Dexys Midnight Runners Young Soul Rebels
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| Author | : Richard White |
| Publisher | : Omnibus Press |
| Total Pages | : 238 |
| Release | : 2009-12-15 |
| Genre | : Music |
| ISBN | : 0857120662 |
Dexys Midnight Runners were one of the most misunderstood and overlooked groups of the 1980s. At the centre of it all, their front man and originator, Kevin Rowland, had a reputation for maintaining control and domination over Dexys at all costs. In the first comprehensive history of the band, author, Richard White, has conducted in-depth interviews with former members on the experience of being a Midnight Runner. Shedding light on the Dexys legend, including the fractious period of writing and recording the classic Come on Eileen, one of the biggest selling singles in UK history and its parent album Too Rye Ay. While celebrating their achievements on record and on stage, this book also uncovers aspects of Rowland's working methods in the studio and the latest Dexys re-invention, championed on a triumphant tour in 2003.
| Author | : Geoff Blythe |
| Publisher | : |
| Total Pages | : 141 |
| Release | : 2014-04-07 |
| Genre | : New wave music |
| ISBN | : 9780992830434 |
Dexys' saxophonist Blythe recounts the recording of the band's first album with images from the band's official photographer Laye.
| Author | : Colin Larkin |
| Publisher | : Omnibus Press |
| Total Pages | : 4183 |
| Release | : 2011-05-27 |
| Genre | : Music |
| ISBN | : 0857125958 |
This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.
| Author | : Tim Burgess |
| Publisher | : Penguin |
| Total Pages | : 869 |
| Release | : 2021-12-07 |
| Genre | : Music |
| ISBN | : 0744055989 |
The Charlatans’ Tim Burgess invites you to the greatest listening party of all time. In 2020 when the world was forced to hit pause on live in-person gigs, Tim Burgess found an ingenious way to bring people together by inviting artists and bands, from Paul McCartney and New Order to Michael Kiwanuka and Kylie, to host real-time album playbacks via Twitter. Relive 100 of the most memorable listening parties here with stories from bands and fans, rarely seen backstage images, and unique insider info from those who created these iconic albums. "Hey Twitter, let's all say a big thanks to Tim for these brilliant events this year! We really needed them. So much great music being talked about.'" - Sir Paul McCartney "Twitter being used for something really positive." - Mary Beard
| Author | : Nige Tassell |
| Publisher | : Nine Eight Books |
| Total Pages | : 326 |
| Release | : 2024-06-06 |
| Genre | : Music |
| ISBN | : 1785120603 |
'The inside story of one of the greatest bands of them all. I devoured it!' GARY CROWLEY 'Terrific idea, wonderfully executed' PETE PAPHIDES 'An incredible feat of journalism' DAVID QUANTICK In the early 1980s, the pop charts were dominated by musicians tarted up in Day-Glo colours, who fought it out for coverage on our TV screens and magazine pages. Dexys Midnight Runners did things differently. They were surly. They were serious. They were ambitious, but success had to come on their terms. They were a disciplined outfit, a gang with a defined purpose: to make music so pure that it couldn't fail to elicit a deep emotional response from anyone within earshot. And they managed it. This motley crew - in woolly hats and donkey jackets for their first coming; all dungarees and copious body hair for the second - gate-crashed the charts, scoring number-one hits around the globe. But being in Dexys wasn't all sunshine and roses. Many members came, many members went. Some returned unexpectedly as being part of this particular gang was a way of life; it was everything. Nige Tassell, author of the Penderyn Prize-shortlisted Whatever Happened to the C86 Kids? employs his skills of detection to go off in search of the dozens of members who - for however brief a period, and to whatever level of success - have been a part of Dexys Midnight Runners. These are the people who gave the band its sound, its soul, its substance. But whatever happened to them?
| Author | : Pete May |
| Publisher | : Garrett County Press |
| Total Pages | : 124 |
| Release | : 2012-03-20 |
| Genre | : Biography & Autobiography |
| ISBN | : 1891053574 |
Before Pete May became a journalist he was a punk, struggling to find a decent flat in Thatchers' England. Only rent, landlords and asbestos stood between him and independent living. With Dexys Midnight Runners blaring from his speakers, May searched all of London for sane roommates and functional plumbing. Finding refuge in a group of like-minded Londoners, he was able to find comedy and hope amidst the cycle of packing boxes and heartbreak. This is a story of a real estate misfit -- one that should give strength to those working their way through the next rental application.
