Cuba The United States And Cultures Of The Transnational Left 1930 1975
Download Cuba The United States And Cultures Of The Transnational Left 1930 1975 full books in PDF, epub, and Kindle. Read online free Cuba The United States And Cultures Of The Transnational Left 1930 1975 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : John A. Gronbeck-Tedesco |
| Publisher | : Cambridge University Press |
| Total Pages | : 305 |
| Release | : 2015-10-20 |
| Genre | : History |
| ISBN | : 1316467775 |
This book examines the ways in which Cuba's revolutions of 1933 and 1959 became touchstones for border-crossing endeavors of radical politics and cultural experimentation over the mid-twentieth century. It argues that new networks of solidarity building between US and Cuban allies also brought with them perils and pitfalls that could not be separated from the longer history of US empire in Cuba. As US and Cuban subjects struggled together towards common aspirations of racial and gender equality, fairer distribution of wealth, and anti-imperialism, they created a unique index of cultural work that widens our understanding of the transition between hemispheric modernism and postmodernism. Canvassing poetry, music, journalism, photographs, and other cultural expressions around themes of revolution, this book seeks new understanding of how race, gender, and nationhood could shift in meaning and materialization when traveling across the Florida Straits.
| Author | : John A. Gronbeck-Tedesco |
| Publisher | : Cambridge University Press |
| Total Pages | : 305 |
| Release | : 2015-10-20 |
| Genre | : History |
| ISBN | : 1107083087 |
This book examines the ways in which Cuba's revolutions of 1933 and 1959 became touchstones for border-crossing endeavors of radical politics and cultural experimentation over the mid-twentieth century. It argues that new networks of solidarity building between US and Cuban allies also brought with them perils and pitfalls that could not be separated from the longer history of US empire in Cuba. As US and Cuban subjects struggled together towards common aspirations of racial and gender equality, fairer distribution of wealth, and anti-imperialism, they created a unique index of cultural work that widens our understanding of the transition between hemispheric modernism and postmodernism. Canvassing poetry, music, journalism, photographs, and other cultural expressions around themes of revolution, this book seeks new understanding of how race, gender, and nationhood could shift in meaning and materialization when traveling across the Florida Straits.
| Author | : John Patrick Leary |
| Publisher | : University of Virginia Press |
| Total Pages | : 397 |
| Release | : 2016-11-10 |
| Genre | : Literary Criticism |
| ISBN | : 0813939178 |
A Cultural History of Underdevelopment explores the changing place of Latin America in U.S. culture from the mid-nineteenth century to the recent U.S.-Cuba détente. In doing so, it uncovers the complex ways in which Americans have imagined the global geography of poverty and progress, as the hemispheric imperialism of the nineteenth century yielded to the Cold War discourse of "underdevelopment." John Patrick Leary examines representations of uneven development in Latin America across a variety of genres and media, from canonical fiction and poetry to cinema, photography, journalism, popular song, travel narratives, and development theory. For the United States, Latin America has figured variously as good neighbor and insurgent threat, as its possible future and a remnant of its past. By illuminating the conventional ways in which Americans have imagined their place in the hemisphere, the author shows how the popular image of the United States as a modern, exceptional nation has been produced by a century of encounters that travelers, writers, radicals, filmmakers, and others have had with Latin America. Drawing on authors such as James Weldon Johnson, Willa Cather, and Ernest Hemingway, Leary argues that Latin America has figured in U.S. culture not just as an exotic "other" but as the familiar reflection of the United States’ own regional, racial, class, and political inequalities.
| Author | : Haruko Hosoda |
| Publisher | : Routledge |
| Total Pages | : 217 |
| Release | : 2019-05-02 |
| Genre | : Social Science |
| ISBN | : 0429799586 |
Cuba’s Fidel Castro and Spain’s Francisco Franco were two men with very similar backgrounds but very different political ideologies. Both received a Catholic education and had strong connections to the Galicia region of Spain. Both were familiar with guerrilla tactics and came to power through fighting civil wars. However, Franco had support from fascists, who fought a vicious campaign against communist guerrillas, whereas Cuba was strategically aligned with the USSR after the revolution. The two countries nevertheless maintained strong relations, notably keeping a formal diplomatic relationship after the 1959 Cuban revolution despite the United States' severing of ties to Cuba. This relationship, Hosoda argues, would remain a vital back channel for communication between Cuba and the West. Using a mixture of primary and secondary sources, derived from Cuban, American and Spanish archives, Hosoda analyses the nature and wider role of diplomatic relations between Cuba and Spain during the Cold War. Addressing both the question of how this relationship was forged – whether through the personal strange "amity" of their leaders, mutual animosity toward the U.S., or the alignment of national interests – and the importance of the role that it played. Considering also the role of the Vatican, this book offers a fascinating insight into a rarely studied aspect of the Cold War, one that transcends the usual East-West binaries.
