Designs of Chinese Buildings, Furniture, Dresses, Machines, and Utensils

Designs of Chinese Buildings, Furniture, Dresses, Machines, and Utensils
Author: William Chambers
Publisher: Legare Street Press
Total Pages: 0
Release: 2022-10-27
Genre: Architecture
ISBN: 9781015955172

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Vision of China in the English Literature of the Seventeenth and Eighteenth Centuries

The Vision of China in the English Literature of the Seventeenth and Eighteenth Centuries
Author: Adrian Hsia
Publisher: Chinese University Press
Total Pages: 420
Release: 1998
Genre: Education
ISBN: 9789622016088

The Vision of China is the first book on China as it came to be reflected in English literature. As such, it also offers the first comprehensive study of the image of China in Western literature. Featuring essays by prominent Chinese scholars such as Qian Zongshu, Fan Cunzhong, and Chen Shouyi, it complements such works as Pierre Martino's L'Orient dans la litterature francaise au XVIIe et au XVIIIe siecle (1906), Ursula Aurich's China im Spiegel der deutschen Literature des 18. Jahrhunderts (1935), and E. Horst Tscharner's China in der deutschen Dichtung bis zur Klassik (1939).Together with William W. Appleton's A Cycle of Cathay: The Chinese Vogue in England during the 17th and 18th Centuries (1951) and Raymond Dawson's The Chinese Chameleon: An Analysis of European Conceptions of Chinese Civilization (1967), the book studies the last phase of the Chinese mode in England. Some of the articles collected here actually inspired Appleton's study, at least in part.As a contemporary volume on the construct of China, The Vision of China can readily be considered the companion study to Edward Said's envisioned Orient in Orientalism (1979), to Tzvetan Todorov's Africa in Nous et les autres: la reflection francaise sur la diversite humaine (1989), and Gauri Viswanathan's Masks of Conquest: Literary Study and British Rule in India (1989).

Ideas of Chinese Gardens

Ideas of Chinese Gardens
Author: Bianca Maria Rinaldi
Publisher: University of Pennsylvania Press
Total Pages: 384
Release: 2016-01-08
Genre: Architecture
ISBN: 0812247639

An annotated collection of essential texts written by European observers from the thirteenth to the nineteenth centuries, Ideas of Chinese Gardens chronicles the evolution of Western perceptions of gardens of China, from curiosity to admiration and ultimately to rejection, echoing the changes in European attitudes toward China.

British Architecture

British Architecture
Author: Dana Arnold
Publisher: Oxford University Press
Total Pages: 161
Release: 2024-05-23
Genre: Architecture
ISBN: 0192653229

Very Short Introductions: Brilliant, Sharp, Inspiring British Architecture: A Very Short Introduction presents an original and engaging overview of the architecture of the British Isles, from medieval times to the present day. Avoiding the traditional approach of a chronological survey of architects and architectural style, each chapter presents a thematic exploration of key aspects of British architecture that endure across time and still have relevance today. Arnold uses illustrated chapters to aid appreciation of the artistic and cultural significance of British architecture and how it operates as a barometer of social trends. Arnold also highlights the ways in which architecture can project national and regional identities. British architecture tells of the intrinsic nature of Britishness and is an important means of understanding Britain's connection with the rest of the world. There is no doubt about the international significance of the work of recent and contemporary British architects. But Arnold also relates how a preoccupation with the past has been a constant theme in design thinking and practice. A thematic, historical understanding of British architecture in terms of its form and purpose explains much about the society and culture for which it was built. Architecture continues to shape patterns of living and social interaction and responds to new demands. Equally, debates about how best to express the nation through its architecture reveal much about Britain's perception of itself and how this is expressed at home and abroad. Finally, Arnold explores how subsequent generations can offer new interpretations and meanings that change our view of British architecture's legacy. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Art, Science, and Diplomacy: A Study of the Visual Images of the Macartney Embassy to China, 1793

Art, Science, and Diplomacy: A Study of the Visual Images of the Macartney Embassy to China, 1793
Author: Shanshan Chen
Publisher: Springer Nature
Total Pages: 268
Release: 2023-04-30
Genre: Art
ISBN: 9819911605

This book examines how the Embassy members approached, selected, and represented information, and how, in doing so, they helped to shape European perceptions of China. The Macartney Embassy of 1793 was the first British diplomatic mission to China, seeking to open ties between the two empires. As part of the mission, the British government commissioned writers and artists to chronicle the geography and culture of a civilization that had, until then, been shrouded in mystery. A central focus of the book is the artwork itself, which provides a window into the diplomatic, artistic and scientific viewpoints underlying the mission. Drawing on archival research, the study recreates the processes through which the Embassy’s draughtsmen, scientists, and diplomats collaborated to represent the visual images, and how the materials were reworked for publication in London. The finished product demonstrates that the artists offered a distinct viewpoint in the representation of China, sometimes differing from the textual accounts, by blending scientific elements and artistic aesthetics in order to demystify China and make it more knowable to a British audience. It was in the interposition of text and image that the British public formulated an ambivalent perception of China that embraced both admiration and disdain. In addition to the scholars, the book targets general readers who are interested in global art and history, and East–West interactions. It contains important images with detailed visual and historical analysis that enable readers to acquire knowledge on how the British represented China and how that image helped to shape the European perception of China during the British global expansion in the eighteenth and nineteenth centuries, and beyond.

A Taste for China

A Taste for China
Author: Eugenia Zuroski Jenkins
Publisher: Oxford University Press
Total Pages: 288
Release: 2013-04-03
Genre: Literary Criticism
ISBN: 0199950997

Challenging existing narratives of the relationship between China and Europe, this study establishes how modern English identity evolved through strategies of identifying with rather than against China. Through an examination of England's obsession with Chinese objects throughout the long eighteenth century, A Taste for China argues that chinoiserie in literature and material culture played a central role in shaping emergent conceptions of taste and subjectivity. Informed by sources as diverse as the writings of John Locke, Alexander Pope, and Mary Wortley Montagu, Zuroski Jenkins begins with a consideration of how literature transported cosmopolitan commercial practices into a model of individual and collective identity. She then extends her argument to the vibrant world of Restoration comedy-most notably the controversial The Country Wife by William Wycherley-where Chinese objects are systematically associated with questionable tastes and behaviors. Subsequent chapters draw on Defoe, Pope, and Swift to explore how adventure fiction and satirical poetry use chinoiserie to construct, question, and reimagine the dynamic relationship between people and things. The second half of the eighteenth century sees a marked shift as English subjects anxiously seek to separate themselves from Chinese objects. A reading of texts including Aphra Behn's Oroonoko and Jonas Hanway's Essay on Tea shows that the enthrallment with chinoiserie does not disappear, but is rewritten as an aristocratic perversion in midcentury literature that prefigures modern sexuality. Ultimately, at the century's end, it is nearly disavowed altogether, which is evinced in works like Charlotte Lennox's The Female Quixote and Jane Austen's Northanger Abbey. A persuasively argued and richly textured monograph on eighteenth-century English culture, A Taste for China will interest scholars of cultural history, thing theory, and East-West relations.