Singing in Brazilian Portuguese

Singing in Brazilian Portuguese
Author: Marcía Porter
Publisher: Rowman & Littlefield
Total Pages: 352
Release: 2017-03-27
Genre: Music
ISBN: 081088903X

Access audio files at: https://soundcloud.com/singing_in_brazilian_portuguese_recorded_examples_marcia_porter While popular forms of Brazilian music include bossa nova and samba, Brazil also has a rich classical music tradition dating back to the 1500s that exhibits a unique and diverse amalgamation of many styles and influences including African, Italian, French, and indigenous. Singing in Brazilian Portuguese: A Guide to Lyric Diction and Vocal Repertoire makes Brazilian modinhas and canções accessible to singers through an overview of the history of the language and music, brief biographies of major composers, and a sampling of selected texts transliterated into the International Phonetic Alphabet (IPA). Part I introduces the alphabet and pronunciation of sounds through IPA and is enhanced by online audio recordings of native Brazilian classical singers. Marcía D. Porter covers such topics as oral and nasal vowels, diagraphs, onset and final consonants, word stress, and syllabification. It also includes an overview of the newly implemented Acordo Ortográfico. Part II provides IPA transliterations and both word-for-word and poetic translations of representative songs, including Villa-Lobos’s Bachianas brasileiras, no. 5. The book also offers a brief overview of the history of Brazilian vocal music and biographical sketches of select major composers from various periods. Singing in Brazilian Portuguese is the first resource of its kind geared toward singers, voice teachers, vocal coaches, collaborative pianists, and others who are interested in exploring, teaching, and performing this beautiful and exciting repertoire.

Historical Dictionary of the "dirty Wars"

Historical Dictionary of the
Author: David R. Kohut
Publisher: Rowman & Littlefield
Total Pages: 461
Release: 2010
Genre: History
ISBN: 0810858398

Unlike a conventional war waged against a standing army, a "dirty war" is waged against individuals, groups, or ideas considered subversive. Originally associated with Argentina's military regime from 1976-1983, the term has since been applied to neighboring dictatorships during the period. Indeed, it has become a byword for state-sponsored repression anywhere in the world. The first edition of this reference illustrated the concept by describing the regimes of Argentina, Chile (1973-1990), and Uruguay (1973-1985), which tortured, murdered, and disappeared thousands of people in the name of anticommunism while thousands more were driven into exile. The second edition expands the scope to include Bolivia (1971-1982), Brazil (1964-1985), and Paraguay (1954-1989). Includes a chronology, an introductory essay, a bibliography, and over 400 cross-referenced dictionary entries on the countries; guerrilla and political movements; prominent guerrilla, human-rights, military, and political figures; local, regional, and international human-rights organizations; and artistic figures (filmmakers, novelists, and playwrights) whose works attempt to represent or resist the period of repression.--Publisher.

Latin American Art and Music

Latin American Art and Music
Author: Judith Page Horton
Publisher:
Total Pages: 198
Release: 1989
Genre: Art
ISBN:

This collection of essays, curriculum units, and study guides on Latin American art and musical traditions is designed to help interested teachers take a comprehensive approach to teaching these subjects. The introduction features the essay, "Media Resources Available on Latin American Culture: A Survey of Art, Architecture, and Music Articles Appearing in Americas" (K. Murray). Section 1, The Visual Arts of Latin America, has the following articles: "The Latin American Box: Environmental Aesthetics in the Classroom" (R. Robkin); "Mascaras y Danzas de Mexico y Guatemala" (J. Winzinger); "The Five Creations and Four Destructions of the Aztec World" (C. Simmons; R. Gaytan); "Art Forms of Quetzalcoatl: A Teaching Guide for Spanish, History, and Art Classes" (A. P. Crick); "The Art and Architecture of Mesoamerica: An Overview" (J. Quirarte); "Interpreting the Aztec Calendar" (L. Hall); "Mexican Muralism: Its Social-Educative Roles in Latin America and the United States" (S. Goldman); "Mexico: An Artist's History" (K. Jones); "A Historical Survey of Chicano Murals in the Southwest" (A. Rodriguez); and "El Dia de los Muertos" (C. Hickman). Section 2, The Musical Heritage of Latin America, has an introduction: "The Study of Latin American Folk Music and the Classroom" (G. Behague) and the following articles: "Value Clarification of the Chicano Culture through Music and Dance" (R. R. de Guerrero); "'La Bamba': Reflections of Many People" (J. Taylor); "The Latin American Art Music Tradition: Some Criteria for Selection of Teaching Materials" (M. Kuss); "Mariachi Guide" (B. San Miguel); "'El Tamborito': The Panamanian Musical Heritage" (N. Samuda); "A Journey through the History of Music in Latin America" (J. Orrego-Salas); "A Multicultural Tapestry for Young People" (V. Gachen); and "A Survey of Mexican Popular Music" (A. Krohn). A list of Education Service Centers in Texas is in the appendix. (DB)

