Critical Black Futures
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| Author | : Philip Butler |
| Publisher | : Springer Nature |
| Total Pages | : 230 |
| Release | : 2021-03-30 |
| Genre | : Social Science |
| ISBN | : 981157880X |
Critical Black Futures imagines worlds, afrofutures, cities, bodies, art and eras that are simultaneously distant, parallel, present, counter, and perpetually materializing. From an exploration of W. E. B. Du Bois’ own afrofuturistic short stories, to trans* super fluid blackness, this volume challenges readers—community leaders, academics, communities, and creatives—to push further into surreal imaginations. Beyond what some might question as the absurd, this book is presented as a speculative space that looks deeply into the foundations of human belief. Diving deep into this notional rabbit hole, each contributor offers a thorough excursion into the imagination to discover ‘what was’, while also providing tools to push further into the ‘not yet’.
| Author | : Karla Slocum |
| Publisher | : UNC Press Books |
| Total Pages | : 193 |
| Release | : 2019-09-17 |
| Genre | : History |
| ISBN | : 1469653982 |
Some know Oklahoma's Black towns as historic communities that thrived during the Jim Crow era—this is only part of the story. In this book, Karla Slocum shows that the appeal of these towns is more than their past. Drawing on interviews and observations of town life spanning several years, Slocum reveals that people from diverse backgrounds are still attracted to the communities because of the towns' remarkable history as well as their racial identity and rurality. But that attraction cuts both ways. Tourists visit to see living examples of Black success in America, while informal predatory lenders flock to exploit the rural Black economies. In Black towns, there are developers, return migrants, rodeo spectators, and gentrifiers, too. Giving us a complex window into Black town and rural life, Slocum ultimately makes the case that these communities are places for affirming, building, and dreaming of Black community success even as they contend with the sometimes marginality of Black and rural America.
| Author | : Kimberly Drew |
| Publisher | : One World |
| Total Pages | : 545 |
| Release | : 2021-10-26 |
| Genre | : Social Science |
| ISBN | : 0399181156 |
“A literary experience unlike any I’ve had in recent memory . . . a blueprint for this moment and the next, for where Black folks have been and where they might be going.”—The New York Times Book Review (Editors’ Choice) What does it mean to be Black and alive right now? Kimberly Drew and Jenna Wortham have brought together this collection of work—images, photos, essays, memes, dialogues, recipes, tweets, poetry, and more—to tell the story of the radical, imaginative, provocative, and gorgeous world that Black creators are bringing forth today. The book presents a succession of startling and beautiful pieces that generate an entrancing rhythm: Readers will go from conversations with activists and academics to memes and Instagram posts, from powerful essays to dazzling paintings and insightful infographics. In answering the question of what it means to be Black and alive, Black Futures opens a prismatic vision of possibility for every reader.
| Author | : Kara Keeling |
| Publisher | : NYU Press |
| Total Pages | : 289 |
| Release | : 2019-04-16 |
| Genre | : Social Science |
| ISBN | : 0814748333 |
Finalist, 2019 Lambda Literary Award in LGBTQ Studies A profound intellectual engagement with Afrofuturism and the philosophical questions of space and time Queer Times, Black Futures considers the promises and pitfalls of imagination, technology, futurity, and liberation as they have persisted in and through racial capitalism. Kara Keeling explores how the speculative fictions of cinema, music, and literature that center Black existence provide scenarios wherein we might imagine alternative worlds, queer and otherwise. In doing so, Keeling offers a sustained meditation on contemporary investments in futurity, speculation, and technology, paying particular attention to their significance to queer and Black freedom. Keeling reads selected works, such as Sun Ra’s 1972 film Space is the Place and the 2005 film The Aggressives, to juxtapose the Afrofuturist tradition of speculative imagination with the similar “speculations” of corporate and financial institutions. In connecting a queer, cinematic reordering of time with the new possibilities technology offers, Keeling thinks with and through a vibrant conception of the imagination as a gateway to queer times and Black futures, and the previously unimagined spaces that they can conjure.
| Author | : Kristen Lillvis |
| Publisher | : University of Georgia Press |
| Total Pages | : 149 |
| Release | : 2017-09-01 |
| Genre | : Literary Criticism |
| ISBN | : 0820351237 |
Posthuman Blackness and the Black Female Imagination examines the future-oriented visions of black subjectivity in works by contemporary black women writers, filmmakers, and musicians, including Toni Morrison, Octavia Butler, Julie Dash, and Janelle Monáe. In this innovative study, Kristen Lillvis supplements historically situated conceptions of blackness with imaginative projections of black futures. This theoretical approach allows her to acknowledge the importance of history without positing a purely historical origin for black identities. The authors considered in this book set their stories in the past yet use their characters, particularly women characters, to show how the potential inherent in the future can inspire black authority and resistance. Lillvis introduces the term “posthuman blackness” to describe the empowered subjectivities black women and men develop through their simultaneous existence within past, present, and future temporalities. This project draws on posthuman theory—an area of study that examines the disrupted unities between biology and technology, the self and the outer world, and, most important for this project, history and potentiality—in its readings of a variety of imaginative works, including works of historical fiction such as Gayl Jones’s Corregidora and Morrison’s Beloved. Reading neo–slave narratives through posthuman theory reveals black identity and culture as temporally flexible, based in the potential of what is to come and the history of what has occurred.
