Dan Colen
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Author | : |
Publisher | : |
Total Pages | : 384 |
Release | : 2017-09-15 |
Genre | : Biography & Autobiography |
ISBN | : 9781614286325 |
Alain Elkann has mastered the art of the interview. With a background in novels and journalism, and having published over twenty books translated across ten languages, he infuses his interviews with innovation, allowing them to flow freely and organically. Alain Elkann Interviews will provide an unprecedented window into the minds of some of the most well-known and -respected figures of the last twenty-five years.
Author | : Douglas Fogle |
Publisher | : |
Total Pages | : 0 |
Release | : 2020-06 |
Genre | : |
ISBN | : 9781938748868 |
This book celebrates two new performance pieces and a recent body of paintings by the artist, drawing on desert landscapes, Road Runner cartoons, and Hollywood Westerns.0Bursting with full-color plates and performance stills suffused in a rich desert palette, this volume was published on the occasion of an exhibition of new paintings by Dan Colen and the accompanying premiere of two performance pieces created in collaboration with choreographer Dimitri Chamblas.0Colen's Desert Paintings (2015-19) are lush yet schematic interpretations of stills from Chuck Jones's animated shorts featuring Wile E. Coyote and the Road Runner. These unpopulated depictions of the cartoons' arid settings recall hard-edge abstraction, biomorphic landscapes by Georgia O'Keeffe, and popular art forms such as stage sets, billboards, and the Hollywood Western. The American cowboys who might inhabit these scenes were brought to life in two performances Colen presented with the Desert Paintings as a backdrop. In At Least They Died Together and Carry On Cowboy, figures in full Western regalia repeatedly performed a stylized, convulsive death on a mound of dirt in the gallery. In an insightful essay, Douglas Fogle explores the works' rich interplay of allusions, ultimately placing them in the context of the modern human condition.00Exhibition: Gagosian Galllery, Beverly Hills, USA (02.11-15.12.2018).
Author | : |
Publisher | : Rizzoli Publications |
Total Pages | : 0 |
Release | : 2012-08-07 |
Genre | : Art |
ISBN | : 0847839214 |
This artist’s book documents Dan Colen’s 2011 exhibition at Gagosian Gallery in New York, as well as his June 2012 Gagosian exhibition in Paris. Drawing from mass media, local environment, and subculture, Dan Colen’s art imbues the ordinary, the disenfranchised, and the tribal with provocative new status. This publication includes over fifty new works, including Colen’s series of Grass, Gum, Confetti, and Stud, with extensive details of the works.
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 2008 |
Genre | : Installations (Art) |
ISBN | : 9780977868698 |
Author | : Douglas Fogle |
Publisher | : Levy Gorvy |
Total Pages | : 76 |
Release | : 2018-10-23 |
Genre | : Art |
ISBN | : 9781944379247 |
This fully illustrated volume features three bodies of work, Mailorder, Mother and Purgatory, which were included in Lévy Gorvy's first exhibition with Dan Colen (born 1979). The volume includes an essay by Andrianna Campbell placing Colen within the historical tradition of painting, and a conversation between Colen and Jeff Koons, moderated and edited by Douglas Fogle.
Author | : Dan Colen |
Publisher | : |
Total Pages | : 200 |
Release | : 2017-11 |
Genre | : Installations (Art) |
ISBN | : 9781906967864 |
Sweet Liberty brings together 15 years of work by painter Dan Colen (born 1979), one of the "bad boys" of the New York art world who emerged onto the scene in the early 2000s alongside artists like Dash Snow and Ryan McGinley. Witty, shocking, poignant and nihilistic, Colen's art presents a portrait of contemporary America and investigates the acts of producing and looking at art. Alongside significant early works such as "Me, Jesus and the Children" (2001-03), this publication features paintings from Colen's long-running Gum and Trash series, as well as four installations in which Colen appropriates imagery from the mass media and American subcultures. This volume marks, in Colen's own words, "the first time I've been able to present the full range of my work and the wide-ranging ideas, crafts, materials, technologies and processes that I engage with."
