Dancing Odissi
Author | : Anurima Banerji |
Publisher | : |
Total Pages | : 467 |
Release | : 2019 |
Genre | : Electronic books |
ISBN | : 9780857425676 |
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Author | : Anurima Banerji |
Publisher | : |
Total Pages | : 467 |
Release | : 2019 |
Genre | : Electronic books |
ISBN | : 9780857425676 |
Author | : Nandini Sikand |
Publisher | : Berghahn Books |
Total Pages | : 248 |
Release | : 2016-12-01 |
Genre | : Performing Arts |
ISBN | : 1785333690 |
Widely believed to be the oldest Indian dance tradition, odissi has transformed over the centuries from a sacred temple ritual to a transnational genre performed—and consumed—throughout the world. Building on ethnographic research in multiple locations, this book charts the evolution of odissi dance and reveals the richness, rigor, and complexity of the form as it is practiced today. As author and dancer-choreographer Nandini Sikand shows, the story of odissi is ultimately a story of postcolonial India, one in which identity, nationalism, tradition, and neoliberal politics dramatically come together.
Author | : Mark Franko |
Publisher | : Oxford University Press |
Total Pages | : 681 |
Release | : 2017 |
Genre | : Music |
ISBN | : 0199314209 |
The Oxford Handbook of Dance and Reenactment investigates new forms of choreographic dramaturgy and interpretation inherent. Joining junior and senior scholars as well as practitioners in the field, the handbook shows how the recovery of past dances has come to constitute a new branch of contemporary choreographic activity.
Author | : Mohan Khokar |
Publisher | : |
Total Pages | : 339 |
Release | : 2011 |
Genre | : Performing Arts |
ISBN | : 9788170174387 |
Author | : Kaustavi Sarkar |
Publisher | : McFarland |
Total Pages | : 230 |
Release | : 2024-04-10 |
Genre | : Performing Arts |
ISBN | : 1476676143 |
This book theorizes dance technique as the Greek techne translated as art, and shows how movement can inspire epistemic, philosophical, and cultural conversations in technology studies. Combining dance studies, religious studies, and technology studies, it argues that dance can be a technology of social justice bringing equanimity, liberation and resistance. It focuses on the eastern Indian art form Odissi and applied experimentations with motion capture technology, virtual reality (VR) gaming, and Arduino. It specifically examines tthe work of Ananya Dance Theatre (ADT), a Minnesota based contemporary Indian dance company that deconstructs Odissi towards social justice activism.
Author | : Ileana Citaristi |
Publisher | : Taylor & Francis |
Total Pages | : 245 |
Release | : 2022-10-06 |
Genre | : History |
ISBN | : 1000780988 |
The book attempts to trace an overview of the different components that define the cultural landscape of the state of Odisha in relation to its history, religious cults, art, and literature and to link the development of the various aspects to the role played over the centuries by the Geeta Govinda poem in its different manifestations. From being an important component of the rituals performed in the Jagannath Temple to becoming an essential part of the people’s daily lives and artistic expressions, this immortal poem has exercised its influence on the cultural landscape of the state from its early inception in the twelfth century until present times. Religious beliefs, visual representations, performative expressions, and literary compositions have been influenced by the strong emotional appeal contained in its verses. Its musical structure, spiritual underline and histrionic content have been an essential font of inspiration in the process of the rediscovery of a cultural identity during the last century and continue to exercise a strong influence on the performing arts of the present times. Among all the art forms, the classical style of Odissi dance, the way it has been re-structured in the middle of the last century, is perhaps the one which bears the closest contact with the poem, almost being synonymous with it. The dance’s lyrical quality and its emotional appeal steeped in a long history of association with devotional and spiritual values make it an ideal form of visual expression for the literary content of the poem.
Author | : Rekha Tandon |
Publisher | : |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Hatha yoga |
ISBN | : 9789385285844 |
- Describes Odissi's mechanism for creating, dispersing and expressing energy - Explores the principles of yoga in Indian dance and building a tangible artistic practice based on this understanding - Meant for performers, dance enthusiasts and general readers alike Dance as Yoga addresses the background, technique and embodiment of the odissi dance form. It describes odissi's mechanism for creating, dispersing, and expressing energy, as well as some early experiments in choreography that extended its accepted parameters with reference to Choreological Studies. It is meant for both performers and audiences to better appreciate the reasons for the restraints inherent in such dance forms and, by doing so, have an informed appreciation of innovation that builds on traditional strengths. Contents: Preface; Introduction; 1. Odissi's Temple Legacy; 2. The Guru's Path; 3. Choreological Studies; 4. Strand Body; 5. Strand Movement; 6. Sound-Movement Nexus; 7. Covert Structures; 8. Reflections on Choreography; Annexure A; Annexure B; Glossary 1; Glossary 2; Bibliography; Acknowledgements; Index.
Author | : Sukanya Rahman |
Publisher | : |
Total Pages | : 216 |
Release | : 2001 |
Genre | : Biography & Autobiography |
ISBN | : |
On life and times of Ragini Devi and Indrani Rahman, 1930-1999, both Indian danseuse.
Author | : Pallabi Chakravorty |
Publisher | : Taylor & Francis |
Total Pages | : 297 |
Release | : 2018-02-02 |
Genre | : Performing Arts |
ISBN | : 1351116169 |
Dance Matters Too: Markets, Memories, Identities is a rich intellectual contribution to the growing field of dance studies in India. It forges new avenues of scholarly inquiry and critical engagement and opens the field in innovative ways. This volume builds on Dance Matters (2009), which mapped the interdisciplinary breadth of the field. The chapters presented here continue to underline the uniqueness of a field that is a blend of critical scholarship on aesthetics and performance with the humanities and social sciences. Including diverse material, analytical approaches and perspectives from scholars and practitioners, this multidimensional volume explores debates on dance preservation and tradition in globalizing India, multimedia choreographies and the circulation of dance via electronic media, embodiment and memory, power, democracy and bourgeoning markets, classification and censorship, and corporatization and Bollywood. This tour de force will appeal to those in dance and performance studies, cultural studies, sociology as well as to readers interested in tradition, modernity, gender and globalization.