Derek Walcott And West Indian Drama
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| Author | : Bruce King |
| Publisher | : Oxford University Press on Demand |
| Total Pages | : 410 |
| Release | : 1997 |
| Genre | : Literary Collections |
| ISBN | : 9780198184645 |
Written at Derek Walcott's suggestion, and based on interviews with the playwright and actors, this is the first detailed study of a post-colonial theatre company and the problems of creating `serious' theatre in the former colonies. The book shows how Walcott strove to create a world class theatre ensemble in the West Indies - a Trinidadian Brecht Berliner ensemble - and traces his life and career in West Indian theatre, and the history of the Trinidad Theatre Workshop. Beginning with an actors' studio and the vision of a West Indian theatre company of international standards with its own style of acting, Derek Walcott developed the most important theatre company in the West Indies. This was the company which first performed his Dream on Monkey Mountain, the musical version of Ti-Jean and his Brothers, The Joker of Seville, and O Babylon! A major contribution to West Indian history and theatre, Bruce King's study reveals the heroic will of Derek Walcott and his actors, and their determination to prove that West Indian drama was a force with which to be reckoned.
| Author | : Bruce King |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 448 |
| Release | : 1995 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
Written at Derek Walcott's suggestion, and based on interviews with the playwright, this is the first detailed study of a post-colonial theatre company and the problems of creating "serious" theatre in the former British colonies. The book shows how the Nobel Prize winner strove to create a world class theatre ensemble in the West Indies--a Trinidadian Brecht Berliner ensemble--and traces his life and career in West Indian theatre and the history of the Trinidad Theatre Workshop. A major contribution to West Indian history and theatre, Bruce King's study reveals the heroic will of Derek Walcott, and his determination to prove that West Indian drama was a force with which to be reckoned.
| Author | : Derek Walcott |
| Publisher | : Macmillan + ORM |
| Total Pages | : 294 |
| Release | : 2014-09-09 |
| Genre | : Drama |
| ISBN | : 1466880333 |
On a Caribbean island, the morning after a full moon, Felix Hobain tears through the market in a drunken rage. Taken away to sober up in jail, all that night he is gripped by hallucinations: the impoverished hermit believes he has become a healer, walking from village to village, tending to the sick, waiting for a sign from God. In this dream, his one companion, Moustique, wants to exploit his power. Moustique decides to impersonate a prophet himself, ignoring a coffin-maker who warns him he will die and enraging the people of the island. Hobain, half-awake in his desolate jail cell, terrorized by the specter of his friend's corruption, clings to his visionary quest. He will try to transform himself; to heal Moustique, his jailer, and his jail-mates; and to be a leader for his people. Dream on Monkey Mountain was awarded the 1971 Obie Award for a Distinguished Foreign Play when it was first presented in New York, and Edith Oliver, writing in The New Yorker, called it "a masterpiece." Three of Derek's Walcott's most popular short plays are also included in this volume: Ti-Jean and His Brothers; Malcochon, or The Six in the Rain; and The Sea at Dauphin. In an expansive introductory essay, "What the Twilight Says," the playwright explains his founding of the seminal dramatic company where these works were first performed, the Trinidad Theatre Workshop. First published in 1970, Dream on Monkey Mountain and Other Plays is an essential part of Walcott's vast and important body of work.
| Author | : Paula Burnett |
| Publisher | : University Press of Florida |
| Total Pages | : 396 |
| Release | : 2017-08-08 |
| Genre | : Literary Criticism |
| ISBN | : 0813063256 |
?An important contribution to the study of Walcott?s poetry and plays.??Modernism/modernity ?Walcott, [Burnett] says, has assimilated western tradition to his own project, using it to create a new plural world of open-ended possibilities. . . . A book that should be of interest to any student of Walcott?s literature.??Times Higher Education Supplement ?This ambitious book takes in the full corpus of Walcott?plays, essays, interviews, etc., as well as the poetry?and argues the essential unity of his (humanistic) vision.??Wasafiri ?Burnett is very good on Walcott?s aesthetic and technical strategies, particularly the mythopoeic framework of his thought, and the epic form which he frequently employs.??New West Indian Guide ?Convincingly suggests that Walcott?s art radiates outward from St. Lucia to the West Indies, the Caribbean, Latin America, and the Americas, becoming an art that honors and enlarges the English language and its multiple histories and usages.??World Literature Today
| Author | : Derek Walcott |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 234 |
| Release | : 1996 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780878058556 |
When Derek Walcott was awarded the Nobel Prize, he was cited for "a poetic oeuvre of great luminosity, sustained by a historical vision, the outcome of a multicultural commitment." The lively interviews in this collection reveal Walcott's generous and brilliant intelligence as well as his strong, forthright opinions. He discusses the craft of poetry, the status of contemporary poetry and drama, his founding of the Trinidad Theatre Workshop, and his views on a number of influential writers, including Eliot, Auden, Brodsky, Heaney, and Naipaul. Boldly speaking his mind, Walcott takes many controversial positions on a wide range of subjects, such as Caribbean and U.S. politics, literary instruction in American universities, the proper role of sound in modern poetry, and the "ego" apparent in contemporary American poetry, and problems of race. Whatever the subject, Walcott responds fully and candidly.
