Dancing The Dialectic
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| Author | : Rupert Raj |
| Publisher | : |
| Total Pages | : 374 |
| Release | : 2020-04-08 |
| Genre | : |
| ISBN | : 9781999247218 |
ABOUT DANCING THE DIALECTICElspeth Brown, PhD, Professor of History at the University of Toronto and Board Member of The ArQuives: Canada's LGBTQ2+ Archives says: "Rupert Raj is one of trans history's most important figures. His tireless activism in the 1970s and 1980s, in particular, paved the way for generations of activists not only in the U.S. and Canada, but globally as well. Dancing the Dialectic is a beautifully written, first-person account of that activism, joining other classics in the genre-from Emergence to Redefining Realness." "Born around the time that Christine Jorgensen's story made world headlines and retiring at a time when trans people are reaching an emancipation watershed worldwide, Rupert Raj is one of a select few whose life neatly tracks the arc of modern trans history. Weaving those two together, this updated memoir refers to a veritable 'Who's Who' of trans activism across borders and oceans. Dancing the Dialectic is the true 'warts and all' story of a man whose whole adult life has been devoted to advocacy and community support. Highly recommended." says Christine Burnes, MBE, Writer and equalities advocate (UK), Author of Pressing Matters and Editor of Trans Britain "Nearly half a century ago, Rupert Raj was one among the world's first generation of transsexual men taking matters into their own hands. Without any role models, or even a concept of trans masculinity, he delved into the unknown, searching for his personal truth, trusting only on instinct. We own a debt to pioneers like Rupert that nowadays trans men and women around the globe have ways of understanding and finding themselves. His life story is a crucial testimony that deserves to be read." comments Alex Bakker, MA Historian and writer (The Netherlands) and author of My Untrue Past and Transgender in Nederland RUPERT RAJ is a trailblazing, Eurasian-Canadian, trans activist and former psychotherapist, who transitioned from female to male in 1971 as a transsexual teenager. Dancing the Dialectic between gender dysphoria and gender euphoria, cynical despair and realistic hope, righteous rage and loving kindness, this Gender Worker tells us all about his lifelong fight for the rights of transgender intersex and two-spirit people-and his later-life role as a Rainbow Warrior working to free Mother Earth's enslaved animals. He is (co-)editor of Trans Activism in Canada: A Reader, and Of Souls and Roles, Of Sex and Gender: A Treasury of Transsexual, Transgenderist and Transvestic Verse from 1967 to 1991.
| Author | : Randy Martin |
| Publisher | : Duke University Press |
| Total Pages | : 284 |
| Release | : 1998 |
| Genre | : Performing Arts |
| ISBN | : 9780822322191 |
A theoretical examination of the influence of political and social movements on the art of dance.
| Author | : Bertell Ollman |
| Publisher | : University of Illinois Press |
| Total Pages | : 252 |
| Release | : 2003 |
| Genre | : Philosophy |
| ISBN | : 9780252071188 |
Bertell Ollman has been hailed as "this country's leading authority on dialectics and Marx's method" by Paul Sweezy, the editor of Monthly Review and dean of America's Marx scholars. In this book Ollman offers a thorough analysis of Marx's use of dialectical method. Marx made extremely creative use of dialectical method to analyze the origins, operation, and direction of capitalism. Unfortunately, his promised book on method was never written, so that readers wishing to understand and evaluate Marx's theories, or to revise or use them, have had to proceed without a clear grasp of the dialectic in which the theories are framed. The result has been more disagreement over "what Marx really meant" than over the writings of any other major thinker. In putting Marx's philosophy of internal relations and his use of the process of abstraction--two little-studied aspects of dialectics--at the center of this account, Ollman provides a version of Marx's method that is at once systematic, scholarly, clear and eminently useful. Ollman not only sheds important new light on what Marx really meant in his varied theoretical pronouncements, but in carefully laying out the steps in Marx's method makes it possible for a reader to put the dialectic to work in his or her own research. He also convincingly argues the case for why social scientists and humanists as well as philosophers should want to do so.
| Author | : John Forrest |
| Publisher | : Lutterworth Press |
| Total Pages | : 464 |
| Release | : 2024-10-31 |
| Genre | : Performing Arts |
| ISBN | : 0718897943 |
Morris dancing, one of the more peculiar of the English folk customs, has been greatly misunderstood. In The History of Morris Dancing, 1458-1750 John Forrest analyses a wealth of evidence to show that Morris dancing does not, as is often assumed, have pagan or ancient origins. He examines early documentation to draw Morris traditions into the wide area of communal custom and public celebrations, showing the passage of dance ideas between groups previously considered folklorically distinct. Careful, detailed and encyclopaedic, The History of Morris Dancing, 1458-1750, is an essential reference work for specialists in English drama and social historians of the period, as well as offering fascinating insight for those who enjoy Morris dancing.
