Cultic Theatres And Ritual Drama
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Author | : Inge Nielsen |
Publisher | : |
Total Pages | : 444 |
Release | : 2002 |
Genre | : History |
ISBN | : |
This well-illustrated book thoroughly investigates the relations between East and West in the Ancient world as seen through the lens of ancient religious practices. The author has concentrated on one aspect of the cult, the ritual drama, and its setting, the cultic theatre.The point of departure is the presence of a great amount of theatrical structures in the sanctuaries in Greece and Italy. Many of these structures were not proper theatres in the modern sense of the word, but rather primitive rows of seats, 'a place to watch from', which is in fact the original meaning of the word 'theatre'. These structures have never before been examined from a functional viewpoint, and the author proposes that their primary raison d'etre was the performance of ritual dramas at the great seasonal feasts. These non-literary dramas re-enacted the story or myth of the divinity, which in symbolic form treated the crises connected with precarious transitions during the agricultural year and human life in general.For various reasons, which she describes, the author points to the relative obscurity of this religious institution in the Greek and Roman world, and notes that as a result, it has received scant attention from scholars. In contrast, it is well known that ritual dramas had been performed in the distant past at the great seasonal feasts of the Orient, and the book includes an excellent overview of the development of this institution as well as the setting chosen for it in the Egyptian, Syrio-Phoenician and Anatolian cults, both in their homelands and in their new host countries in the West.This is a fascinating book for archaeologists and classicists, as well as for anthropologists andhistorians of religion, but it also gives food for thought for those who simply want to l
Author | : Eric Csapo |
Publisher | : Cambridge University Press |
Total Pages | : 403 |
Release | : 2007-01-15 |
Genre | : Art |
ISBN | : 0521836824 |
Author | : Luigi Barzini |
Publisher | : Bloomsbury Publishing |
Total Pages | : 280 |
Release | : 2021-07-15 |
Genre | : Literary Criticism |
ISBN | : 135018733X |
This new comparative reading of Euripides' Bacchae and Aristophanes' Frogs sets the two plays squarely in their contemporary social and political context and explores their impact on the audiences of the time. Both were composed during a crucial period of Athenian political life following the oligarchic seizure of power in 411 BC and the restoration of democracy in 410 BC, and were in all likelihood produced nearly simultaneously a few months before the rise of the Thirty Tyrants and the ensuing civil war. They also demonstrate significant similarities that are particularly notable among extant Attic theatre productions, including the role of the god Dionysos as protagonist and architect of religious and political action, and the presence of Demetrian and Dionysiac mystic choruses as proponents of the appeasement of civil discord as the cure for Athens' ills. Focusing on the mystic, civic and political content of both Bacchae and Frogs, this volume offers not only a new reading of the plays, but also an interdisciplinary perspective on the special characteristics of mystery cults in Athens in their political context and the nature of theatrical audiences and their reaction to mystic themes. Its illumination of the function of each play at a pivotal moment in fifth-century Athenian politics will be of value to scholars and students of ancient Greek drama, religion and history.
Author | : Xioahuan Zhao |
Publisher | : Routledge |
Total Pages | : 338 |
Release | : 2021-12-30 |
Genre | : Performing Arts |
ISBN | : 1315460270 |
Chinese Theatre: An Illustrated History Through Nuoxi and Mulianxi is the first book in any language entirely devoted to a historical inquiry into Chinese theatre through Nuoxi and Mulianxi, the two most representative and predominant forms of Chinese temple theatre. With a view to evaluating the role of temple theatre in the development of xiqu or traditional Chinese theatre and drama from myth to ritual to ritual drama to drama, Volume One provides a panoramic perspective that allows every aspect of Nuoxi to be considered, not in the margins of xiqu but in and of itself. Thus, this volume traces xiqu history from its shamanic roots in exorcism rituals of Nuo to various forms of ritual and theatrical performance presented at temple fairs, during community and calendrical festivals or for ceremonial functions over the course of imperial history, and into the twenty-first century, followed by an exploration of the scriptural origins and oral traditions of Mulianxi, with pivotal forms and functions of Nuoxi and Mulian storytelling, examined, explicated and illustrated in association with the development of corresponding genres of Chines performance literature and performing arts. This is an interdisciplinary book project that is aimed to help researchers and students of theatre history understand the ritual origins of Chinese theatre and the dynamic relationships among myth, ritual, religion, and theatre.
