Dante

Dante
Author: Amilcare A. Iannucci
Publisher: University of Toronto Press
Total Pages: 334
Release: 1997-01-01
Genre: Literary Criticism
ISBN: 9780802077363

The essays in this volume probe current critical assumptions about the celebrated Italian poet, literary theorist, moral philosopher, political theorist.

Dante and the Orient

Dante and the Orient
Author: Brenda Deen Schildgen
Publisher: University of Illinois Press
Total Pages: 194
Release: 2002
Genre: Literary Criticism
ISBN: 9780252027130

"In Dante and the Orient, Schildgen argues that Dante's treatment of the East enabled him to use the rhetoric employed in crusade narratives and other travel literature to oppose the military and polemic goals of the Crusades and to plead for the reformation of both church and state."--BOOK JACKET.

Understanding Dante

Understanding Dante
Author: John Alfred Scott
Publisher:
Total Pages: 512
Release: 2004
Genre: Literary Criticism
ISBN:

"In Understanding Dante, Scott goes beyond simply explaining Dante's works and provides a detailed discussion of the medieval poet's writings. John A. Scott has given readers a comprehensive account of Dante's work that will be useful to new readers and Dante scholars alike. It contains a helpful chronology of the events in the poet's life and a short glossary of poetic forms." --Magill Book Reviews

Dante, Cinema, and Television

Dante, Cinema, and Television
Author: Amilcare A. Iannucci
Publisher: University of Toronto Press
Total Pages: 268
Release: 2004-01-01
Genre: Performing Arts
ISBN: 9780802088277

The Divine Comedy of Dante Alighieri (1265-1321) is one of the seminal works of western literature. Its impact on modern culture has been enormous, nourishing a plethora of twentieth century authors from Joyce and Borges to Kenzaburo Oe. Although Dante's influence in the literary sphere is well documented, very little has been written on his equally determining role in the evolution of the visual media unique to our times, namely, cinema and television. Dante, Cinema, and Television corrects this oversight. The essays, from a broad range of disciplines, cover the influence of the Divine Comedy from cinema's silent era on through to the era of sound and the advent of television, as well as its impact on specific directors, actors, and episodes, on national/regional cinema and television, and on genres. They also consider the different modes of appropriation by cinema and television. Dante, Cinema, and Television demonstrates the many subtle ways in which Dante's Divine Comedy has been given 'new life' by cinema and television, and underscores the tremendous extent of Dante's staying power in the modern world.

Dante and Augustine

Dante and Augustine
Author: Simone Marchesi
Publisher: University of Toronto Press
Total Pages: 273
Release: 2011-01-01
Genre: Literary Criticism
ISBN: 1442642106

At several junctures in his career, Dante paused to consider what it meant to be a writer. The questions he posed were both simple and wide-ranging: How does language, in particular 'poetic language,' work? Can poetry be translated? What is the relationship between a text and its commentary? Who controls the meaning of a literary work? In Dante and Augustine, Simone Marchesi re-examines these questions in light of the influence that Augustine's reflections on similar issues exerted on Dante's sense of his task as a poet. Examining Dante's life-long dialogue with Augustine from a new point of view, Marchesi goes beyond traditional inquiries to engage more technical questions relating to Dante's evolving ideas on how language, poetry, and interpretation should work. In this engaging literary analysis, Dante emerges as a versatile thinker, committed to a radical defence of poetry and yet always ready to rethink, revise, and rewrite his own positions on matters of linguistics, poetics, and hermeneutics.

Dante for the New Millennium

Dante for the New Millennium
Author: Teodolinda Barolini
Publisher: Fordham Medieval Studies
Total Pages: 0
Release: 2003
Genre: Literary Criticism
ISBN: 9780823222711

Table of contents

Dante Studies

Dante Studies
Author: Charles Southward Singleton
Publisher:
Total Pages: 312
Release: 1954
Genre:
ISBN:

Ethics, Politics and Justice in Dante

Ethics, Politics and Justice in Dante
Author: Giulia Gaimari
Publisher: UCL Press
Total Pages: 194
Release: 2019-06-27
Genre: Literary Criticism
ISBN: 1787352277

Ethics, Politics and Justice in Dante presents new research by international scholars on the themes of ethics, politics and justice in the works of Dante Alighieri, including chapters on Dante’s modern ‘afterlife’. Together the chapters explore how Dante’s writings engage with the contemporary culture of medieval Florence and Italy, and how and why his political and moral thought still speaks compellingly to modern readers. The collection’s contributors range across different disciplines and scholarly traditions – history, philology, classical reception, philosophy, theology – to scrutinise Dante’s Divine Comedy and his other works in Italian and Latin, offering a multi-faceted approach to the evolution of Dante’s political, ethical and legal thought throughout his writing career. Certain chapters focus on his early philosophical Convivio and on the accomplished Latin Eclogues of his final years, while others tackle knotty themes relating to judgement, justice, rhetoric and literary ethics in his Divine Comedy, from hell to paradise. The closing chapters discuss different modalities of the public reception and use of Dante’s work in both Italy and Britain, bringing the volume’s emphasis on morality, political philosophy, and social justice into the modern age of the nineteenth, twentieth, and twenty-first centuries.

Reading Dante

Reading Dante
Author: Jesper Hede
Publisher: Lexington Books
Total Pages: 316
Release: 2007
Genre: Literary Criticism
ISBN: 9780739121962

Reading Dante: The Pursuit of Meaning examines the problem of determining the thematic unity of Dante's Divina Commedia in the history of Dante studies. The question of unity has puzzled Dante readers for centuries, due to an apparent discrepancy between Dante's construction of the afterworld and medieval Christian teachings on the conditions of the afterlife. If all sins condemned in Hell can be forgiven, we would expect to see them purged in Purgatory and their virtuous opposite celebrated in Paradise. In Dante's account, however, the three realms of the afterlife appear as self-contained entities with only partially related structures that undermine the establishment of thematic correspondences and the determination of the poem's thematic unity. Was Dante inconsistent in his exposition of the divine order, or have Dante scholars been inconsistent in their treatment of the poem's thematic content? Jesper Hede examines the prevalent strategies of reading applied by Dante scholars in their attempt to solve the problem of unity. Detailing the major contributions to the resolution of the problem and focusing on medieval philosophy and modern hermeneutics, Hede argues that a systematic parallel reading of the poem's three parts reveals that it is the vision of divine order that gives the poem its thematic unity.