Dead Woman Pickney
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| Author | : Yvonne Shorter Brown |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 383 |
| Release | : 2022-04-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 1771125489 |
Dead Woman Pickney chronicles Yvonne Shorter Brown’s life growing up in Jamaica between 1943 and 1965 and teaching in Canada from 1969. Told with stridency and humour, the stories include both personal experience and history. Taking up the haunting memories of childhood, along with persistent racial marginalization of Black people, both globally and in Canada, the author sets out to construct a narrative that at once explains her own origins in the former slave society of Jamaica and traces the outsider status of Africa and its peoples. The author’s quest to understand the absence of her mother and her mother’s people from her life is at the heart of the narrative. The author struggles through life to discover the identity of her mother in the face of silence from her father’s brutal family. In this updated edition she adds a coda, “finding mother”, constructed from archives, genealogy, letters, and journals. Initially published in 2010, this second edition includes expanded text and a foreword by Sonja Boon, author of What the Oceans Remember.
| Author | : Marlon James |
| Publisher | : Penguin |
| Total Pages | : 436 |
| Release | : 2009-02-19 |
| Genre | : Fiction |
| ISBN | : 1101011319 |
From the author of the National Book Award finalist Black Leopard, Red Wolf and the WINNER of the 2015 Man Booker Prize for A Brief History of Seven Killings "An undeniable success.” — The New York Times Book Review A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breathtakingly daring and wholly in command of his craft.
| Author | : Kelly Link |
| Publisher | : Del Rey |
| Total Pages | : 418 |
| Release | : 2007-08-28 |
| Genre | : Fiction |
| ISBN | : 0345502299 |
Unexpected tales of the fantastic, & other odd musings by Nalo Hopkinson, Karen Joy Fowler, Karen Russell, Jeffrey Ford, and many others Contains stories by the amazing Jeffrey Ford, the fabulous Karen Joy Fowler, the unlikely Kelly Link, the thrilling Nalo Hopkinson, the shockingly good Karen Russell, the unnerving James Sallis, and dozens of uncanny others, as well as useful lists of many kinds and straight-shooting advice from Aunt Gwenda. Edited by Kelly Link & Gavin J. Grant Introduction by Dan Chaon Contents include: “Travels with the Snow Queen” by Kelly Link “Scotch: An Essay into a Drink” by Gavin J. Grant “Unrecognizable” by David Findlay “Mehitobel Was Queen of the Night” by Ian McDowell “Tan-Tan and Dry Bone” by Nalo Hopkinson “An Open Letter Concerning Sponsorship” by Margaret Muirhead “I Am Glad” by Margaret Muirhead “Lady Shonagon’s Hateful Things” by Margaret Muirhead “Heartland” by Karen Joy Fowler “What a Difference a Night Makes” “Pretending” by Ray Vukcevich “The Film Column: Don’t Look Now” by William Smith “A Is for Apple: An Easy Reader” by Amy Beth Forbes “My Father’s Ghost” by Mark Rudolph “What’s Sure to Come” by Jeffrey Ford “Stoddy Awchaw” by Geoffrey H. Goodwin “The Rapid Advance of Sorrow” by Theodora Goss “The Wolf’s Story” by Nan Fry “Three Letters from the Queen of Elfland” by Sarah Monette “Tacoma-Fuji” by David Moles “Bay” by David Erik Nelson “How to Make a Martini” by Richard Butner “Happier Days” by Jan Lars Jensen “The Fishie” by Philip Raines and Harvey Welles “Dear Aunt Gwenda, Vol. 2” by Gwenda Bond “The Film Column: Greaser’s Palace” by William Smith “The Ichthyomancer Writes His Friend with an Account of the Yeti’s Birthday Party” by David J. Schwartz “Serpents” by Vernoica Schanoes “Homeland Security” by Gavin J. Grant “For George Romero” by David Blair “Vincent Price” by David Blair “Music Lessons” by Douglas Lain “Two Stories” by James Sallis “Help Wanted” by Karen Russell “’Eft’ or ‘Epic’” by Sarah Micklem “The Red Phone” by John Kessel “The Well-Dressed Wolf: A Comic” by Lawrence Shimel and Sara Rojo “The Mushroom Duchess” by Deborah Roggie “The Pirate’s True Love” by Seana Graham “You Could Do This Too” “The Posthumous Voyages of Christopher Columbus” by Sunshine Ison
| Author | : Sonja Boon |
| Publisher | : Taylor & Francis |
| Total Pages | : 228 |
| Release | : 2022-12-29 |
| Genre | : Biography & Autobiography |
| ISBN | : 1000800946 |
The Routledge Introduction to Auto/biography in Canada explores the exciting world of nonfiction writing about the self, designed to give teachers and students the tools they need to study both canonical and lesser-known works. The volume introduces important texts and contexts for interpreting life narratives, demonstrates the conceptual tools necessary to understand what life narratives are and how they work, and offers an historical overview of key moments in Canadian auto/biography. Not sure what life writing in Canada is, or how to study it? This critical introduction covers the tools and approaches you require in order to undertake your own interpretation of life writing texts. You will encounter nonfictional writing about individual lives and experiences—including biography, autobiography, letters, diaries, comics, poetry, plays, and memoirs. The volume includes case studies to provide examples of how to study and research life narratives and toolkits to help you apply what you learn. The Routledge Introduction to Auto/biography in Canada provides instructors and students with the contexts and the critical tools to discover the power of life writing, and the skills to study any kind of nonfiction, from Canada and around the world.
