Cultural Legal Studies Of Science Fiction
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| Author | : Alex Green |
| Publisher | : Taylor & Francis |
| Total Pages | : 277 |
| Release | : 2024-10-28 |
| Genre | : Law |
| ISBN | : 1040165435 |
This book presents and engages the world-building capacity of legal theory through cultural legal studies of science and speculative fictions. In these studies, the contributors take seriously the legal world building of science and speculative fiction to reveal, animate and critique legal wisdom: juris-prudence. Following a common approach in cultural legal studies, the contributors engage directly, and in detail, with specific cultural ‘texts’, novels, television, films and video games in order to explore a range of possible legal futures. The book is organized in three parts: first, the contextualisation of science and speculative fiction as jurisprudence; second, the temporality of law and legal theory and third, the analysis of specific science and speculative fictions. Throughout, the contributors reveal the way in which law as nomos builds normative universes through the narration of a future. This book will appeal to scholars and students with interests in legal theory, cultural legal studies, law and the humanities and law and literature.
| Author | : Cassandra Sharp |
| Publisher | : Routledge |
| Total Pages | : 458 |
| Release | : 2015-07-24 |
| Genre | : Law |
| ISBN | : 1317626257 |
What can law’s popular cultures do for law, as a constitutive and interrogative critical practice? This collection explores such a question through the lens of the ‘cultural legal studies’ movement, which proffers a new encounter with the ‘cultural turn’ in law and legal theory. Moving beyond the ‘law ands’ (literature, humanities, culture, film, visual and aesthetics) on which it is based, this book demonstrates how the techniques and practices of cultural legal studies can be used to metamorphose law and the legalities that underpin its popular imaginary. By drawing on three different modes of cultural legal studies – storytelling, technology and jurisprudence – the collection showcases the intersectional practices of cultural legal studies, and law in its popular cultural mode. The contributors to the collection deploy differentiated modes of cultural legal studies practice, adopting diverse philosophical, disciplinary, methodological and theoretical approaches and subjects of examination. The collection draws on this mix of diversity and homogeneity to thread together its overarching theme: that we must take seriously an interrogation of law as culture and in its cultural form. That is, it does not ask how a text ‘represents’ law; but rather how the representational nature of both law and culture intersect so that the ‘juridical’ become visible in various cultural manifestations. In short, it asks: how law’s popular cultures actively effect the metamorphosis of law.
| Author | : Karen Crawley |
| Publisher | : Taylor & Francis |
| Total Pages | : 562 |
| Release | : 2024-05-20 |
| Genre | : Law |
| ISBN | : 1040013287 |
This handbook provides a comprehensive introduction to the cutting-edge field of cultural legal studies. Cultural legal studies is at the forefront of the legal discipline, questioning not only doctrine or social context, but how the concerns of legality are distributed and encountered through a range of material forms. Growing out of the interdisciplinary turn in critical legal studies and jurisprudence that took place in the latter quarter of the 20th century, cultural legal studies exists at the intersection of a range of traditional disciplinary areas: legal studies, cultural studies, literary studies, jurisprudence, media studies, critical theory, history, and philosophy. It is an area of study that is characterised by an expanded or open-ended conception of what ‘counts’ as a legal source, and that is concerned with questions of authority, legitimacy, and interpretation across a wide range of cultural artefacts. Including a mixture of established and new authors in the area, this handbook brings together a complex set of perspectives that are representative of the current field, but which also address its methods, assumptions, limitations, and possible futures. Establishing the significance of the cultural for understanding law, as well as its importance as a potential site for justice, community, and sociality in the world today, this handbook is a key reference point both for those working in the cultural legal context – in legal theory, law and literature, law and film/television, law and aesthetics, cultural studies, and the humanities generally – as well as others interested in the interactions between authority, culture, and meaning.
| Author | : Alex Green |
| Publisher | : Taylor & Francis |
| Total Pages | : 266 |
| Release | : 2024-11-21 |
| Genre | : Law |
| ISBN | : 104022735X |
This book examines how science fiction informs the legal imagination of technological futures. Science fiction, the contributors to this book argue, is a storehouse of images, tropes, concepts and memes that inform the legal imagination of the future, and in doing so generate impetus for change. Specifically, the contributors examine how science fictions imagine human life in space, in the digital and as formed and negotiated by corporations. They then connect this imaginary to how law should be understood in the present and changed for the future. Across the chapters, there is an urgent sense of the need for law – as it is has been, and as it might become – to order and safeguard the future for a multiplicity of vulnerable entities. This book will appeal to scholars and students with interests in law and technology, legal theory, cultural legal studies and law and the humanities.
| Author | : Cassandra Sharp |
| Publisher | : Routledge |
| Total Pages | : 323 |
| Release | : 2015-07-24 |
| Genre | : Law |
| ISBN | : 1317626265 |
What can law’s popular cultures do for law, as a constitutive and interrogative critical practice? This collection explores such a question through the lens of the ‘cultural legal studies’ movement, which proffers a new encounter with the ‘cultural turn’ in law and legal theory. Moving beyond the ‘law ands’ (literature, humanities, culture, film, visual and aesthetics) on which it is based, this book demonstrates how the techniques and practices of cultural legal studies can be used to metamorphose law and the legalities that underpin its popular imaginary. By drawing on three different modes of cultural legal studies – storytelling, technology and jurisprudence – the collection showcases the intersectional practices of cultural legal studies, and law in its popular cultural mode. The contributors to the collection deploy differentiated modes of cultural legal studies practice, adopting diverse philosophical, disciplinary, methodological and theoretical approaches and subjects of examination. The collection draws on this mix of diversity and homogeneity to thread together its overarching theme: that we must take seriously an interrogation of law as culture and in its cultural form. That is, it does not ask how a text ‘represents’ law; but rather how the representational nature of both law and culture intersect so that the ‘juridical’ become visible in various cultural manifestations. In short, it asks: how law’s popular cultures actively effect the metamorphosis of law.