Author | : Dan Colen |
Publisher | : |
Total Pages | : |
Release | : 2012 |
Genre | : Photography, Erotic |
ISBN | : 9781938560118 |
Author | : Nora Burnett Abrams |
Publisher | : Rizzoli Publications |
Total Pages | : 0 |
Release | : 2017-03-07 |
Genre | : Photography |
ISBN | : 0847859703 |
The first book to examine Ryan McGinley’s early photographs and Polaroids—raw, visceral portraits of his coterie of friends and artists in downtown New York City. Published to accompany an exhibition at Museum of Contemporary Art Denver, Ryan McGinley: The Kids Were Alright focuses on the photographer’s early work from 1998 to 2003, the year of his solo exhibition at the Whitney Museum of American Art. These early photographs and Polaroids—many of which have never been exhibited or published— document his friends and collaborators in downtown New York City. In the process, McGinley created a powerful portrait of his generation and their often debauched lifestyle: gritty, daring, and focused on moments of both pleasure and tedium. McGinley’s singular ability to capture the mood and emotional depth of a moment is evident even from the earliest years of his career. Curator Nora Burnett Abrams offers the most comprehensive consideration to date of this important work in her essay, and other contributions— including an interview with McGinley and artist Dan Colen and several short reminiscences from many of his subjects and social circle at the time— will provide context and commentary on the more than 100 works in the volume.
Author | : Chloë Sevigny |
Publisher | : Opening Ceremony Press |
Total Pages | : 0 |
Release | : 2008 |
Genre | : Clothing and dress |
ISBN | : 9780615197081 |
Now anybody can raid Chloë Sevigny's wardrobe! Re-inventing the looks of 1989 for 2008, Sevigny has designed her first collection for the discerning New York/Los Angeles boutique Opening Ceremony. It's a concise and carefully assembled collection, comprised of 40 pieces, and this volume presents each of them as photographed by Mark Borthwick, who first shot Sevigny for Purple magazine 10 years ago. The collection was inspired by the teen fashions of the late 80s and early 90s in Connecticut and New York, where Sevigny grew up, and further inflected by the looks of "women who are outrageous yet effortless--Liz Goldwyn, Cecilia Dean, Angelica Houston, Marlene Dietrich, Debbie Harry, Poison Ivy, Slim Keith, Patti Smith." In Sevigny's vision, calico and Liberty prints might be matched with gingham check trousers--each piece evokes a look but can be combined to many ends. In this mix-and-match volume, in which each page is split into two separately flippable sections, Sevigny models each ensemble with a minimum of fuss, allowing the clothes to speak for themselves. Borthwick's ethereal photographs are complemented with drawings by Marika Thunder, Rita Ackerman, Lizzie Bougatsos, Benjamin Cho, Dan Colen, Matt Damhave, Amy Gartrel, Lily Ludlow and Spencer Sweeney.
Author | : Dash Snow |
Publisher | : |
Total Pages | : 435 |
Release | : 2013 |
Genre | : |
ISBN | : 9783863352646 |
New York artist Dash Snows death in July 2009, two weeks before his 28th birthday, sent shockwaves of grief through the art world, though it was not unexpected. Since his late teens, Snow had used photography to document his days and nights of extreme hedonism nights which, as he famously claimed, he might not otherwise remember. As these Polaroid photographs began to be exhibited in the early 2000s, Snow was briefly launched to art-world superstardom, keeping company with the likes of Dan Colen and Ryan McGinley, with whom he pioneered a photographic style whose subject matter is best characterized in McGinleys brief memoir of Snow: Irresponsible, reckless, carefree, wild, rich we were just kids doing drugs and being bad, out at bars every night. Sniffing coke off toilet seats. Doing bumps off each others fists. Driving down one-way streets in Milan at 100 miles an hour blasting I Did It My Way in a white van. Dash Snow: I Love You, Stupid compiles these famous Polaroids, previously only published in relatively expensive editions. Opening with scenes of friends crashed on beds and couches, floors and even the street, it records hazily snatched glimpses of sex, hard drugs and hanging out; adventures in cars, baths, pools, subway cars, friends apartments, on boardwalks and rooftops. With 430 colour reproductions, this definitive and affordable monograph constitutes an extraordinary document of a life lived at full pitch.