Dead Mans Image
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| Author | : Edna Curry |
| Publisher | : Lulu.com |
| Total Pages | : 197 |
| Release | : 2013-05-12 |
| Genre | : Fiction |
| ISBN | : 1304087921 |
Paul Menns's quiet life is shattered when he reads the local paper and discovers his picture on the front page as a murder suspect. He discovers further that the dead man's name is his own. Accused of killing a man with a description matching his own, he calls a private investigator, Lacey Summers, to help solve the mystery. However, he did not reckon on falling in love with the lovely PI.
| Author | : Janet O'Shea |
| Publisher | : Wesleyan University Press |
| Total Pages | : 244 |
| Release | : 2007-05-21 |
| Genre | : History |
| ISBN | : 9780819568373 |
The compelling story of a beautiful and versatile South Indian dance form
| Author | : Ray Celestin |
| Publisher | : Simon and Schuster |
| Total Pages | : 358 |
| Release | : 2017-12-05 |
| Genre | : Fiction |
| ISBN | : 1681776081 |
Chicago, 1928. In the stifling summer heat, three disturbing events take place: A clique of city leaders is poisoned in a fancy hotel; a white gangster is found mutilated in an alleyway in the Blackbelt; and a famous heiress vanishes without a trace. Pinkerton detectives Michael Talbot and Ida Davis are hired to find the missing heiress by the girl’s troubled mother. But it soon proves harder than expected to find a face that is known across the city, and Ida must elicit the help of her friend, Louis Armstrong. While the police take little interest in the Blackbelt murder, Jacob Russo—crime scene photographer—can’t get the dead man’s image out of his head, leading him to embark on his own investigation. And Dante Sanfelippo—rum-runner and fixer—is back in Chicago on the orders of Al Capone, who suspects there’s a traitor in the ranks and wants Dante to investigate. But Dante is struggling with his own problems, as he is forced to return to the city he thought he’d never see again . . .
| Author | : Mariwan Nasradeen Hasan Barzinji |
| Publisher | : Author House |
| Total Pages | : 146 |
| Release | : 2012-11-21 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781477247051 |
The Image of Modern Man in T. S. Eliot's Poetry The book , presents an original understanding of The Image of Modern Man in T. S. Eliots complex and difficult poems in an easy and understandable way. Eliots vision of the Modern Man and the modern world is depicted throughout Eliots most well-known poems. Eliot was criticized by some critics for the quality of his work. The aim of this book is to show what an excellent and successful writer he is, to reveal the value and the contemporaneity of his work. His poetry is highly evaluated for its unique way of depicting the Modern humanity by realizing their problems as well as finding solutions for them. The book is a great help not only for students, but also for researchers as the writer has spent much time in reading Eliots Poems. He has also written an ample introduction about modernism, modernity, modern literature and modern poetry, which might be enough to understand the rise of modern poetry. ... All of Eliots poems especially The Waste Land has presented readers with all the aspects of the modern life. Life is depicted as a mirror, broken and shattered into pieces as it is clear in the different parts of the poem. Eliot unlike many poets did not leave the modern man lost in despair but he finds them, their peace of mind by having a true and stable faith as well as their turning to God. The only solution for the entire problems of modern man is to turn to God and neglect the world that completely occupied them spiritually. ...Modern man has lost his values especially women by only looking after children, many of them turned to prostitution because they did not have any source of income; therefore, they used that as a way to earn money to maintain life. These are the characteristics of the modern city, which are shared by all the countries, especially Europe. Eliot insists on the necessity of turning from world to God. He believed that God can solve their problems, because man or any other earthly power could not change that gloomy and aimless life, which modern man complained against.
| Author | : Sally Minogue |
| Publisher | : Cambridge University Press |
| Total Pages | : 247 |
| Release | : 2018-05-31 |
| Genre | : Literary Criticism |
| ISBN | : 1108569285 |
The Remembered Dead explores the ways poets of the First World War - and later poets writing in the memory of that war - address the difficult question of how to remember, and commemorate, those killed in conflict. It looks closely at the way poets struggled to meaningfully represent dying, death, and the trauma of witness, while responding to the pressing need for commemoration. The authors pay close attention to specific poems while maintaining a strong awareness of literary and philosophical contexts. The poems are discussed in relation to modernism and myth, other forms of commemoration (such as photographs and memorials), and theories of cultural memory. There is fresh analysis of canonical poets which, at the same time, challenges the confines of the canon by integrating discussion of lesser-known figures, including non-combatants and poets of later decades. The final chapter reaches beyond the war's centenary in a discussion of one remarkable commemoration of Wilfred Owen.
