Futurist Depero

Futurist Depero
Author: Fundación Juan March
Publisher: Fundacion Juan March
Total Pages: 0
Release: 2014
Genre: Art
ISBN: 9788470756252

Y focusing on the life and work of Fortunato Depero (Fondo, Trento, 1892 – Rovereto, 1960) it will aim to offer a new assessment of what has been termed "the Avant-garde of avant-gardes": Italian Futurism.0This visual and literary movement, which was launched with the Manifesto published by Filippo Tommaso Marinetti on 20 February 1909 in the French newspaper Le Figaro, has found its place in history due to the radical nature of its ideas: abolishing all references to the art of the past (considered to be pure "passatismo"), exalting dynamism, the machine, speed and war, freeing words from grammatical structure and multiplying viewpoints in order to express the dynamic interaction of the material with the surrounding space. 0During its most active years, between 1909 and 1915, Futurism made an innovative and dynamic contribution to European visual art and literature. The outbreak of World War I resulted in a break in its activities with many of the Futurists participating in the combat and the death of Boccioni. Prior to this, in 1913, Fortunato Depero went to Rome where he met Marinetti and visited the exhibition on Boccioni at the Galleria Sprovieri. His encounter there with the work of Boccioni and Balla led to a transformation in his artistic output as he assimilated Boccioni’s visual dynamism and Balla’s sense of tension deriving from the abstraction of forms. In the spring of 1915 Depero joined the Futurist movement.0Exhibition: Fundación Juan March, Madrid, Spain (10.10.2014-18.01.2015).

Italian Futurism 1909-1944

Italian Futurism 1909-1944
Author: Solomon R. Guggenheim Museum
Publisher: Guggenheim Museum
Total Pages: 0
Release: 2014
Genre: Art, Italian
ISBN: 9780892074990

February 21-September 1, 2014 The first comprehensive overview of Italian Futurism to be presented in the United States, this multidisciplinary exhibition examines the historical sweep of the movement from its inception with F.T. Marinetti's Futurist manifesto in 1909 through its demise at the end of World War II. Presenting over 300 works executed between 1909 and 1944, the chronological exhibition encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater, and performance. To convey the myriad artistic languages employed by the Futurists as they evolved over a 35-year period, the exhibition integrates multiple disciplines in each section. Italian Futurism is organized by Vivien Greene, Curator, 19th- and Early 20th-Century Art, Solomon R. Guggenheim Museum. In addition, a distinguished international advisory committee has been assembled to provide expertise and guidance.

Exhibiting Italian Art in the United States from Futurism to Arte Povera

Exhibiting Italian Art in the United States from Futurism to Arte Povera
Author: Raffaele Bedarida
Publisher: Taylor & Francis
Total Pages: 320
Release: 2022-06-28
Genre: Art
ISBN: 1000595803

This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world’s new dominant cultural and economic power. The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies.

Graphic Design

Graphic Design
Author: Richard Hollis
Publisher: Thames & Hudson
Total Pages: 224
Release: 1994
Genre: Book design
ISBN: 9780500202708

Covers a wide range of graphic design including film, magazines and posters. Also cover techniques used such as airbrushing and computer generated images

Italian futurism and the machine

Italian futurism and the machine
Author: Katia Pizzi
Publisher: Manchester University Press
Total Pages: 492
Release: 2019-05-24
Genre: History
ISBN: 1526121220

This is the first interdisciplinary exploration of machine culture in Italian futurism after the First World War. The machine was a primary concern for the futuristi. As well as being a material tool in the factory it was a social and political agent, an aesthetic emblem, a metonymy of modernity and international circulation and a living symbol of past crafts and technologies. Exploring literature, the visual and performing arts, photography, music and film, the book uses the lens of European machine culture to elucidate the work of a broad set of artists and practitioners, including Censi, Depero, Marinetti, Munari and Prampolini. The machine emerges here as an archaeology of technology in modernity: the time machine of futurism.

Design Literacy

Design Literacy
Author: Steven Heller
Publisher: Simon and Schuster
Total Pages: 621
Release: 2014-05-06
Genre: Design
ISBN: 1621534138

Author and design expert Steven Heller has revisited and revised the popular classic Design Literacy by revising many of the thoughtful essays from the original and mixing in thirty-two new works. Each essay offers a taste of the aesthetic, political, historical, and personal issues that have engaged designers from the late nineteenth century to the present—from the ubiquitous (the swastika, antiwar posters) to the whimsical (MAD magazine parodies). The essays are organized into eight thematic categories—persuasion, mass media, language, identity, information, iconography, style, and commerce. This revised edition also highlights recent trends in graphic design such as aesthetic changes in typography in the digital age and the nexus between graphic design and wired culture. This is an eclectic look at how, why, and if graphic design influences our ever-evolving, diverse world. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

2016

2016
Author: Günter Berghaus
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 577
Release: 2016-05-24
Genre: Art
ISBN: 3110465892

Volume 6 (2016) is an open issue with an emphasis on Nordic countries (Denmark, Finland, Lithuania, Estonia, Iceland). Four essays focus on Russia, two on music; other contributions are concerned with Egypt, USA and Korea. Furthermore there are sections on Futurist archives, Futurism in caricatures and Futurism in fiction.