Democracy And Poetry
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| Author | : Robert Penn Warren |
| Publisher | : Harvard University Press |
| Total Pages | : 124 |
| Release | : 1975 |
| Genre | : Literary Criticism |
| ISBN | : 9780674196261 |
In these two essays, one of America's most honored writers fastens on the interrelation of American democracy and poetry and the concept of selfhood vital to each. "I really don't want to make a noise like a pundit," Mr. Warren declares, "What I do want to do is to return us--and myself most of all--to a scrutiny of our own experience of our own world." Indeed, Democracy and Poetry offers one of the most pertinent and strongly personal meditations on our condition to have appeared in recent letters. Our native "poetry," that is, literature and art, in general, is a social document, is "diagnostic," and has often been a corrosive criticism of our democracy, Mr. Warren argues. Persuasively, and movingly, he shows that all of "art" and all that goes into the making of democracy require a free and responsible self. Yet the American experience has been one of the decay of the notion of self. Our astounding success jeopardized what we promised to create--the free man. For a century and a half the conception of the self has been dwindling, separating itself from traditional values, moral identity, and a secure relation with community. Lonely heroes in a bankrupt civilization, then protest, despair, aimlessness, and violence, have marked our literature. The anguish of Robert Penn Warren's own poetic vision of art and democracy is soothed only by his belief that poetry--the making of art can nourish and at least do something toward the rescue of democracy; he shows how art can be- come a healer, can be "therapeutic." In the face of disintegrative forces set loose in a business and technetronic society, it is poetry that affirms the notion of the self. It is a model of the organized self, an emblem of the struggle for the achieving self, and of the self in a community. More and more as our modern technetronic society races toward the abolition of the self, and diverges from a culture created to enhance the notion of selfhood, poetry becomes indispensable. Compelling, resonant, memorable, Democracy and Poetry is a major testament not only to the vitality of poetry, but also to a faith in democracy.
| Author | : Robert Pinsky |
| Publisher | : Princeton University Press |
| Total Pages | : 108 |
| Release | : 2009-04-11 |
| Genre | : Literary Criticism |
| ISBN | : 1400825156 |
The place of poetry in modern democracy is no place, according to conventional wisdom. The poet, we hear, is a casualty of mass entertainment and prosaic public culture, banished to the artistic sidelines to compose variations on insipid themes for a dwindling audience. Robert Pinsky, however, argues that this gloomy diagnosis is as wrongheaded as it is familiar. Pinsky, whose remarkable career as a poet itself undermines the view, writes that to portray poetry and democracy as enemies is to radically misconstrue both. The voice of poetry, he shows, resonates with profound themes at the very heart of democratic culture. There is no one in America better to write on this topic. One of the country's most accomplished poets, Robert Pinsky served an unprecedented two terms as America's Poet Laureate (1997-2000) and led the immensely popular multimedia Favorite Poem Project, which invited Americans to submit and read aloud their favorite poems. Pinsky draws on his experiences and on characteristically sharp and elegant observations of individual poems to argue that expecting poetry to compete with show business is to mistake its greatest democratic strength--its intimate, human scale--as a weakness. As an expression of individual voice, a poem implicitly allies itself with ideas about individual dignity that are democracy's bedrock, far more than is mass participation. Yet poems also summon up communal life.. Even the most inward-looking work imagines a reader. And in their rhythms and cadences poems carry in their very bones the illusion and dynamic of call and response. Poetry, Pinsky writes, cannot help but mediate between the inner consciousness of the individual reader and the outer world of other people. As part of the entertainment industry, he concludes, poetry will always be small and overlooked. As an art--and one that is inescapably democratic--it is massive and fundamental.
| Author | : Angus FLETCHER |
| Publisher | : Harvard University Press |
| Total Pages | : 331 |
| Release | : 2009-06-30 |
| Genre | : Poetry |
| ISBN | : 0674037014 |
Intense, resonant, and deeply literary, this account of an American poetics shows how today's consumerist and conformist culture subverts the imagination of a free people. Poetry, the author maintains, is central to any coherent vision of life.
| Author | : Walt Whitman |
| Publisher | : |
| Total Pages | : 100 |
| Release | : 1871 |
| Genre | : History |
| ISBN | : |
| Author | : Frank Stewart |
| Publisher | : University of Hawaii Press |
| Total Pages | : 235 |
| Release | : 2019-07-31 |
| Genre | : Poetry |
| ISBN | : 0824882881 |
Republic of Apples, Democracy of Oranges presents nearly 100 poets and translators from China and the U.S.—the two countries most responsible for global carbon dioxide emissions and the primary contributors to extreme climate change. These poetic voices express the altered relationship that now exists between the human and non-human worlds, a situation in which we witness everyday the ways environmental destruction is harming our emotions and imaginations. “What can poetry say about our place in the natural world today?” ecologically minded poets ask. “How do we express this new reality in art or sing about it in poetry?” And, as poet Forrest Gander wonders, “how might syntax, line break, or the shape of the poem on the page express an ecological ethics?” Eco-poetry freely searches for possible answers. Sichuan poet Sun Wenbo writes: ... I feel so liberated I start writing about the republic of apples and democracy of oranges. When I see apples have not become tanks, oranges not bombs, I know I've not become a slave of words after all. The Chinese poets are from throughout the PRC and Taiwan, both minority and majority writers, from big cities and rural provinces, such as Liangshan Yi Autonomous Prefecture and Xinjiang Uyghur, Tibet, and Inner Mongolia Autonomous Regions. The American poets are both emerging and established, from towns and cities across the U.S. Included are images by celebrated photographer Linda Butler documenting the Three Gorges Dam, on the Yangtze River, and the aftermath of Hurricane Katrina, on the Mississippi River Basin.