| Author | : Derek Walcott |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 136 |
| Release | : 2014-09-09 |
| Genre | : Poetry |
| ISBN | : 1466880309 |
In his longest and most ambitious poem, Derek Walcott reaches beyond an evocative portrayl of his native West Indies to create a moving elegy on himself and on man. The fascinating and complex matrix of the author's life is illuminated with our candor, verve, and strength. Over four thousand lines of verse are grouped into four parts. He evokes scenes of his divided childhood, in which children live in shacks while fine khaki-clothed Englishmen drink tea. He depicts the influence of three intimate friends, including his first love, Anna, on his emergence as a man and artist. He chronicles the mixed remorse and resolution of maturity. He recalls of his youth: "We were blessed with a virginal, unpainted world / with Adam's task of giving things their names..." Yet in retrospect he acknowledges the irony of his artistic reliance on metaphor to transform reality--his search for "another life" When the author's most recent collection of poetry, The Gulf, was published, Selden Rodman wrote in The New York Times Book Review: "Now, with the publication of his fourth book of verse, Walcott's stature in the front rank of all contemporary poets using English should be apparent." Chad Walsh in Book World said: "I am convinced one of the half-dozen most imporant poets now writing in English. He may prove to be the best." Another Life helps to fulfill this prophecy.
| Author | : Derek Walcott |
| Publisher | : Heinemann International Incorporated |
| Total Pages | : 170 |
| Release | : 1981 |
| Genre | : Literary Criticism |
| ISBN | : |
This anthology of poetry is selected to portray the various themes of the Caribbean.
| Author | : Ian McDonald |
| Publisher | : Heinemann |
| Total Pages | : 260 |
| Release | : 1992 |
| Genre | : Literary Criticism |
| ISBN | : 9780435988173 |
This collection is an invaluable academic selection and will provide a fine introduction for the general reader interested in the lyricism of Caribbean poetry.
| Author | : Bruce King |
| Publisher | : Oxford University Press on Demand |
| Total Pages | : 714 |
| Release | : 2000 |
| Genre | : Literary Collections |
| ISBN | : 9780198711315 |
This is the first full-scale literary biography of Nobel Prize-winning poet and dramatist Derek Walcott. It traces the creative contradictions in his life from colonial St. Lucia, where he was part of a tiny English-speaking Protestant mulatto elite in an overwhelmingly French-Creole Roman Catholic black society, to 1999 when, a star of international literature and a symbol of cultural decolonization, he wanted to be Poet Laureate of England. The author had had access to letters, diaries, uncollected and unpublished writings, and conducted numerous interviews in the Caribbean, North America, and Europe. Walcott is seen as someone driven by the need to justify his life and fulfill his talents before an unknowable God, but who, in mastering the ways of the world often regards himself as an example of fallen humanity. Besides offering an approach to Walcott as a poet, dramatist, theater director, arts critic, and teacher, the book shows how his desire to be a painter influenced his vision and the way he works.
| Author | : Kelly Baker Josephs |
| Publisher | : University of Virginia Press |
| Total Pages | : 263 |
| Release | : 2013-10-11 |
| Genre | : Literary Criticism |
| ISBN | : 0813935075 |
Exploring the prevalence of madness in Caribbean texts written in English in the mid-twentieth century, Kelly Baker Josephs focuses on celebrated writers such as Jean Rhys, V. S. Naipaul, and Derek Walcott as well as on understudied writers such as Sylvia Wynter and Erna Brodber. Because mad figures appear frequently in Caribbean literature from French, Spanish, and English traditions—in roles ranging from bit parts to first-person narrators—the author regards madness as a part of the West Indian literary aesthetic. The relatively condensed decolonization of the anglophone islands during the 1960s and 1970s, she argues, makes literature written in English during this time especially rich for an examination of the function of madness in literary critiques of colonialism and in the Caribbean project of nation-making. In drawing connections between madness and literature, gender, and religion, this book speaks not only to the field of Caribbean studies but also to colonial and postcolonial literature in general. The volume closes with a study of twenty-first-century literature of the Caribbean diaspora, demonstrating that Caribbean writers still turn to representations of madness to depict their changing worlds.
