Death Dont Have No Mercy
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| Author | : Brent Wood |
| Publisher | : Routledge |
| Total Pages | : 327 |
| Release | : 2020-03-26 |
| Genre | : Music |
| ISBN | : 0429582218 |
The Tragic Odes of Jerry Garcia and the Grateful Dead is a multifaceted study of tragedy in the group’s live performances showing how Garcia brought about catharsis through dance by leading songs of grief, mortality, and ironic fate in a collective theatrical context. This musical, literary, and historical analysis of thirty-five songs with tragic dimensions performed by Garcia in concert with the Grateful Dead illustrates the syncretic approach and acute editorial ear he applied in adapting songs of Robert Hunter, Bob Dylan, and folk tradition. Tragically ironic situations in which Garcia found himself when performing these songs are revealed, including those related to his opiate addiction and final decline. This book examines Garcia’s musical craftsmanship and the Grateful Dead’s collective art in terms of the mystery-rites of ancient Greece, Friedrich Nietzsche’s Dionysus, 20th century American music rooted in New Orleans, Hermann Hesse’s Magic Theater, and the Greek Theatre at Berkeley, offering a clear prospect on an often misunderstood phenomenon. Featuring interdisciplinary analysis, close attention to musical and poetic strategies, and historical and critical contexts, this book will be of interest to scholars and researchers of Popular Music, Musicology, Cultural Studies, and American Studies, as well as to the Grateful Dead’s avid listeners.
| Author | : William Boyle |
| Publisher | : |
| Total Pages | : 194 |
| Release | : 2015-03-10 |
| Genre | : |
| ISBN | : 9781940885193 |
"William Boyle does for the small damaged towns of New York what Nelson Algren did for Chicago: he makes the streets sing with piss-pot poetry and gut-bucket blues. These are edgy stories about people who would have to pull themselves up to walk the line, people who spend so much time in bars, drunks and bartenders start to look like family. In here, hardship is a given, failure too, but Boyle's beautiful prose infuses his characters with a deep sense of knowledge and dignity and awareness, so hope is always present, no matter how dim the light. In DEATH DON'T HAVE NO MERCY, a shot of whiskey is rocket fuel, and the songs are all sung by dead folks and outlaws. Drunk working men look like dumptrucks, their mouths hanging open for booze. Boyle is a new breed of literary crime writer that knows to be alive is to be a criminal and the art of living is finding the best possible crime. Fans of James Cain and Vicki Hendricks, of Charles Bukowski and Larry Brown, saddle up to the bar and throw down your money for the excellent stories in DEATH DON'T HAVE NO MERCY. I guarantee you will fall in love with the neighborhoods, with the alleys, with the garages and one-bedroom apartments, because around the corner William Boyle is bartending and everything he has to say is the best thing you will read this year. An outstanding collection " -Dave Newman, author of PLEASE DON'T SHOOT ANYONE TONIGHT, RAYMOND CARVER WILL NOT RAISE OUR CHILDREN, THE SLAUGHTERHOUSE POEMS, and TWO SMALL BIRDS
| Author | : C. S. Cowles |
| Publisher | : Zondervan Academic |
| Total Pages | : 228 |
| Release | : 2010-06-01 |
| Genre | : Religion |
| ISBN | : 0310873762 |
Did God condone genocide in the Old Testament? How do Christians harmonize the warrior God of Israel with the God of love incarnate in Jesus? Christians are often shocked to read that Yahweh, the God of the Israelites, commanded the total destruction--all men, women, and children--of the ethnic group known as the Canaanites. This seems to contradict Jesus' command in the New Testament to love your enemies and do good to all people. How can Yahweh be the same God as the Father of our Lord Jesus Christ? What does genocide in the Bible have to do with the politics of the 21st century? Show Them No Mercy explores the Old Testament command of God to exterminate the Canaanite population and what that implies about continuity between the Old and New Testaments. The four views presented are: Strong Discontinuity – emphasizes the strong tension, regarding violence, between the two main texts of the Bible (C.S. Cowles) Moderate Discontinuity – provides a justification of God’s actions in the Old Testament with strong emphasis on exegesis (Eugene H. Merrill) Eschatological Continuity – a reading of the warfare narratives that ties them contextually to the book of Revelation and the Second Coming (Daniel L. Gard) Spiritual Continuity – incorporates the genocidal account into the full picture of the Old and New Testaments (Tremper Longman III) The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.