The Phonology of Portuguese

The Phonology of Portuguese
Author: Maria Helena Mateus
Publisher: OUP Oxford
Total Pages: 178
Release: 2000-06-08
Genre:
ISBN: 0191590509

Portuguese emerged from vulgar Latin during the course of the third century. Influential in its development were successive invasions by Germanic peoples, Visigoths, and Moors, the latter of whom were finally evicted in the thirteenth century. As a consequence of the newly-independent kingdoms imperial achievements, Portuguese is the national language of Brazil and the official language of several African countries. Maria Helena Mateus and Ernesto dAndrade present a broad description and comparative analysis of the phonetics and phonology of European and Brazilian Portuguese. They begin by introducing the history of Portuguese and its principal varieties. Chapter 2 describes the phonetic characteristics of consonants, vowels, and glides, and Chapter 3 looks at prosodic structure. Chapters 4 and 5 present the general characteristics of Portuguese nominal and verbal systems, the former considering inflectional and the latter derivational processes. Chapter 6 examines stress, main, secondary, and echo, and Chapter 7 describes phonological processes that are not related to the morphological structure of the word, including the peculiar process of nazalization. The authors deploy current theoretical models to explain the rich variety of Portuguese phonology and interrelated aspects of morphology. This is by far the most comprehensive account of the subject to have appeared in English, and the most up-to-date in any language.

Notions of Nationalism

Notions of Nationalism
Author: Sukumar Periwal
Publisher: Central European University Press
Total Pages: 260
Release: 1995-01-01
Genre: Political Science
ISBN: 9781858660226

In recent years, following the end of the cold war and the relative simplicities of the bipolar confrontation, nationalism has re-emerged as a dominant force and ideology in our world. Everywhere, peoples who had been confined within the borders of countries with which they did not identify, and whose regimes they intensely disliked, have been seeking self-determination and democracy. Notions of Nationalism, as the title implies, is an open-minded exploration of a phenomenon that all of us need to understand

Dead City

Dead City
Author: Erich Wolfgang Korngold
Publisher:
Total Pages: 108
Release: 1921
Genre: Operas
ISBN:

The Art of the Song Recital

The Art of the Song Recital
Author: Shirlee Emmons
Publisher: Waveland Press
Total Pages: 616
Release: 2001-11-15
Genre: Music
ISBN: 1478608633

Since its original publication, the Emmons-Sonntag text has continually stood out as the definitive work on the song recital. The book presents imaginative advice and practical techniques for producing successful recitals and kindling audience excitement. Every aspect of the recital is covered, from building programs and the use of acting skills to the relationship between the singer and the accompanist. Singers of all levels and backgrounds will benefit from the authors vast experience in the performance of song recitals as a singer/accompanist team. The comprehensive repertoire lists, now organized by voice and instrumentation as well as by composer, appeal to both students and professional musicians. Readers will agree that the authors have met their goal of providing "extensive, throughgoing, and definitive insights into the attributes that can render the song recital at once a great art and a magnificent entertainment."

The Letters of Arturo Toscanini

The Letters of Arturo Toscanini
Author: Arturo Toscanini
Publisher: University of Chicago Press
Total Pages: 494
Release: 2006-12
Genre: Biography & Autobiography
ISBN: 0226733408

Fifty years after his death, Arturo Toscanini is still considered one of the greatest conductors in history, and probably the most influential. His letters, expertly collected, translated, and edited here by Harvey Sachs, will give readers a new depth of insight into his life and work. As Sachs puts it, they “reveal above all else a man whose psychological perceptions in general and self-knowledge in particular were much more acute than most people have thought likely.” They are sure to enthrall anyone interested in learning more about one of the great lives of the twentieth century. “This is a major contribution to our understanding of Toscanini and of several entire eras of late nineteenth- and twentieth-century musical life, especially the almost improvisatory looseness of opera in Italy, the glamour of European festivals, and the concert life of the United States. It’s also a wonderful, sometimes downright salacious read.”—New York Times “Toscanini’s large, cranky humanity comes alive throughout his letters, as it does in his best recordings.”—New York Review of Books “Edited with scrupulous care and wide-ranging erudition.”—Wall Street Journal “Sachs has served the conductor well . . . by editing this generously annotated and unprecedentedly revealing collection of letters that were written, usually in haste and often in fury, over the course of seventy years.”—Washington Post