| Author | : Michael J. Bustamante |
| Publisher | : Duke University Press |
| Total Pages | : 230 |
| Release | : 2019-02-14 |
| Genre | : History |
| ISBN | : 1478004320 |
What does the Cuban Revolution look like “from within?" This volume proposes that scholars and observers of Cuba have too long looked elsewhere—from the United States to the Soviet Union—to write the island's post-1959 history. Drawing on previously unexamined archives, the contributors explore the dynamics of sociopolitical inclusion and exclusion during the Revolution's first two decades. They foreground the experiences of Cubans of all walks of life, from ordinary citizens and bureaucrats to artists and political leaders, in their interactions with and contributions to the emerging revolutionary state. In essays on agrarian reform, the environment, dance, fashion, and more, contributors enrich our understanding of the period beginning with the utopic mobilizations of the early 1960s and ending with the 1980 Mariel boatlift. In so doing, they offer new perspectives on the Revolution that are fundamentally driven by developments on the island. Bringing together new historical research with comparative and methodological reflections on the challenges of writing about the Revolution, The Revolution from Within highlights the political stakes attached to Cuban history after 1959. Contributors. Michael J. Bustamante, María A. Cabrera Arús, María del Pilar Díaz Castañón, Ada Ferrer, Alejandro de la Fuente, Reinaldo Funes Monzote, Lillian Guerra, Jennifer L. Lambe, Jorge Macle Cruz, Christabelle Peters, Rafael Rojas, Elizabeth Schwall, Abel Sierra Madero
| Author | : Jennifer L. Lambe |
| Publisher | : UNC Press Books |
| Total Pages | : 204 |
| Release | : 2024-08-27 |
| Genre | : Social Science |
| ISBN | : 1469681161 |
From television to travel bans, geopolitics to popular dance, The Subject of Revolution explores how knowledge about the 1959 Cuban Revolution was produced and how the Revolution in turn shaped new worldviews. Drawing on sources from over twenty archives as well as film, music, theater, and material culture, this book traces the consolidation of the Revolution over two decades in the interface between political and popular culture. The "subject of Revolution," it proposes, should be understood as the evolving synthesis of the imaginaries constructed by its many "subjects," including revolutionary leaders, activists, academics, and ordinary people within and beyond the island's borders. The book reopens some of the questions that have long animated debates about Cuba, from the relationship between populace and leadership to the archive and its limits, while foregrounding the construction of popular understandings. It argues that the politicization of everyday life was an inescapable effect of the revolutionary process as well as the catalyst for new ways of knowing and being.
| Author | : Ariel Mae Lambe |
| Publisher | : UNC Press Books |
| Total Pages | : 331 |
| Release | : 2019-10-10 |
| Genre | : History |
| ISBN | : 1469652862 |
Vividly recasting Cuba's politics in the 1930s as transnational, Ariel Mae Lambe has produced an unprecendented reimagining of Cuban activism during an era previously regarded as a lengthy, defeated lull. In this period, many Cuban activists began to look at their fight against strongman rule and neocolonial control at home as part of the international antifascism movement that exploded with the Spanish Civil War. Frustrated by multiple domestic setbacks, including Colonel Fulgencio Batista's violent crushing of a massive general strike, activists found strength in the face of repression by refusing to view their political goals as confined to the island. As individuals and in groups, Cubans from diverse backgrounds and political stances self-identified as antifascists and moved, both physically and symbolically, across borders and oceans, cultivating networks and building solidarity for a New Spain and a New Cuba. They believed that it was through these ostensibly foreign fights that they would achieve economic and social progress for their nation. Indeed, Cuban antifascism was such a strong movement, Lambe argues, that it helps to explain the surprisingly progressive turn that Batista and the Cuban government took at the end of the decade, including the establishment of a new constitution and presidential elections.
| Author | : Greg Barnhisel |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 456 |
| Release | : 2022-06-30 |
| Genre | : Literary Criticism |
| ISBN | : 1350191728 |
Adopting a unique historical approach to its subject and with a particular focus on the institutions involved in the creation, dissemination, and reception of literature, this handbook surveys the way in which the Cold War shaped literature and literary production, and how literature affected the course of the Cold War. To do so, in addition to more 'traditional' sources it uses institutions like MFA programs, university literature departments, book-review sections of newspapers, publishing houses, non-governmental cultural agencies, libraries, and literary magazines as a way to understand works of the period differently. Broad in both their geographical range and the range of writers they cover, the book's essays examine works of mainstream American literary fiction from writers such as Roth, Updike and Faulkner, as well as moving beyond the U.S. and the U.K. to detail how writers and readers from countries including, but not limited to, Taiwan, Japan, Uganda, South Africa, India, Cuba, the USSR, and the Czech Republic engaged with and contributed to Anglo-American literary texts and institutions.
| Author | : Kevin A. Young |
| Publisher | : Cambridge University Press |
| Total Pages | : 321 |
| Release | : 2019-07-11 |
| Genre | : History |
| ISBN | : 110842399X |
Offers new insights into both the successes and the limitations of Latin America's left in the twentieth century.
| Author | : Elizabeth Abele |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 235 |
| Release | : 2015-12-03 |
| Genre | : Social Science |
| ISBN | : 1498525830 |
This collection of essays presents a sampling of film and television texts, interrogating images of U.S. masculinity. Rather than using “postfeminist” as a definition of contemporary feminism, this collection uses the term to designate the period from the late 1980s on—as a point when feminist thought gradually became more mainstream. The movies and TV series examined here have achieved a level of sustained attention, from critical acclaim, to mass appeal, to cult status. Instead of beginning with a set hypothesis on the effect of the feminist movement on images of masculinity on film and television, these chapters represent a range of responses, that demonstrate how the conversations within these texts about American masculinity are often open-ended, allowing both male characters and male viewers a wider range of options. Defining the relationship between U.S. masculinity and American feminist movements of the twentieth century is a complex undertaking. The essays collected for this volume engage prominent film and television texts that directly interrogate images of U.S. masculinity that have appeared since second-wave feminism. The contributors have chosen textual examples whose protagonists actively struggle with the conflicting messages about masculinity. These protagonists are more often works-in-progress, acknowledging the limits of their negotiations and self-actualization. These chapters also cover a wide range of genres and decades: from action and fantasy to dramas and romantic comedy, from the late 1970s to today. Taken together, the chapters of Screening Images of American Masculinity in the AgeofPostfeminism interrogate “the possible” screened in popular movies and television series, confronting the multiple and competing visions of masculinity not after or beyond feminism but, rather, in its very wake.