| Author | : Steve Gimbel |
| Publisher | : Open Court |
| Total Pages | : 274 |
| Release | : 2011-04-15 |
| Genre | : Philosophy |
| ISBN | : 0812697448 |
This book is another one of those late-night Grateful Dead inspired dorm room conversations with friends . . . only this time it’s your professors sitting cross-legged on the floor asking if anyone else wants to order a pizza. The Grateful Dead emerged from the San Francisco counter-culture movement of the late 1960s to become an American icon. Part of the reason they remain an institution four decades later is that they and their fans, the Deadheads, embody deviation from social, artistic, and industry norms. From the beginning, the Grateful Dead has represented rethinking what we do and how we do it. Their long, free-form jams stood in stark contrast to the three minute, radio friendly, formulaic rock that preceded them. Allowing their fans to tape and trade recordings of shows and distributing concert tickets themselves bucked the corporate control of popular music. The use of mind-altering chemicals questioned the nature of consciousness and reality. The practice of “touring,” following the band from city to city, living as modern day nomads presented a model distinct from the work-a-day option assumed by most in our corporate dominated culture. As a result, Deadheads are a quite introspective lot. The Grateful Dead and Philosophy contains essays from twenty professional philosophers whose love of the music and scene have led them to reflect on different philosophical questions that arise from the enigma that is the Grateful Dead. Coming from a variety of perspectives, ancient and modern, Eastern and Western, The Grateful Dead and Philosophy considers how the Grateful Dead fits into the broader trends of American thought running through pragmatism and the Beat poets, how the parking lot scene with its tie-dyed t-shirt and veggie burrito vendors was both a rejection and embrace of capitalism, and whether Jerry Garcia and the Buddha were more than just a couple of fat guys talking about peace. The lyrics of the Grateful Dead’s many songs are also the basis for several essays considering questions of fate and freedom, the nature-nurture debate, and gamblers’ ethics.
| Author | : |
| Publisher | : Simon and Schuster |
| Total Pages | : 512 |
| Release | : 2014-12-16 |
| Genre | : Music |
| ISBN | : 1439103348 |
Celebrate the fiftieth anniversary of the most popular and enduring band ever: “Even the most hardcore Deadheads will be impressed by this obsessively complete look at the Grateful Dead’s lyrics” (Publishers Weekly). The Complete Annotated Grateful Dead Lyrics is an authoritative text, providing standard versions of all the original songs you thought you knew forwards and backwards. These are some of the best-loved songs in the modern American songbook. They are hummed and spoken among thousands as counterculture code and recorded by musicians of all stripes for their inimitable singability and obscure accessibility. How do they do all this? To provide a context for this formidable body of work, of which his part is primary, Robert Hunter has written a foreword that goes to the heart of the matter. And the annotations on sources provide a gloss on the lyrics, which goes to the roots of Western culture as they are incorporated into them. An avid Grateful Dead concertgoer for more than two decades, David Dodd is a librarian who brings to the work a detective’s love of following a clue as far as it will take him. Including essays by Dead lyricists Robert Hunter and John Perry and Jim Carpenter’s original illustrations, whimsical elements in the lyrics are brought to light, showcasing the American legend that is present in so many songs. A gorgeous keepsake edition of the Dead’s official annotated lyrics, The Complete Annotated Grateful Dead Lyrics is an absolute must-have for the fiftieth anniversary—you won’t think of this cultural icon the same way again. In fact, founding band member Bob Weir said: “This book is great. Now I’ll never have to explain myself.”