Author | : Manohar Laxman Varadpande |
Publisher | : Abhinav Publications |
Total Pages | : 380 |
Release | : 1987 |
Genre | : Performing Arts |
ISBN | : 9788170172215 |
This Is The First Volume Of The Six-Volume History Of Indian Theatre. Written By An Eminent Scholar M.L, Varadpande This Veritable Encyclopedia Speaks About An Early Phase Of India S Theatre History, Which Also Is The History Of India S Fine Arts. For The First Time The Origin And Evolution Of Theatrical Arts In India Is Traced In An Elaborate Manner Providing An Insight Into One Of The Oldest Theatrical Traditions Of The World. The Book Draws From The Sources Including Mesolithic Cave Paintings, Ancient Archaeological Finds And Mass Of Literature Belonging To The Vedic And Buddhist Era To Give You The Complete Picture Of India S Theatre History.In A Lucid Style It Tells About Ritualistic Dances And Hunt Dramas Of Aboriginals; Statuettes Of Dancers, Jesters And String Manipulated Puppet Toys Belonging To Earliest Known Urban Civilization Of India The Indus Civilization; Dramatic Rituals Full Of Dancing, Singing And Music; The Dancing Gods And Compositions In Dialogue Form Of Early Aryans; The Troupes Of Actors Moving In The Country Enacting Humorous Plays And Erotic Dances; Efforts Of The State Administration To Impose Entertainment Tax And Strict Code Of Censors And The Flourishing Theatre Of The People. The Book Also Tells About The Advent Of Greeks In India And Their Theatrical Activities, Staging Of A Play Agen In The Military Camp Of Alexander The Great And The Play Written In Greek And Indian Languages Found In Egypt. It Discusses The Problem Of Greek Influence On Indian Theatre In Detail And Speaks About Indian View Of Theatre.This Well-Documented And Profusely Illustrated Work Presents An Enchanting Panorama Of India S Early Theatre History In A Manner At Once Scholarly And Interesting. Known For His Erudition And Profound Scholarship, M.L. Varadpande (B; 1936) Is An Eminent Theatre Historian Of India. His Major Works Published By Abhinav Publications Are Traditions Of Indian Theatre, Ancient Indian And Indo-Greek Theatre, Religion And Theatre And Krishna Theatre In India. His Other Well-Known Works On Indian Theatre Are Invitation To An Indian Theatre And The Critique Of Indian Theatre (Ed.). The Sahita Akademi, India S National Academy Of Letters, Has Published His Book Shripad Krishna Kolhatkar In Marathi (Out Of Print), Hindi (Second Edition) And Punjabi. It Is Now Being Translated Into English. His Forthcoming Works Are The Mahabharata In Performance And Ankia Nat: Vaishnava Opera Of Assam. As A Research Fellow Of The Indian Council Of Historical Research He Is Working On The Research Project Temple Theatre In India.
Author | : E. Lingan |
Publisher | : Springer |
Total Pages | : 259 |
Release | : 2014-11-19 |
Genre | : Religion |
ISBN | : 113744861X |
This book explores the religious foundations, political and social significance, and aesthetic aspects of the theatre created by the leaders of the Occult Revival. Lingan shows how theatre contributed to the fragmentation of Western religious culture and how contemporary theatre plays a part in the development of alternative, occult religions.
Author | : Paul Kuritz |
Publisher | : PAUL KURITZ |
Total Pages | : 478 |
Release | : 1988 |
Genre | : Performing Arts |
ISBN | : 9780135478615 |
Author | : David Braund |
Publisher | : Cambridge University Press |
Total Pages | : 331 |
Release | : 2018-05-31 |
Genre | : History |
ISBN | : 1316863743 |
This is the first integrated study of Greek religion and cults of the Black Sea region, centred upon the Bosporan Kingdom of its northern shores, but with connections and consequences for Greece and much of the Mediterranean world. David Braund explains the cohesive function of key goddesses (Aphrodite Ourania, Artemis Ephesia, Taurian Parthenos, Isis) as it develops from archaic colonization through Athenian imperialism, the Hellenistic world and the Roman Empire in the East down to the Byzantine era. There is a wealth of new and unfamiliar data on all these deities, with multiple consequences for other areas and cults, such as Diana at Aricia, Orthia in Sparta, Argos' irrigation from Egypt, Athens' Aphrodite Ourania and Artemis Tauropolos and more. Greek religion is shown as key to the internal workings of the Bosporan Kingdom, its sense of its landscape and origins and its shifting relationships with the rest of its world.
Author | : Christina G. Williamson |
Publisher | : BRILL |
Total Pages | : 537 |
Release | : 2021-08-04 |
Genre | : History |
ISBN | : 9004461272 |
In Urban Rituals in Sacred Landscapes in Hellenistic Asia Minor, Christina G. Williamson examines the phenomenon of monumental sanctuaries in the countryside of Asia Minor that accompanied the second rise of the Greek city-state in the Hellenistic period. Moving beyond monolithic categories, Williamson provides a transdisciplinary frame of analysis that takes into account the complex local histories, landscapes, material culture, and social and political dynamics of such shrines in their transition towards becoming prestigious civic sanctuaries. This frame of analysis is applied to four case studies: the sanctuaries of Zeus Labraundos, Sinuri, Hekate at Lagina, and Zeus Panamaros. All in Karia, these well-documented shrines offer valuable insights for understanding religious strategies adopted by emerging cities as they sought to establish their position in the expanding world.
Author | : Troels Myrup Kristensen |
Publisher | : Taylor & Francis |
Total Pages | : 306 |
Release | : 2017-02-03 |
Genre | : History |
ISBN | : 135185626X |
This volume sheds new light on the significance and meaning of material culture for the study of pilgrimage in the ancient world, focusing in particular on Classical and Hellenistic Greece, the Roman Empire and Late Antiquity. It thus discusses how archaeological evidence can be used to advance our understanding of ancient pilgrimage and ritual experience. The volume brings together a group of scholars who explore some of the rich archaeological evidence for sacred travel and movement, such as the material footprint of different activities undertaken by pilgrims, the spatial organization of sanctuaries and the wider catchment of pilgrimage sites, as well as the relationship between architecture, art and ritual. Contributions also tackle both methodological and theoretical issues related to the study of pilgrimage, sacred travel and other types of movement to, from and within sanctuaries through case studies stretching from the first millennium BC to the early medieval period.