Deformed Discourse
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| Author | : David Williams |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 412 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9780773518711 |
Adult survivors of children's stories can be forgiven for thinking the only function of medieval monsters was to fail, just barely, to eat virgins and to die, just barely, under the hero's ministrations. Williams (English, McGill U.) enlarges the view, tracing the poetics of teratology, the study of monsters, to Christian neoplatonic theology, especially the concept that God cannot be known except by knowing what he is not. He also provides a taxonomy of monsters with glosses, and examines the monstrous and deformed in three heroic sagas and three saints' lives. Includes many reproductions. Canadian card order number: C96-900457-5. Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : Gerson Moreno-Riano |
| Publisher | : BRILL |
| Total Pages | : 366 |
| Release | : 2011-10-14 |
| Genre | : History |
| ISBN | : 9004215093 |
Few authors of the Latin Middle Ages have been the subject of so much attention as Marsilius of Padua (c. 1275-1342/43). Known primarily for his Defensor pacis, Marsilius quickly garnered for himself the reputation of being a heretic as well as a schismatic. At the same time, however, it became evident that he was perhaps one of the brightest - if not most dangerous - thinkers of the fourteenth century. The political ideas and activities of Marsilius of Padua have engendered a substantial literature and numerous debates. The present volume serves as a much needed guide to the life and works of the Paduan thinker. It provides readers with a scholarly treatment and evaluation of the various interpretative schools and debates concerning Marsilus based on the latest relevant research. As such, the present volume will appeal to scholars interested in the importance and influence of one of the greatest authors of the European Middle Ages. Contributors include: Gerson Moreno-Riaño, Cary J. Nederman, Frank Godthardt, William Courtenay, Michael Sweeney, Gianluca Briguglia, Takashi Shogimen, Roberto Lambertini, Bettina Koch, and Thomas Izbicki.
| Author | : Erika E. Hess |
| Publisher | : Routledge |
| Total Pages | : 250 |
| Release | : 2004-08-02 |
| Genre | : Literary Criticism |
| ISBN | : 1135886490 |
Much like the fantastic marginalia of medieval illuminated manuscripts, medieval and modern hybrid characters-including werewolves, serpent women, and wild men-function as a frame, critiquing the discourses that run through their texts. In Literary Hybrids, Erika Hess provides a close reading of one such hybrid-the female cross-dresser in thirteenth-century French romance-examining the interplay between physical and narrative ambiguity. Hess argues that the hybrid figure in medieval and contemporary French literature challenges the traditionally accepted natural order, upsets rational thinking, and underscores a concern with totalizing discourses or perspectives.
| Author | : Naomi Baker |
| Publisher | : Manchester University Press |
| Total Pages | : 431 |
| Release | : 2021-06-15 |
| Genre | : Literary Criticism |
| ISBN | : 1526162709 |
Plain ugly examines depictions of physically repellent characters in a striking range of early modern literary and visual texts, offering fascinating insights into the ways in which ugliness and deformity were perceived and represented, particularly with regard to gender and the construction of identity. Available in paperback for the first time, the book focuses closely on English literary culture but also engages with wider European perspectives, drawing on a wide array of primary sources including Italian and other European visual art. Offering illuminating close readings of texts from both high and low culture, it will interest scholars in English literature, cultural studies, women’s studies, history and art history, as well as postgraduate and undergraduate students in these disciplines. As an accessible and absorbing account of the power dynamics informing depictions of ugliness (and beauty) in relation to some of the quirkiest literary and visual material to be found in early modern culture, it will also appeal to a wider audience.
| Author | : Marina Warner |
| Publisher | : University Press of Kentucky |
| Total Pages | : 470 |
| Release | : 2007-02-23 |
| Genre | : Social Science |
| ISBN | : 9780813191744 |
In Monsters of Our Own Making, Marina Warner explores the dark realm where ogres devour children and bogeymen haunt the night. She considers the enduring presence and popularity of male figures of terror, establishing their origins in mythology and their current relation to ideas about sexuality and power, youth and age.
| Author | : Ruth Evans |
| Publisher | : University of Toronto Press |
| Total Pages | : 318 |
| Release | : 2003-01-01 |
| Genre | : History |
| ISBN | : 9780802086372 |
The variety of subjects and disciplines represented here testify both to the elusiveness of virginity and to its lasting appeal and importance. Medieval Virginities shows how virginity's inherent ambiguity highlights the problems, contradictions and discontinuities lurking within medieval ideologies.
| Author | : Bettina Bildhauer |
| Publisher | : University of Wales Press |
| Total Pages | : 319 |
| Release | : 2017-05-15 |
| Genre | : History |
| ISBN | : 1786831759 |
The figure of the monster in medieval culture functions as a vehicle for a range of intellectual and spiritual inquiries, from questions of language and representation to issues of moral, theological and cultural value. Monsters embody cultural tensions that go far beyond the idea of the monster as simply an unintelligible and abject other. This text looks at both the representation of literal monsters and the consumption and exploitation of monstrous metaphors in a wide variety of high and late-medieval cultural productions, from travel writing and mystical texts, to sermons, manuscript illuminations and maps. Individual essays explore the ways in which monstrosity shaped the construction of gendered and racial identities, religious symbolism and social prejudice in the Middle Ages. Reading the Middle Ages through its monsters provides an opportunity to view medieval culture from fresh perspectives. It should be of interest in the concept of monstrosity and its significance for medieval cultural production.
| Author | : Anna Zayaruznaya |
| Publisher | : Cambridge University Press |
| Total Pages | : 321 |
| Release | : 2015-04-02 |
| Genre | : Music |
| ISBN | : 1107039665 |
The Monstrous New Art reveals the depth of medieval composers' engagement with monstrous and hybrid creatures and ideas.
| Author | : Katalin Nun |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 329 |
| Release | : 2014-10-28 |
| Genre | : Philosophy |
| ISBN | : 1472441362 |
While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome I covering figures and motifs from Agamemnon to Guadalquivir.
| Author | : Bill Hughes |
| Publisher | : Routledge |
| Total Pages | : 278 |
| Release | : 2019-09-26 |
| Genre | : History |
| ISBN | : 0429615205 |
Covering the period from Antiquity to Early Modernity, A Historical Sociology of Disability argues that disabled people have been treated in Western society as good to mistreat and – with the rise of Christianity – good to be good to. It examines the place and role of disabled people in the moral economy of the successive cultures that have constituted ‘Western civilisation’. This book is the story of disability as it is imagined and re-imagined through the cultural lens of ableism. It is a story of invalidation; of the material habituations of culture and moral sentiment that paint pictures of disability as ‘what not to be’. The author examines the forces of moral regulation that fall violently in behind the dehumanising, ontological fait accompli of disability invalidation, and explores the ways in which the normate community conceived of, narrated and acted in relation to disability. A Historical Sociology of Disability will be of interest to all scholars, students and activists working in the field of Disability Studies, as well as sociology, education, philosophy, theology and history. It will appeal to anyone who is interested in the past, present and future of the ‘last civil rights movement’.