| Author | : Agnes Gayraud |
| Publisher | : MIT Press |
| Total Pages | : 481 |
| Release | : 2020-01-28 |
| Genre | : Philosophy |
| ISBN | : 1913029603 |
A philosophical exploration of pop music that reveals a rich, self-reflexive art form with unsuspected depths. In the first major philosophical treatise on the subject, Agnès Gayraud explores all the paradoxes of pop—its inauthentic authenticity, its mass production of emotion and personal resonance, its repetitive novelty, its precision engineering of seduction—and calls for pop (in its broadest sense, encompassing all genres of popular recorded music) to be recognized as a modern, technologically mediated art form to rank alongside cinema and photography. In a thoroughgoing engagement with Adorno's fierce critique of "standardized light popular music," Dialectic of Pop tracks the transformations of the pop form and its audience over the course of the twentieth century, from Hillbilly to Beyoncé, from Lead Belly to Drake. Inseparable from the materiality of its technical media, indifferent and intractable to the perspectives of high culture, pop subverts notions of authenticity and inauthenticity, original and copy, aura and commodity, medium and message. Gayraud demonstrates that, far from being the artless and trivial mass-produced pabulum denigrated by Adorno, pop is a rich, self-reflexive artform that recognises its own contradictions, incorporates its own productive negativity, and often flourishes by thinking "against itself." Dialectic of Pop sings the praises of pop as a constitutively impure form resulting from the encounter between industrial production and the human predilection for song, and diagnoses the prospects for twenty-first century pop as it continues to adapt to ever-changing technological mediations.
| Author | : Sondra Horton Fraleigh |
| Publisher | : University of Pittsburgh Pre |
| Total Pages | : 382 |
| Release | : 1998-03-15 |
| Genre | : Performing Arts |
| ISBN | : 082297195X |
In Researching Dance, an introduction to research methods in dance addressed primarily to graduate students, the editors explore dance as evolutional, defining it in view of its intrinsic participatory values, its developmental aspects, and its purposes from art to ritual, and they examine the role of theory in research. The editors have also included essays by nine dancer-scholars who examine qualitative and quantitative inquiry and delineate the most common approaches for investigating dance, raising concerns about philosophy and aesthetics, historical scholarship, movement analysis, sexual and gender identification, cultural diversity, and the resources available to students. The writers have included study questions, research exercises, and suggested readings to facilitate the book's use as a classroom text.
| Author | : John Sampson |
| Publisher | : |
| Total Pages | : 686 |
| Release | : 1926 |
| Genre | : Gypsies |
| ISBN | : |
| Author | : Osha Neumann |
| Publisher | : Seven Stories Press |
| Total Pages | : 226 |
| Release | : 2011-01-04 |
| Genre | : Biography & Autobiography |
| ISBN | : 1583229965 |
They called themselves the Motherfuckers; others called them a "street gang with an analysis." Osha Neumann's thoughtful, funny, and honest account of his part in ’60s counterculture is also an unflinching look at what all that rebellion of the past means today. The fast moving story follows the establishment of the Motherfuckers, who influenced the Yippies and members of SDS; makes vivid the art, music, and politics of the era; and reveals the colorful, often deeply strange, personalities that gave the movement its momentum. Abbie Hoffman said the Motherfuckers were "the middle-class nightmare . . . an antimedia media phenomenon simply because their name could not be printed." In the few years of its existence the group forced its way into the Pentagon during a war protest, helped occupy one of the buildings in the Columbia University takeover, and cut the fences at Woodstock to allow thousands in for free, among many other feats of radical derring-do. Progressing from a fractured family of intellectuals to rebellion in the streets of New York and on to communes in California, Newmann shows us a view of a life led in rebellion, anger, and eventually a tentative peace.
| Author | : R.M. Hare |
| Publisher | : Univ of California Press |
| Total Pages | : 144 |
| Release | : 2023-11-10 |
| Genre | : Philosophy |
| ISBN | : 0520323343 |
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.
| Author | : David Atkinson |
| Publisher | : Vernon Press |
| Total Pages | : 455 |
| Release | : 2023-05-09 |
| Genre | : Business & Economics |
| ISBN | : 1648896871 |
The Covid-19 pandemic reinforced the perception that capitalism is in crisis, that the future is volatile, uncertain, complex and ambiguous, and that, increasingly, our thinking about it and ability to manage and organize ourselves within it, are challenges we are ill-equipped for. Despite the efforts of many writers, and a surfeit of manuscripts concerning the need to rethink capitalism, questions concerning the struggle for social and economic justice remain unanswered. While some suggest that with corrective action, businesses can save the world, there is an acceptance that they cannot do so alone. However, while governments might strengthen their institutions, enacting more effective policies, the challenge is simply laid bare at the feet of industry and commerce. Is the challenge to confront the establishment just too big to face? Government institutions and the barons of industry and commerce are but interrelated, interconnected, interplaying components in one socio-economic system. This book offers readers a progressive, radical and academic provocation of that system; it also proposes a field of Applied Negative Dialectics. In 'Reimagining Capitalism', Atkinson confronts the need to rethink capitalism and presents an integrated range of thinking through a lens of applied negative dialectics, questioning how and why things might have occurred, and where and how we might begin to improve them.
