De Diversis Artibus
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On Divers Arts
Author | : Theophilus |
Publisher | : Courier Corporation |
Total Pages | : 276 |
Release | : 2012-04-30 |
Genre | : Art |
ISBN | : 0486145417 |
"I have made it my concern to hunt out this technique for your study as I learned it by looking and listening." On Divers Arts, c. 1122, is the oldest extant manual on artistic crafts to be written by a practicing artist. Before Theophilus, manuscripts on the arts came from scholars and philosophers standing outside the actual profession. On Divers Arts describes actual 12th-century techniques in painting, glass, and metalwork, which the Benedictine author wished to pass on to those gifted by God with a talent for making beautiful things. Theophilus teaches, with rigorous attention to fact but also with great reverence the making of pigments for fresco painting, the manufacture of glue, the technique of gold leaf on parchment (the first recorded European reference to true paper), how to blow glass and design stained glass windows, how to fashion gold and silver chalices, and how to make a pipe organ and church bells. Precise instruction on enameling, chasing, repoussé, niello, and beaded wire work prove Theophilus's first-hand knowledge of his craft. While 90 percent of Theophilus's writing is sound technical knowledge, medieval folk lore occasionally spices his text: "Tools are also made harder by hardening them in the urine of a small red-headed boy than by doing so in plain water." But the magnificent fact of On Divers Art remains its status as the first technical treatise on painting, glass, and metalwork, for which actual specimens still survive. The editors have taken care to ensure both philological and technological accuracy for this authoritative edition of a medieval classic, a manual of great importance to craftsmen, historians of art and science, and all who delight in the making of the beautiful.
Craft Treatises and Handbooks
Author | : Ricardo Córdoba de la Llave |
Publisher | : Brepols Publishers |
Total Pages | : 336 |
Release | : 2013 |
Genre | : History |
ISBN | : |
From a symposium held in Cordoba in 2005, yet largely enriched with new developments, recent research and innovative communications, this collection explores the modes of transmission of technical knowledge in antiquity and the Middle Ages.
The Ark of Studies
Author | : Thomas Harrison |
Publisher | : Brepols Publishers |
Total Pages | : 142 |
Release | : 2017 |
Genre | : History |
ISBN | : 9782503575230 |
Knowledge management and production is performed today by means of search engines. This implies the use of machines as external memories. For sure, computer is the most successful device. However, it is neither the first nor the only one. Indeed, the use of secondary memories is an essential feature of modern age, and involves archives and filing cabinets too. The present book is the first critical edition of the manuscript in which Thomas Harrison sketched an extraordinary invention: the Ark of Studies (ca. 1640). The Ark of Studies is the first filing cabinet based on alphabetically arranged removable entries that has been designed for scholarly purposes in the 17th Century. Regarding its structure and function, this filing cabinet may be regarded as the most relevant scholarly machine in the modern age before the invention of the Web. The introductory essay tries to explain how it was possible that a high improbable deviation -that is, to entrust memorable knowledge to a machine rather than to consciousness, out of which it could be retrieved only by means of a combinatory art- became normal.
The Colonial Machine
Author | : James Edward McClellan (III) |
Publisher | : Brepols Publishers |
Total Pages | : 0 |
Release | : 2011 |
Genre | : France |
ISBN | : 9782503532608 |
The rise of modern science and European colonial and imperial expansion are indisputably two defining elements of modern world history. James E. McClellan III and Francois Regourd explore these two world-historical forces and their interactions in this comprehensive and in-depth history of the French case in the Old Regime presented here for the first time. The case is key because no other state matched Old-Regime France as a center for organized science and because contemporary France closely rivaled Britain as a colonial power, as well as leading all other nations in commodity production and participating in the slave trade. Based on extensive archival research and vast primary and secondary literatures and sharply reframing the historiography of the field, this landmark volume traces the development and significance for early-modern history of the Colonial Machine of Old-Regime France, an unparalleled agglomeration of institutions geared to the success of the French colonial enterprise, including the Royal Navy, the Academie Royale des Sciences, the Jardin du Roi, and a host of related specialist institutions working together at home and overseas. Mainly supported by the French state, the Colonial Machine reveals itself through its actions from the time of Colbert and Louis XIV as it grappled with fundamental problems facing contemporary European colonialism: cartography and navigation; medical care of sailors, colonists, and slaves; and applied botany and commodity production. Historians of globalization and European overseas expansion, of Old-Regime France, and of science in the seventeenth and eighteenth centuries will henceforth take this stimulating volume as a necessary starting point for further reflection and research. Nominated for the Mary Alice and Philip Boucher Book Prize.
Investigations in Medieval Stained Glass
Author | : |
Publisher | : BRILL |
Total Pages | : 488 |
Release | : 2019-06-07 |
Genre | : History |
ISBN | : 9004395717 |
With many excellent books on medieval stained glass available, the reader of this anthology may well ask: “what is the contribution of this collection?” In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field. Contributors are: Wojciech Balus, Karine Boulanger, Sarah Brown, Elizabeth Carson Pastan, Madeline H. Caviness, Michael W. Cothren, Francesca Dell’Acqua, Uwe Gast, Françoise Gatouillat, Anne Granboulan, Anne F. Harris, Christine Hediger, Michel Hérold, Timothy B. Husband, Alyce A. Jordan, Herbert L. Kessler, David King, Brigitte Kurmann-Schwarz, Claudine Lautier, Ashley J. Laverock, Meredith P. Lillich, Isabelle Pallot-Frossard, Hartmut Scholz, Mary B. Shepard, Ellen M. Shortell, Nancy M. Thompson.
The Bronze Object in the Middle Ages
Author | : Ittai Weinryb |
Publisher | : Cambridge University Press |
Total Pages | : 319 |
Release | : 2016-04-18 |
Genre | : Art |
ISBN | : 1316539024 |
This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.
Theophilus and the Theory and Practice of Medieval Art
Author | : Heidi C. Gearhart |
Publisher | : Penn State Press |
Total Pages | : 519 |
Release | : 2017-05-02 |
Genre | : Art |
ISBN | : 0271079819 |
In this study of the rare twelfth-century treatise On Diverse Arts, Heidi C. Gearhart explores the unique system of values that guided artists of the High Middle Ages as they created their works. Written in northern Germany by a monk known only by the pseudonym Theophilus, On Diverse Arts is the only known complete tract on art to survive from the period. It contains three books, each with a richly religious prologue, describing the arts of painting, glass, and metalwork. Gearhart places this one-of-a-kind treatise in context alongside works by other monastic and literary thinkers of the time and presents a new reading of the text itself. Examining the earliest manuscripts, she reveals a carefully ordered, sophisticated work that aligns the making of art with the virtues of a spiritual life. On Diverse Arts, Gearhart shows, articulated a distinctly medieval theory of art that accounted for the entire process of production—from thought and preparation to the acquisition of material, the execution of work, the creation of form, and the practice of seeing. An important new perspective on one of the most significant texts in art history and the first study of its kind available in English, Theophilus and the Theory and Practice of Medieval Art provides fresh insight into the principles and values of medieval art making. Scholars of art history, medieval studies, and Christianity will find Gearhart’s book especially edifying and valuable.