| Author | : Jean-Luc Nancy |
| Publisher | : Fordham University Press |
| Total Pages | : 176 |
| Release | : 2009-08-25 |
| Genre | : Philosophy |
| ISBN | : 0823238466 |
If anything marks the image, it is a deep ambivalence. Denounced as superficial, illusory, and groundless, images are at the same time attributed with exorbitant power and assigned a privileged relation to truth. Mistrusted by philosophy, forbidden and embraced by religions, manipulated as “spectacle” and proliferated in the media, images never cease to present their multiple aspects, their paradoxes, their flat but receding spaces. What is this power that lies in the depths and recesses of an image—which is always only an impenetrable surface? What secrets are concealed in the ground or in the figures of an image—which never does anything but show just exactly what it is and nothing else? How does the immanence of images open onto their unimaginable others, their imageless origin? In this collection of writings on images and visual art, Jean-Luc Nancy explores such questions through an extraordinary range of references. From Renaissance painting and landscape to photography and video, from the image of Roman death masks to the language of silent film, from Cleopatra to Kant and Heidegger, Nancy pursues a reflection on visuality that goes far beyond the many disciplines with which it intersects. He offers insights into the religious, cultural, political, art historical, and philosophical aspects of the visual relation, treating such vexed problems as the connection between image and violence, the sacred status of images, and, in a profound and important essay, the forbidden representation of the Shoah. In the background of all these investigations lies a preoccupation with finitude, the unsettling forces envisaged by the images that confront us, the limits that bind us to them, the death that stares back at us from their frozen traits and distant intimacies. In these vibrant and complex essays, a central figure in European philosophy continues to work through some of the most important questions of our time.
| Author | : Frankie Y. Bailey |
| Publisher | : Speaking Volumes |
| Total Pages | : 305 |
| Release | : 2001 |
| Genre | : Fiction |
| ISBN | : 1628158727 |
Crime historian Lizzie Stuart goes to Gallagher, Virginia for a year as a visiting professor at Piedmont State University. She is there to do research for a book about a 1921 lynching that her grandmother, Hester Rose, witnessed when she was a twelve-year-old child. Lizzie's research is complicated by her own unresolved feelings about her secretive grandmother and by the disturbing presence of John Quinn, the police officer she met while on vacation in England. When an arrogant but brilliant faculty member of Piedmont State University is murdered, Lizzie begins to have more than a few sleepless nights. A Dead Man’s Honor is a haunting story that will keep you awake nights, too. Praise for Frankie Y. Bailey “She has a tremendous eye and ear.” —The Times Union, Albany, New York
| Author | : Armando J. Prats |
| Publisher | : University Press of Kentucky |
| Total Pages | : 193 |
| Release | : 2014-07-11 |
| Genre | : Performing Arts |
| ISBN | : 0813149347 |
Blowup, says Armando Prats, is one of the necessary movies. It is a "living expression of the transition into the new narrative domains" in terms of man's "new vision of himself as a narrative creature in a world whose very essense is cinematic narration." Prats' work on the new humanism inherent in postwar filmmaking is a rewarding work with implications for the fields of esthetics and axiology as well as film criticism. In his analyses of four films by three directors—Fellini's Director's Notebook and The Clowns, Wertmiller's Seven Beauties, Antonioni's Blowup—Prats shows the contrasts between the conventional, word-bound narrative methods of the past and the new narrative in which images are free to display their energies fully, to lead the eye beyond rational concepts of reality and illusion, truth and falsity, good an evil, beauty and ugliness. The autonomous visual event, Prats finds, offers one of the most direct ways of entering into adventures of ideas, particularly in the realm of human values. Movies have revolutionized art as well as thought about art, and inasmuch as art and life converge, they have revolutionized life itself.
| Author | : Katariina Kyrölä |
| Publisher | : Routledge |
| Total Pages | : 255 |
| Release | : 2016-02-17 |
| Genre | : Social Science |
| ISBN | : 1317011708 |
The Weight of Images explores the ways in which media images can train their viewers’ bodies. Proposing a shift away from an understanding of spectatorship as being constituted by acts of the mind, this book favours a theorization of relations between bodies and images as visceral, affective engagements that shape our body image - with close attention to one particularly charged bodily characteristic in contemporary western culture: fat. The first mapping of the ways in which fat, gendered bodies are represented across a variety of media forms and genres, from reality television to Hollywood movies, from TV sitcoms to documentaries, from print magazine and news media to online pornography, The Weight of Images contends that media images of fat bodies are never only about fat; rather, they are about our relation to corporeal vulnerability overall. A ground-breaking volume, engaging with a rich variety of media and cultural texts, whilst examining the possibilities of critical auto-ethnography to unravel how body images take shape affectively between bodies and images, this book will appeal to scholars and students of sociology, media, cultural and gender studies, with interests in embodiment and affect.
| Author | : Hampden C. DuBose |
| Publisher | : Read Books Ltd |
| Total Pages | : 317 |
| Release | : 2012-12-21 |
| Genre | : Transportation |
| ISBN | : 1447484282 |
Originally published in 1887, this early work by American missionary Hampden Coit DuBose is both expensive and hard to find in its first edition. It contains a wealth of information on the religions of China. This fascinating work is thoroughly recommended for those interested in Confucianism, Buddhism, Taoism and eastern mythology. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