| Author | : Lori Majewski |
| Publisher | : Abrams |
| Total Pages | : 400 |
| Release | : 2014-04-15 |
| Genre | : Music |
| ISBN | : 1613126662 |
A “hugely entertaining” history of the 1980s New Wave music scene told through new interviews with its biggest artists (Rolling Stone). Mad World is a compelling oral history that celebrates the New Wave music phenomenon of the 1980s via new interviews with 35 of the most notable artists of the period. Each chapter begins with a discussion of their most popular song and leads to stories of their history and place in the scene, ultimately painting a vivid picture of this colorful, idiosyncratic time. Mixtape suggestions, fashion sidebars, and quotes from famous contemporary admirers help fill out the fun. Participants include members of Duran Duran, New Order, The Smiths, Tears for Fears, Adam Ant, Echo, and the Bunnymen, Devo, ABC, Spandau Ballet, A Flock of Seagulls, Thompson Twins, INXS, and more. “One addictive chapter after another.” —Rob Sheffield, author of Talking to Girls About Duran Duran “Tells the tale of some of the decade’s most unforgettable songs . . . in fascinating detail, letting the architects of these memorable records shine a light on how the sound of a generation came to be.” —The Hollywood Reporter “The new wave era is often dismissed for its one-hit wonders and silly haircuts, but [Mad World] examines the period with a great deal of love and reverence.” —Buzzfeed “A really informative and insightful read.” —People
| Author | : Everett TRUE |
| Publisher | : Omnibus Press |
| Total Pages | : 403 |
| Release | : 2010-03-04 |
| Genre | : Music |
| ISBN | : 0857122118 |
In the past few years, Detroit bandmates Jack and Meg White have in conjunction with a stream of similar-minded bands, revitalised rock music. Their sound is raw, stripped right back -- back to the primal fury and alienation of bluesmen like Son House and protopunks The Stooges and the MC5. In the Stripes' hard knocks hometown of Detroit, an entire scene has emerged -- rudimentary, primordial garage rock championed by legendary names such as Mick 'Dirtbombs' Collins, Jack White's own Third Man Records, Electric Six and producer Jim Diamond. Over in Brooklyn meanwhile, loft parties are all the rage -- illegal happenings put on in abandoned buildings, fuelled by vodka stills and loud music, featuring names such as Yeah Yeah Yeahs, Liars and Oneida. Writer Everett True has already covered much of this music in his own underground rock magazine Careless Talk Costs Lives. Now he goes public with his passion, delving deep into the lives of the personalities who make up the scenes -- the countless hours touring, the celebrity girlfriends, the parties, the power and the people.
| Author | : Wendy Fonarow |
| Publisher | : Wesleyan University Press |
| Total Pages | : 337 |
| Release | : 2006-07-10 |
| Genre | : Literary Criticism |
| ISBN | : 0819574430 |
Inside the culture of an artistically influential music community Britain is widely considered the cradle of independent music culture. Bands like Radiohead and Belle and Sebastian, which epitomize indie music's sounds and attitudes, have spawned worldwide fanbases. This in-depth study of the British independent music scene explores how the behavior of fans, artists, and music industry professionals produce a community with a specific aesthetic based on moral values. Author Wendy Fonarow, a scholar with years of experience in the various sectors of the indie music scene, examines the indie music "gig" as a ritual in which all participants are actively involved. This ritual allows participants to play with cultural norms regarding appropriate behavior, especially in the domains of sex and creativity. Her investigation uncovers the motivations of audience members when they first enter the community and how their positions change over time so that the gig functions for most members as a rite of passage. Empire of Dirt sheds new light on music, gender roles, emotion, subjectivity, embodiment, and authenticity.
| Author | : Neil Pace |
| Publisher | : Neil Pace |
| Total Pages | : 325 |
| Release | : 2016-04-28 |
| Genre | : Music |
| ISBN | : |
I've been listening to music ever since I was small. A few years ago I started to write about it. I started to blog and to tweet and to generally annoy anyone who would care to read my secular evangelical rantings about Jonathan Richman, and my inexplicable love of kitschy popular music, disco, hip-hop and doo-wop. Very soon I was writing for the North East’s premier music magazine NE:MM, which became the North East’s premier music website. Most of my NE:MM album and gig reviews are included in ‘Writing about music’ – I’ve corrected most of the spellings, but I’ve left in all of the grammatical errors (I prefer to think of them as ‘quirks’). Many of my interviews are here too, Roger McGuinn, Nils Lofgren, Matthew Healy, Ben Watt, Fish, Kathryn Williams, Duke Special, Penetration, Thomas Truax, Steve Hackett and Nick Heyward, who told me he thought Haircut 100 were going to become Britain’s Talking Heads. There’s other stuff too. Quite a few lists (let’s face it, making lists is what middle-aged men do best) including my favourite 50 debut albums, which proved hugely controversial with three people on Twitter. And (by the way, I regularly start sentences with ‘and’. If you’re easily offended, please look away) there are some excerpts from another book that’s in the pipeline. Quite a long way down the pipeline if I can be brutally honest.