| Author | : Walt Whitman |
| Publisher | : Philomel |
| Total Pages | : 20 |
| Release | : 1991 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 9780399218088 |
Whitman's famous poem, accompanied by linoleum-cut illustrations, depicts people at work all over an earlier America.
| Author | : Mark Edmundson |
| Publisher | : Harvard University Press |
| Total Pages | : 241 |
| Release | : 2021-04-13 |
| Genre | : Literary Criticism |
| ISBN | : 0674237161 |
In the midst of a crisis of democracy, we have much to learn from Walt Whitman’s journey toward egalitarian selfhood. Walt Whitman knew a great deal about democracy that we don’t. Most of that knowledge is concentrated in one stunning poem, Song of Myself. Esteemed cultural and literary thinker Mark Edmundson offers a bold reading of the 1855 poem, included here in its entirety. He finds in the poem the genesis and development of a democratic spirit, for the individual and the nation. Whitman broke from past literature that he saw as “feudal”: obsessed with the noble and great. He wanted instead to celebrate the common and everyday. Song of Myself does this, setting the terms for democratic identity and culture in America. The work captures the drama of becoming an egalitarian individual, as the poet ascends to knowledge and happiness by confronting and overcoming the major obstacles to democratic selfhood. In the course of his journey, the poet addresses God and Jesus, body and soul, the love of kings, the fear of the poor, and the fear of death. The poet’s consciousness enlarges; he can see more, comprehend more, and he has more to teach. In Edmundson’s account, Whitman’s great poem does not end with its last line. Seven years after the poem was published, Whitman went to work in hospitals, where he attended to the Civil War’s wounded, sick, and dying. He thus became in life the democratic individual he had prophesied in art. Even now, that prophecy gives us words, thoughts, and feelings to feed the democratic spirit of self and nation.
| Author | : Amanda Gorman |
| Publisher | : Penguin |
| Total Pages | : 34 |
| Release | : 2021-03-30 |
| Genre | : Poetry |
| ISBN | : 059346527X |
The instant #1 New York Times bestseller and #1 USA Today bestseller Amanda Gorman’s electrifying and historic poem “The Hill We Climb,” read at President Joe Biden’s inauguration, is now available as a collectible gift edition. “Stunning.” —CNN “Dynamic.” —NPR “Deeply rousing and uplifting.” —Vogue On January 20, 2021, Amanda Gorman became the sixth and youngest poet to deliver a poetry reading at a presidential inauguration. Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe with her call for unity and healing. Her poem “The Hill We Climb: An Inaugural Poem for the Country” can now be cherished in this special gift edition, perfect for any reader looking for some inspiration. Including an enduring foreword by Oprah Winfrey, this remarkable keepsake celebrates the promise of America and affirms the power of poetry.
| Author | : Rita Dove |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2021-08-17 |
| Genre | : Poetry |
| ISBN | : 0393867773 |
Finalist for the 2022 Los Angeles Times Book Prize and the 2021 NAACP Image Award for Outstanding Literary Work - Poetry A piercing, unflinching new volume offers necessary music for our tumultuous present, from “perhaps the best public poet we have” (Boston Globe). In her first volume of new poems in twelve years, Rita Dove investigates the vacillating moral compass guiding America’s, and the world’s, experiments in democracy. Whether depicting the first Jewish ghetto in sixteenth-century Venice or the contemporary efforts of Black Lives Matter, a girls’ night clubbing in the shadow of World War II or the doomed nobility of Muhammad Ali’s conscious objector stance, this extraordinary poet never fails to connect history’s grand exploits to the triumphs and tragedies of individual lives. Meticulously orchestrated and musical in its forms, Playlist for the Apocalypse collects a dazzling array of voices: an elevator operator simmers with resentment, an octogenarian dances an exuberant mambo, a spring cricket philosophizes with mordant humor on hip hop, critics, and Valentine’s Day. Calamity turns all too personal in the book’s final section, “Little Book of Woe,” which charts a journey from terror to hope as Dove learns to cope with debilitating chronic illness. At turns audaciously playful and grave, alternating poignant meditations on mortality and acerbic observations of injustice, Playlist for the Apocalypse takes us from the smallest moments of redemption to catastrophic failures of the human soul. Listen up, the poet says, speaking truth to power; what you’ll hear in return is “a lifetime of song.”
| Author | : Henry W. Leung |
| Publisher | : Omnidawn 1st/2nd Book Contest |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Poetry |
| ISBN | : 9781632430403 |
A lyric and historical examination of the Umbrella protests in Hong Kong