| Author | : Clare O'Neil |
| Publisher | : Text Publishing |
| Total Pages | : 255 |
| Release | : 2015-08-07 |
| Genre | : Political Science |
| ISBN | : 1922253022 |
Beset by spin and the battle to win each news cycle, contemporary politics is mired in short-term thinking. Too little time is given to considering creative ways in which we could tackle key issues—a lagging education system, the destruction of our coastlines, Asia’s economic ascendancy—in the decades ahead. In this agenda-setting book, new federal parliamentarians Clare O’Neil and Tim Watts present a vision for six vital areas of public policy that will determine what life in Australia is like in 2040. They provide fresh insights into the role of government and individuals alike in shaping the future. Optimistic and impassioned, analytical and ideas-driven, Two Futures starts the conversation that, at this critical juncture, the nation needs to have. Clare O'Neil is the federal Labor member for the seat of Hotham, in Melbourne's south-east. She was Australia's youngest female mayor and has been a management consultant with McKinsey & Company. She studied public policy as a Fulbright Scholar at Harvard’s Kennedy School. Tim Watts is the federal Labor member for the seat of Gellibrand, in Melbourne's west. Prior to entering parliament he was a senior manager at Telstra. He has been a lawyer at Mallesons Stephen Jaques and studied at the London School of Economics. ‘A must-read publication from two talented federal members concerned about a better and fairer future for Australia.’ Steve Bracks ‘A refreshing look at the big issues in the decades ahead.’ Laura Tingle, Political Editor, Australian Financial Review ‘An insightful contribution to the policy debate about the future of our country.’ Catherine Livingstone, President, Business Council of Australia ‘Provocative, clear-sighted and jargon-free.’ Age/Sydney Morning Herald ‘This book is a must-read for thinking Australians.’ ANZ LitLovers ‘A welcome, often ambitious and sobering book.’ Daily Review
| Author | : Reynaldo Anderson |
| Publisher | : Lexington Books |
| Total Pages | : 242 |
| Release | : 2015-12-16 |
| Genre | : Social Science |
| ISBN | : 1498510515 |
The ideas and practices related to afrofuturism have existed for most of the 20th century, especially in the north American African diaspora community. After Mark Dery coined the word "afrofuturism" in 1993, Alondra Nelson as a member of an online forum, along with other participants, began to explore the initial terrain and intellectual underpinnings of the concept noting that “AfroFuturism has emerged as a term of convenience to describe analysis, criticism and cultural production that addresses the intersections between race and technology.” Afrofuturism 2.0: The Rise of Astroblackness represents a transition from previous ideas related to afrofuturism that were formed in the late 20th century around issues of the digital divide, music and literature. Afrofuturism 2.0 expands and broadens the discussion around the concept to include religion, architecture, communications, visual art, philosophy and reflects its current growth as an emerging global Pan African creative phenomenon.
| Author | : André Brock, Jr. |
| Publisher | : NYU Press |
| Total Pages | : 282 |
| Release | : 2020-02-25 |
| Genre | : Social Science |
| ISBN | : 1479847224 |
Winner, 2021 Harry Shaw and Katrina Hazzard-Donald Award for Outstanding Work in African-American Popular Culture Studies, given by the Popular Culture Association Winner, 2021 Nancy Baym Annual Book Award, given by the Association of Internet Researchers An explanation of the digital practices of the black Internet From BlackPlanet to #BlackGirlMagic, Distributed Blackness places blackness at the very center of internet culture. André Brock Jr. claims issues of race and ethnicity as inextricable from and formative of contemporary digital culture in the United States. Distributed Blackness analyzes a host of platforms and practices (from Black Twitter to Instagram, YouTube, and app development) to trace how digital media have reconfigured the meanings and performances of African American identity. Brock moves beyond widely circulated deficit models of respectability, bringing together discourse analysis with a close reading of technological interfaces to develop nuanced arguments about how “blackness” gets worked out in various technological domains. As Brock demonstrates, there’s nothing niche or subcultural about expressions of blackness on social media: internet use and practice now set the terms for what constitutes normative participation. Drawing on critical race theory, linguistics, rhetoric, information studies, and science and technology studies, Brock tabs between black-dominated technologies, websites, and social media to build a set of black beliefs about technology. In explaining black relationships with and alongside technology, Brock centers the unique joy and sense of community in being black online now.
| Author | : William David Hart |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 263 |
| Release | : 2020-10-16 |
| Genre | : Social Science |
| ISBN | : 179361587X |
This book explores the relations among blackness, antiblackness, and Black people within the discourse of the blackness of black. This critical discourse developed during the last two decades as scholars explored what Saidiya Hartman describes as the afterlife of slavery. Hartman’s concept, which argues for a troubling continuity between the status of enslaved and emancipated Black people, is the pivot between discursive tributaries and trajectories. Tributaries of the discourse of the blackness of black comprise five foundational concepts: Frantz Fanon’s “phobogenic blackness,” Orlando Patterson’s “social death,” Cedric Robinson’s “racial capitalism and the black radical tradition,” and Hortense Spillers’ “flesh.” The book traces three trajectories within the afterlife of slavery: Frank Wilderson’s “ Afropessimism,” Fred Moten’s “generative blackness,” and Calvin Warren’s “black nihilism.” This ensemble of concepts enable us to understand what is at state in how we understand the relations among blackness, antiblackness, and Black people.
| Author | : Roberto Poli |
| Publisher | : Edward Elgar Publishing |
| Total Pages | : 543 |
| Release | : 2024-07-05 |
| Genre | : Social Science |
| ISBN | : 1035301601 |
This insightful Handbook emphasizes the unique contribution that Futures Studies offers when understanding and managing current situations. Contributing authors argue that by learning to examine the future in the present, individuals and organizations can expand their abilities to analyze, assess and ultimately make better decisions. This title contains one or more Open Access chapters.
