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| Author | : Morreale |
| Publisher | : ARC Humanities Press |
| Total Pages | : |
| Release | : 2022-04-30 |
| Genre | : |
| ISBN | : 9781641894463 |
This project-based publication aims to bridge the gap between digital and conventional scholarly activity and to communicate the advancements made in computer-based medieval studies initiatives.
| Author | : Sean Gilsdorf |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024-06-30 |
| Genre | : History |
| ISBN | : 9781802700695 |
This volume profiles ground-breaking projects that define the genres of internet-based scholarship we now take for granted in Medieval Studies.
| Author | : Matthew Evan Davis |
| Publisher | : |
| Total Pages | : 240 |
| Release | : 2019 |
| Genre | : Digital humanities |
| ISBN | : 9781641899536 |
"This book looks at the intersection between medieval studies and digital humanities, confronting how medievalists negotiate the "virtual divide" between the cultural artefacts that they study and the digital means by which they address those artefacts. The essays come from medievalists who have created digital resources or applied digital tools and methodologies in their scholarship. Text encoding and analysis, data modeling and provenance, and 3D design are all discussed as they apply to western European medieval literature, history, art history, and architecture. The volume examines the importance of combining the use of digital tools and methodologies with traditional close reading techniques and explores the physicality of the medieval manuscript and its digital analogue. Within the framework of digital humanities the book covers a host of significant issues that the academy and GLAM (galleries, libraries, archives, and museums) institutions face together, such as differences in models of information organization, metadata standards, and the "lossiness" of the connections between those standards."--Bloomsbury Publishing.
| Author | : Benjamin Albritton |
| Publisher | : Routledge |
| Total Pages | : 214 |
| Release | : 2020-07-14 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1000081338 |
Medieval Manuscripts in the Digital Age explores one major manuscript repository’s digital presence and poses timely questions about studying books from a temporal and spatial distance via the online environment. Through contributions from a large group of distinguished international scholars, the volume assesses the impact of being able to access and interpret these early manuscripts in new ways. The focus on Parker on the Web, a world-class digital repository of diverse medieval manuscripts, comes as that site made its contents Open Access. Exploring the uses of digital representations of medieval texts and their contexts, contributors consider manuscripts from multiple perspectives including production, materiality, and reception. In addition, the volume explicates new interdisciplinary frameworks of analysis for the study of the relationship between texts and their physical contexts, while centring on an appreciation of the opportunities and challenges effected by the digital representation of a tangible object. Approaches extend from the codicological, palaeographical, linguistic, and cultural to considerations of reader reception, image production, and the implications of new technologies for future discoveries. Medieval Manuscripts in the Digital Age advances the debate in manuscript studies about the role of digital and computational sources and tools. As such, the book will appeal to scholars and students working in the disciplines of Digital Humanities, Medieval Studies, Literary Studies, Library and Information Science, and Book History.
| Author | : Medieval Academy of America. Committee on Library Preservation |
| Publisher | : |
| Total Pages | : |
| Release | : 1992* |
| Genre | : Archival resources |
| ISBN | : |
| Author | : Bridget Whearty |
| Publisher | : Stanford University Press |
| Total Pages | : 360 |
| Release | : 2022-11-15 |
| Genre | : Literary Criticism |
| ISBN | : 1503634191 |
Medieval manuscripts are our shared inheritance, and today they are more accessible than ever—thanks to digital copies online. Yet for all that widespread digitization has fundamentally transformed how we connect with the medieval past, we understand very little about what these digital objects really are. We rarely consider how they are made or who makes them. This case study-rich book demystifies digitization, revealing what it's like to remake medieval books online and connecting modern digital manuscripts to their much longer media history, from print, to photography, to the rise of the internet. Examining classic late-1990s projects like Digital Scriptorium 1.0 alongside late-2010s initiatives like Bibliotheca Philadelphiensis, and world-famous projects created by the British Library, Corpus Christi College Cambridge, Stanford University, and the Walters Art Museum against in-house digitizations performed in lesser-studied libraries, Whearty tells never-before-published narratives about globally important digital manuscript archives. Drawing together medieval literature, manuscript studies, digital humanities, and imaging sciences, Whearty shines a spotlight on the hidden expert labor responsible for today's revolutionary digital access to medieval culture. Ultimately, this book argues that centering the modern labor and laborers at the heart of digital cultural heritage fosters a more just and more rigorous future for medieval, manuscript, and media studies.
| Author | : Ray Siemens |
| Publisher | : John Wiley & Sons |
| Total Pages | : 559 |
| Release | : 2013-03-20 |
| Genre | : Social Science |
| ISBN | : 1118508831 |
This Companion offers an extensive examination of how new technologies are changing the nature of literary studies, from scholarly editing and literary criticism, to interactive fiction and immersive environments. A complete overview exploring the application of computing in literary studies Includes the seminal writings from the field Focuses on methods and perspectives, new genres, formatting issues, and best practices for digital preservation Explores the new genres of hypertext literature, installations, gaming, and web blogs The Appendix serves as an annotated bibliography
| Author | : Susan Schreibman |
| Publisher | : John Wiley & Sons |
| Total Pages | : 642 |
| Release | : 2008-03-03 |
| Genre | : Literary Criticism |
| ISBN | : 1405168064 |
This Companion offers a thorough, concise overview of the emerging field of humanities computing. Contains 37 original articles written by leaders in the field. Addresses the central concerns shared by those interested in the subject. Major sections focus on the experience of particular disciplines in applying computational methods to research problems; the basic principles of humanities computing; specific applications and methods; and production, dissemination and archiving. Accompanied by a website featuring supplementary materials, standard readings in the field and essays to be included in future editions of the Companion.
| Author | : Tamsyn Mahoney-Steel |
| Publisher | : Medieval Interventions |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Civilization, Medieval |
| ISBN | : 9781433131387 |
This book argues that digital networks of manuscript images, texts, and annotations, can not only aid us in comprehending medieval literary culture, but are, in fact, complementary to medieval modes of thought and manner in which manuscripts transmitted ideas.
| Author | : Robert N. Watson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 101 |
| Release | : 2020-10-01 |
| Genre | : Performing Arts |
| ISBN | : 1839021896 |
Throne of Blood (1957), Akira Kurosawa's reworking of Macbeth, is widely considered the greatest film adaptation of Shakespeare ever made. In a detailed account of the film, Robert N. Watson explores how Kurosawa draws key philosophical and psychological arguments from Shakespeare, translates them into striking visual metaphors, and inflects them through the history of post-World War II Japan. Watson places particular emphasis on the contexts that underlie the film's central tension between individual aspiration and the stability of broader social and ecological collectives - and therefore between free will and determinism. In his foreword to this new edition, Robert Watson considers the central characters' Washizu and his wife Asaji's blunder in viewing life as a ruthless competition in which only the most brutal can thrive in the context of an era of neoliberal economics, resurgent 'strongman' political leaders, and myopic views of the environmenal crisis, with nothing valued that cannot be monetized.
