Deeds Of Genius
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Sex and Character
Author | : Otto Weininger |
Publisher | : Indiana University Press |
Total Pages | : 504 |
Release | : 2005-04-14 |
Genre | : Philosophy |
ISBN | : 9780253111302 |
Otto Weininger's controversial book Sex and Character, first published in Vienna in 1903, is a prime example of the conflicting discourses central to its time: antisemitism, scientific racism and biologism, misogyny, the cult and crisis of masculinity, psychological introspection versus empiricism, German idealism, the women's movement and the idea of human emancipation, the quest for sexual liberation, and the debates about homosexuality. Combining rational reasoning with irrational outbursts, in the context of today's scholarship, Sex and Character speaks to issues of gender, race, cultural identity, the roots of Nazism, and the intellectual history of modernism and modern European culture. This new translation presents, for the first time, the entire text, including Weininger's extensive appendix with amplifications of the text and bibliographical references, in a reliable English translation, together with a substantial introduction that places the book in its cultural and historical context.
New Myth, New World
Author | : Bernice Glatzer Rosenthal |
Publisher | : Penn State Press |
Total Pages | : 484 |
Release | : 2010-11-01 |
Genre | : Philosophy |
ISBN | : 9780271046587 |
The Nazis' use and misuse of Nietzsche is well known. In this pioneering book, Bernice Glatzer Rosenthal excavates the trail of long-obscured Nietzschean ideas that took root in late Imperial Russia, intertwining with other elements in the culture to become a vital ingredient of Bolshevism and Stalinism.
Genealogies of Genius
Author | : Joyce E. Chaplin |
Publisher | : Springer |
Total Pages | : 194 |
Release | : 2015-12-08 |
Genre | : History |
ISBN | : 113749767X |
The essays in this volume seek to examine the uses to which concepts of genius have been put in different cultures and times. Collectively, they are designed to make two new statements. First, seen in historical and comparative perspective, genius is not a natural fact and universal human constant that has been only recently identified by modern science, but instead a categorical mode of assessing human ability and merit. Second, as a concept with specific definitions and resonances, genius has performed specific cultural work within each of the societies in which it had a historical presence.
Beethoven and the Construction of Genius
Author | : Tia DeNora |
Publisher | : Univ of California Press |
Total Pages | : 254 |
Release | : 1995 |
Genre | : Biography & Autobiography |
ISBN | : 0520211588 |
"It was high time that someone tried to explain more fully, and on the basis of the known documents, the course of Beethoven's meteoric rise to fame in Vienna at the end of the eighteenth century. . . . I would consider this cleverly written and authoritative book to be the most important about Beethoven in twenty-five years. No one considering the subject will be able to overlook DeNora's research."—H.C. Robbins Landon, author of Beethoven: His Life, Work, and World "This is a study with the power to reshape our perceptions of Beethoven's first decade in Vienna and substantially refine our notions of the creation and foundations of Beethoven's career."—William Meredith, Ira Brilliant Center for Beethoven Studies, San Jose State University "Professor DeNora's achievement in placing Beethoven, and the reception of Beethoven's music, in social context is all the more impressive because it goes so much against the grain of conventional habits of thought. In illuminating how changing social institutions created opportunities for Beethoven to gain contemporary and posthumous recognition, and, in so doing, created new forms for thinking and talking about musical achievement—the author at once provides fresh insights into the institutional origins of 'classical' music and offers an exemplary contribution to the sociological study of the arts."—Paul DiMaggio, Princeton University "An important landmark in our understanding of the relationship of the creative musician to society, and a vital contribution to debates about the central phenomenon which distinguishes Western music from other musical traditions: the phenomenon of the Great Composer."—Julian Rushton, University of Leeds "This original book argues that Beethoven's high reputation was created as much by the social-cultural agendas of his aristocratic Viennese patrons in the 1790s as by the qualities of his music. DeNora's persuasive reading of this momentous cultural-artistic event will be welcome to sociologists for its successful contextualization of a hero of 'absolute music,' as well as to musicologists and music-lovers who wish to move beyond the myth of Beethoven as 'the man who freed music.'"—James Webster, Cornell University "Lucid, well-researched, and theoretically informed, Beethoven and the Construction of Genius is one of the best works yet published in the historical sociology of culture. DeNora makes important contributions not only to our knowledge of Beethoven and of the social construction of genius but to the general problems of how identities are created, shaped, and sustained and of how aesthetic claims gain authority."—Craig Calhoun, University of North Carolina