| Author | : Professor David S Caudill |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 252 |
| Release | : 2013-02-28 |
| Genre | : Law |
| ISBN | : 1409497569 |
Presenting examples of how literary accounts can provide a supplement to our understanding of science in law, this book challenges the view that law and science are completely different. It focuses on stories which explore the relationship between law and science, especially cultural images of science that prevail in legal contexts. Contrasting with other studies of the transfer and construction of expertise in legal settings, this book considers the intersection of three interdisciplinary projects: law and science, law and literature, and literature and science. Looking at the appropriation of scientific expertise into law from these perspectives, this book presents an original introduction into how we can gain insight into the use of science in the courtroom and in policy and regulatory settings through literary sources.
| Author | : Silvia Bonacchi |
| Publisher | : V&R unipress |
| Total Pages | : 249 |
| Release | : 2024-06-17 |
| Genre | : |
| ISBN | : 3737017042 |
This collection presents studies on a wide range of discursive positions marked by vulnerability and investigates the functions of (self-)positioning actors as vulnerable in contemporary social discourses. As a phenomenon that manifests itself in different social arenas, vulnerable positions and instances of (self-)positioning indicate various crisis situations on a broad spectrum of phenomena, of manifestations and implications. Starting from the assumption that vulnerable (self-)positioning and stance-taking is manifested at the level of discursive practices, performative processes and material achievements, the contributors describe a series of mechanisms of staging vulnerability in a wide range of manifestations: among them physical, psychological, social, sexual and gender, linguistic, and institutional vulnerability.
| Author | : Giuseppe Martinico |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 192 |
| Release | : 2024-09-03 |
| Genre | : Literary Criticism |
| ISBN | : 3111499243 |
Comics, manga and anime can offer an interesting perspective from which to explore representations of the law in popular culture. This book offers a better understanding of the juridical subtexts of such cultural artefacts by bringing together scholars in legal theory and comparative and international law. While the contributions in the first part of the volume unpack the relationships between normative systems (law and morality above all) in graphic narratives by Marvel (Daredevil) and DC heroes (Batman), the second part of the volume looks at the role played by law and lawyers in different legal systems through case studies such as She Hulk. Finally, the last part focusses on the role of international law in the comic (multi)universe and in Japanese animation movies such as Porco rosso). This collection extends research into comics beyond Anglo-American culture, which is still hegemonic in this literature, and makes it possible to read the legal phenomena dealt with in the pop culture products analysed through a lens other than that of Anglo-American law.
| Author | : Timothy Peters |
| Publisher | : Routledge |
| Total Pages | : 250 |
| Release | : 2017-11-22 |
| Genre | : Law |
| ISBN | : 1317301595 |
Envisioning Legality: Law, Culture and Representation is a path-breaking collection of some of the world’s leading cultural legal scholars addressing issues of law, representation and the image. Law is constituted in and through the representations that hold us in their thrall, and this book focuses on the ways in which cultural legal representations not only reflect or contribute to an understanding of law, but constitute the very fabric of legality itself. As such, each of these ‘readings’ of cultural texts takes seriously the cultural as a mode of envisioning, constituting and critiquing the law. And the theoretically sophisticated approaches utilised here encompass more than simply an engagement with ‘harmless entertainment’. Rather they enact and undertake specific political and critical engagements with timely issues, such as: the redressing of past wrongs; recognising and combatting structural injustices; and orienting our political communities in relation to uncertain futures. Envisioning Legality thereby presents a cultural legal studies that provides the means for engaging in robust, sustained and in-depth encounters with the nature and role of law in a global, mediated world.
| Author | : Kim D Weinert |
| Publisher | : Routledge |
| Total Pages | : 321 |
| Release | : 2020-04-01 |
| Genre | : Law |
| ISBN | : 1000048039 |
This book engages with the place of law and legality within Australia’s distinctive contribution to global televisual culture. Australian popular culture has created a lasting legacy – for good or bad – of representations of law, lawyers and justice ‘down under’. Within films and television of striking landscapes, peopled with heroes, antiheroes, survivors and jokers, there is a fixation on law, conflicts between legal orders, brutal violence and survival. Deeply compromised by the ongoing violence against the lives and laws of First Nation Australians, Australian film and television has sharply illuminated what it means to live with a ‘rule of law’ that rules with a legacy, and a reality, of deep injustice. This book is the first to bring together scholars to reflect on, and critically engage with, the representations and global implications of law, lawyers and justice captured through the lenses of Australian film, television and social media. Exploring how distinctively Australian lenses capture uniquely Australian images and narratives, the book nevertheless engages these in order to provide broader insights into the contemporary translations and transmogrifications of law and justice.
