Dessins Et Aquarelles Du Xixe Siecle
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Author | : Debora L. Silverman |
Publisher | : Univ of California Press |
Total Pages | : 446 |
Release | : 2023-12-22 |
Genre | : History |
ISBN | : 0520913280 |
Winner, 1990 Berkshire Conference Book Award Art Nouveau in Fin-de-Siecle France: Politics, Psychology, and Style explores the shift in the locus of modernity from technological monument to private interior. It examines the political, economic, social, intellectual and artistic factors, specific to late 19th century France, that interacted in the development of art nouveau.
Author | : Colta Feller Ives |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 282 |
Release | : 1992 |
Genre | : Caricatures and cartoons |
ISBN | : 0870996533 |
By combining Daumier's drawings with selected examples of his paintings, prints, and bronzes, this book traces the evolution of the artist's succinct and emphatically expressive style from its roots in the European tradition exemplified by Rembrandt, Rubens, and Fragonard to its modern manifestations in the works of Degas, Cezanne, Toulouse-Lautrec, and Beckmann. In the course of his long and productive career Daumier returned again and again to favorite themes, often after considerable lapses of time. Thus the works here are grouped by their subject matter into six sections: studies of individual figures and faces; narrative scenes inspired by history or literature; views of contemporary urban and domestic life; dramatic portrayals of lawyers in court; depictions of street performers; and episodes in the wanderings of Don Quixote and Sancho Panza.
Author | : Scott Allan |
Publisher | : Getty Publications |
Total Pages | : 228 |
Release | : 2016-06-21 |
Genre | : Art |
ISBN | : 1606064770 |
Théodore Rousseau (1812–1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of “unruly nature,” a Romantic naturalism that confounded his contemporaries with its “bizarre” compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard Kopp alternately examine Rousseau’s diverse techniques and working procedures as a painter and as a draftsman, as well as his art’s mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen’s essay focuses on Mont Blanc Seen from La Faucille, Storm Effect, an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek’s collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017.
Author | : Richard R. Brettell |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 482 |
Release | : 2009 |
Genre | : Painting, Modern |
ISBN | : 1588393496 |
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.
Author | : Emmanuel Bénézit |
Publisher | : |
Total Pages | : 948 |
Release | : 1924 |
Genre | : Artists |
ISBN | : |
Author | : Emmanuel Bénézit |
Publisher | : |
Total Pages | : 1238 |
Release | : 1924 |
Genre | : Artists |
ISBN | : |
Author | : Jean-Auguste-Dominique Ingres |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 610 |
Release | : 1999 |
Genre | : Drawing, French |
ISBN | : 0870998919 |
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Author | : Musée du Louvre. Cabinet des dessins |
Publisher | : |
Total Pages | : 232 |
Release | : 1968 |
Genre | : Drawing |
ISBN | : |
Author | : Colta Feller Ives |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 266 |
Release | : 2000 |
Genre | : Art |
ISBN | : 0870999648 |
This volume presents 115 drawings and paintings from the holdings of collector Karen B. Cohen. The 19th-century French and English works include landscapes, portraits, figure compositions, and still lifes by great artists of the romantic period and of the Barbizon and Realist schools, beginning with Prud'hon and ending with Seurat. Among the highlights is a group of little known works by Courbet and a series of cloud studies by Constable. Ives (curator, The Metropolitan Museum of Art) provides documentation and commentary for each work, placing it within the context of the artist's development and connecting it to contemporary artistic trends and innovations. Curator Elizabeth E. Barker contributed entries on Constable and Bonington. Annotation copyrighted by Book News Inc., Portland, OR
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 344 |
Release | : 2007 |
Genre | : Painting |
ISBN | : 1588392406 |