| Author | : John Gilstrap |
| Publisher | : Pinnacle Books |
| Total Pages | : 428 |
| Release | : 2014-07-30 |
| Genre | : Fiction |
| ISBN | : 0786037237 |
The New York Times bestselling author introduces a take-no-prisoners hostage specialist in this series debut—a “fast-paced tale of violence and revenge” (Publishers Weekly). When those inside the corridors of power need help outside the law, they know who to call. Jonathan Grave, covert rescue specialist, always gets results. But perhaps what’s most valuable of all is what stays missing: No names. No feds. No trace evidence. When an Indiana college student is abducted, Grave and his team of operatives unravel a deadly scheme the government would prefer to keep hidden. But things get complicated when an investigative reporter—who happens to be married to Grave’s ex-wife—goes missing. Someone rich and powerful is willing to do anything to control a devastating secret. And that includes killing the people Grave loves most. “The launch of a really exciting series.”—Joseph Finder, New York Times bestselling author of House on Fire
| Author | : Ian Zack |
| Publisher | : University of Chicago Press |
| Total Pages | : 358 |
| Release | : 2015-04-10 |
| Genre | : Music |
| ISBN | : 022623424X |
“Finally, the biography that Rev. Davis deserves. Ian Zack takes ‘Blind Gary’ out of the footnotes and into the footlights of the history of American music.” —Steve Katz, cofounder of Blood, Sweat & Tears Bob Dylan called Gary Davis “one of the wizards of modern music.” Bob Weir of the Grateful Dead—who took lessons with Davis—claimed his musical ability “transcended any common notion of a bluesman.” And the folklorist Alan Lomax called him “one of the really great geniuses of American instrumental music.” But you won’t find Davis alongside blues legends Robert Johnson and Muddy Waters in the Rock and Roll Hall of Fame. The first biography of Davis, Say No to the Devil restores “the Rev’s” remarkable story. Drawing on extensive research and interviews with many of Davis’s former students, Ian Zack takes readers through Davis’s difficult beginning as the blind son of sharecroppers in the Jim Crow South to his decision to become an ordained Baptist minister and his move to New York in the early 1940s, where he scraped out a living singing and preaching on street corners and in storefront churches in Harlem. There, he gained entry into a circle of musicians that included, among many others, Lead Belly, Woody Guthrie, and Dave Van Ronk. But in spite of his tremendous musical achievements, Davis never gained broad recognition from an American public that wasn’t sure what to make of his trademark blend of gospel, ragtime, street preaching, and the blues. His personal life was also fraught, troubled by struggles with alcohol, women, and deteriorating health. Zack chronicles this remarkable figure in American music, helping us to understand how he taught and influenced a generation of musicians.
| Author | : Michael Leroy Oberg |
| Publisher | : John Wiley & Sons |
| Total Pages | : 408 |
| Release | : 2015-06-23 |
| Genre | : History |
| ISBN | : 1118714334 |
This history of Native Americans, from the period of first contactto the present day, offers an important variation to existingstudies by placing the lives and experiences of Native Americancommunities at the center of the narrative. Presents an innovative approach to Native American history byplacing individual native communities and their experiences at thecenter of the study Following a first chapter that deals with creation myths, theremainder of the narrative is structured chronologically, coveringover 600 years from the point of first contact to the presentday Illustrates the great diversity in American Indian culture andemphasizes the importance of Native Americans in the history ofNorth America Provides an excellent survey for courses in Native Americanhistory Includes maps, photographs, a timeline, questions fordiscussion, and “A Closer Focus” textboxes that providebiographies of individuals and that elaborate on the text, exposing students to issues of race, class, and gender
| Author | : Stefan Grossman |
| Publisher | : Oak Publications |
| Total Pages | : 128 |
| Release | : 1974-06-01 |
| Genre | : Music |
| ISBN | : 1783234598 |
A unique biography and instruction book featuring the influential blues and roots talents of Rev. Gary Davis, in standard music notation and tablature with discography and photographs. Learn the secrets to the great blues player's techniques, and the distinctive harmonies that characterise the sound of this magical bygone era. Includes Two Step Candyman and Death Don't Have No Mercy.
| Author | : Woody Mann |
| Publisher | : Oak Publications |
| Total Pages | : 191 |
| Release | : 1995-12-31 |
| Genre | : Music |
| ISBN | : 1783234466 |
Over 200 blues songs from the twenties to the present are included in this deluxe edition. Features many artists representing a wide variety of styles and includes rare photographs. Songs include: Basin Street Blues * Bulldoze Blues (Goin' Up the Country) * Everyday (I Have the Blues) * Five Long Years * Hoochie Coochie Man * Mystery Train * San Francisco Bay Blues * St. Louis Blues * Statesboro * The Thrill Is Gone * and more.
