysterious but vital profession, and to pass on the insights and abilities they gained to those who will succeed them. Beginning with an overview of diplomatic institutions and protocols, the text considers the key attributes of diplomatic communication and negotiation, as well as core specializations including economic, consular and public diplomacy. With compelling narratives, case studies and exercise scenarios, the chapters on various aspects of diplomatic practice form a cohesive and comprehensive volume, written in an accessible and engaging style.
| Author | : Mario Dunkel |
| Publisher | : transcript Verlag |
| Total Pages | : 329 |
| Release | : 2019-03-31 |
| Genre | : Music |
| ISBN | : 383944358X |
In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
| Author | : Seth Jacobs |
| Publisher | : Cambridge University Press |
| Total Pages | : 409 |
| Release | : 2020-05-21 |
| Genre | : Political Science |
| ISBN | : 1108882811 |
Many of America's most significant political, economic, territorial, and geostrategic accomplishments from 1776 to the present day came about because a U.S. diplomat disobeyed orders. The magnificent terms granted to the infant republic by Britain at the close of the American Revolution, the bloodless acquisition of France's massive Louisiana territory in 1803, the procurement of an even vaster expanse of land from Mexico forty years later, the preservation of the Anglo-American 'special relationship' during World War I—these and other milestones in the history of U.S. geopolitics derived in large part from the refusal of ambassadors, ministers, and envoys to heed the instructions given to them by their superiors back home. Historians have neglected this pattern of insubordination—until now. Rogue Diplomats makes a seminal contribution to scholarship on U.S. geopolitics and provides a provocative response to the question that has vexed so many diplomatic historians: is there a distinctively “American” foreign policy?
| Author | : R. Ahrendt |
| Publisher | : Springer |
| Total Pages | : 407 |
| Release | : 2014-12-10 |
| Genre | : Music |
| ISBN | : 1137463279 |
How does music shape the exercise of diplomacy, the pursuit of power, and the conduct of international relations? Drawing together international scholars with backgrounds in musicology, ethnomusicology, political science, cultural history, and communication, this volume interweaves historical, theoretical, and practical perspectives.
| Author | : Frédéric Ramel |
| Publisher | : Springer |
| Total Pages | : 303 |
| Release | : 2018-01-22 |
| Genre | : Political Science |
| ISBN | : 3319631632 |
This volume explores the interrelation of international relations, music, and diplomacy from a multidisciplinary perspective. Throughout history, diplomats have gathered for musical events, and musicians have served as national representatives. Whatever political unit is under consideration (city-states, empires, nation-states), music has proven to be a component of diplomacy, its ceremonies, and its strategies. Following the recent acoustic turn in IR theory, the authors explore the notion of “musical diplomacies” and ask whether and how it differs from other types of cultural diplomacy. Accordingly, sounds and voices are dealt with in acoustic terms but are not restricted to music per se, also taking into consideration the voices (speech) of musicians in the international arena. Read an interview with the editors here: https://www.sciencespo.fr/ceri/en/content/international-relations-music-and-diplomacy-sounds-and-voices-international-stage
| Author | : Brian Barder |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 246 |
| Release | : 2014-07-22 |
| Genre | : Political Science |
| ISBN | : 1442226366 |
What do diplomats actually do? That is what this text seeks to answer by describing the various stages of a typical diplomat’s career. The book follows a fictional diplomat from his application to join the national diplomatic service through different postings at home and overseas, culminating with his appointment as ambassador and retirement. Each chapter contains case studies, based on the author’s thirty year experience as a diplomat, Ambassador, and High Commissioner. These illustrate such key issues as the role of the diplomat during emergency crises or working as part of a national delegation to a permanent conference as the United Nations. Rigorously academic in its coverage yet extremely lively and engaging, this unique work will serve as a primer to any students and junior diplomats wishing to grasp what the practice of diplomacy is actually like.
| Author | : Jonathan McCollum |
| Publisher | : Lexington Books |
| Total Pages | : 431 |
| Release | : 2014-09-11 |
| Genre | : Music |
| ISBN | : 1498507050 |
Historical ethnomusicology is increasingly acknowledged as a significant emerging subfield of ethnomusicology due to the fact that historical research requires a different set of theories and methods than studies of contemporary practices and many historiographic techniques are rapidly transforming as a result of new technologies. In 2005, Bruno Nettl observed that “the term ‘historical ethnomusicology’ has begun to appear in programs of conferences and in publications” (Nettl 2005, 274), and as recently as 2012 scholars similarly noted “an increasing concern with the writing of musical histories in ethnomusicology” (Ruskin and Rice 2012, 318). Relevant positions recently advanced by other authors include that historical musicologists are “all ethnomusicologists now” and that “all ethnomusicology is historical” (Stobart, 2008), yet we sense that such arguments—while useful, and theoretically correct—may ultimately distract from careful consideration of the kinds of contemporary theories and rigorous methods uniquely suited to historical inquiry in the field of music. In Theory and Method in Historical Ethnomusicology, editors Jonathan McCollum and David Hebert, along with contributors Judah Cohen, Chris Goertzen, Keith Howard, Ann Lucas, Daniel Neuman, and Diane Thram systematically demonstrate various ways that new approaches to historiography––and the related application of new technologies––impact the work of ethnomusicologists who seek to meaningfully represent music traditions across barriers of both time and space. Contributors specializing in historical musics of Armenia, Iran, India, Japan, southern Africa, American Jews, and southern fiddling traditions of the United States describe the opening of new theoretical approaches and methodologies for research on global music history. In the Foreword, Keith Howard offers his perspective on historical ethnomusicology and the importance of reconsidering theories and methods applicable to this field for the enhancement of musical understandings in the present and future.
| Author | : Gale Warner |
| Publisher | : Burns & Oates |
| Total Pages | : 416 |
| Release | : 1987 |
| Genre | : Political Science |
| ISBN | : |
| Author | : Fred Danner |
| Publisher | : Xlibris Corporation |
| Total Pages | : 238 |
| Release | : 2012-01-17 |
| Genre | : Political Science |
| ISBN | : 1465392300 |
This story reads like an adventure novel. The only difference is that the events in a novel are made up; these adventures really happened; the people are real; and the political effects of their actions have produced 40 years of peaceful coexistence between the Peoples Republic of China and the United States. This is the only historically complete narrative which covers the actual ping-pong diplomacy events, provides the background foreign policy information to explain why these events happened, & shows what could have happened if there were no ping-pong diplomats. The world news media was prevented from general coverage of the U.S. World Table Tennis Team to China, while U.S. publicity about the return visit of the Chinese World Team to the U.S. on the Grand Tour was largely controlled to serve the political aims and objectives of the Nixon administration. For those average Americans who became our Cold-War Warriors willingly taking the risks involved, and those who worked behind the scenes to make their risks worthwhile; such experiences occur only once in a lifetime. America and the world are a lot better off because of their efforts. Its time to read the real story of ping-pong diplomacy!