| Author | : Darryl Pinckney |
| Publisher | : Macmillan |
| Total Pages | : 323 |
| Release | : 1992-02 |
| Genre | : Fiction |
| ISBN | : 0374169985 |
High Cotton is an extraordinarily rich account of the dreams and inner turmoils of a new generation of the black upper middle class, capturing the essence of a part of American society that has mostly been ignored in literature. The novel's protagonist journeys from his childhood home in the midwest to college, a stint in New York publishing, and Europe, yet the issue of his "blackness" remains at the heart of his being.
| Author | : Benita Bunjun |
| Publisher | : Fernwood Publishing |
| Total Pages | : 251 |
| Release | : 2021-04-30T00:00:00Z |
| Genre | : Education |
| ISBN | : 1773634402 |
Canadian universities have an ongoing history of colonialism and racism in this white-settler society. Racialized students (Indigenous, Black and students of colour), who would once have been forbidden from academic spaces and who still feel out of place, must navigate these repressive structures in their educational journeys. Through the genres of essay, art, poetry and photography, this book examines the experiences of and effects on racialized students in the Canadian academy, while exposing academia’s lack of capacity to promote students’ academic well-being. The book emphasizes the crucial connections that racialized students forge, which transform an otherwise hostile environment into a space of intellectual collaboration, community building and transnational kinship relations. Meticulously curated by Dr. Benita Bunjun, this book is a living example of mentorship, reciprocity and resilience.
| Author | : Jocelyn Fenton Stitt |
| Publisher | : Rutgers University Press |
| Total Pages | : 219 |
| Release | : 2021-06-18 |
| Genre | : Literary Criticism |
| ISBN | : 197880654X |
Introduction: Archival dreams and Caribbean life writing -- 'Autobiography in a graveyard' : doors of no return and revolutionary failures -- Speculative autobiography : ghosts and feminist fugitivity -- Repicturing the picturesque : genealogical desire, archives, and descendant community autobiography -- Ashes to ashes, dust to dust : Indo-Caribbean archival impossibility -- "Put my mom in there" : Memorialization as Caribbean counter-archive -- Coda: Untelling history.
| Author | : Linda M Morra |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 349 |
| Release | : 2013-01-24 |
| Genre | : Biography & Autobiography |
| ISBN | : 155458650X |
Women’s letters and memoirs were until recently considered to have little historical significance. Many of these materials have disappeared or remain unarchived, often dismissed as ephemera and relegated to basements, attics, closets, and, increasingly, cyberspace rather than public institutions. This collection showcases the range of critical debates that animate thinking about women’s archives in Canada. The essays in Basements and Attics, Closets and Cyberspace consider a series of central questions: What are the challenges that affect archival work about women in Canada today? What are some of the ethical dilemmas that arise over the course of archival research? How do researchers read and make sense of the materials available to them? How does one approach the shifting, unstable forms of new technologies? What principles inform the decisions not only to research the lives of women but to create archival deposits? The contributors focus on how a supple research process might allow for greater engagement with unique archival forms and critical absences in narratives of past and present. From questions of acquisition, deposition, and preservation to challenges related to the interpretation of material, the contributors track at various stages how fonds are created (or sidestepped) in response to national and other imperatives and to feminist commitments; how archival material is organized, restricted, accessed, and interpreted; how alternative and immediate archives might be conceived and approached; and how exchanges might be read when there are peculiar lacunae—missing or fragmented documents, or gaps in communication—that then require imaginative leaps on the part of the researcher.
| Author | : Simon Rolston |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 212 |
| Release | : 2021-06-30 |
| Genre | : Literary Criticism |
| ISBN | : 1771125187 |
Prison Life Writing is the first full-length study of one of the most controversial genres in American literature. By exploring the complicated relationship between life writing and institutional power, this book reveals the overlooked aesthetic innovations of incarcerated people and the surprising literary roots of the U.S. prison system. Simon Rolston observes that the autobiographical work of incarcerated people is based on a conversion narrative, a story arc that underpins the concept of prison rehabilitation and that sometimes serves the interests of the prison system, rather than those on the inside. Yet many imprisoned people rework the conversion narrative the way they repurpose other objects in prison. Like a radio motor retooled into a tattoo gun, the conversion narrative has been redefined by some authors for subversive purposes, including questioning the ostensible emancipatory role of prison writing, critiquing white supremacy, and broadly reimagining autobiographical discourse. An interdisciplinary work that brings life writing scholarship into conversation with prison studies and law and literature studies, Prison Life Writing theorizes how life writing works in prison, explains literature’s complicated entanglements with institutional power, and demonstrates the political and aesthetic innovations of one of America’s most fascinating literary genres.
| Author | : Elizabeth Effinger |
| Publisher | : Wilfrid Laurier Univ. Press |
| Total Pages | : 330 |
| Release | : 2024-07-23 |
| Genre | : Literary Collections |
| ISBN | : 1771126191 |
Who gets to write poetry? Whose voices are made public? Whose voices are heeded? Erasing Frankenstein showcases a creative exchange between federally incarcerated women and members of the prison education think tank Walls to Bridges Collective at the Grand Valley Institution for Women in Kitchener, Ontario, and graduate and undergraduate students from the University of New Brunswick in Fredericton. Working collaboratively by long-distance mail, the artists and contributors made the first-ever poetic adaptation of Frankenstein, turning it into a book-length erasure poem, I or Us. An example of “found art,” an erasure poem is created by erasing or blacking out words in an existing text; what is left is the poem. The title reflects the nature of the project: participants have worked as “I”’s, each creating their own erased pages, but together worked as an “us” to create a collaged “monster” of a book. Erasing Frankenstein presents the original erasure poem I or Us alongside reflections from participants on the experience.
