Crime In Tv The News And Film
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| Author | : Beth E. Adubato |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 233 |
| Release | : 2022-05-20 |
| Genre | : Social Science |
| ISBN | : 1793628696 |
Crime in TV, the News, and Film provides a fresh look at the interplay between criminal events and the media outlets that cover them. The authors’ diverse backgrounds— a criminologist researcher, a documentarian and media professor, a police officer, and a criminologist who is a former TV reporter— allow for frank discussion. Combining field experience with criminological research, the book gives insight to the everyday media operations that can produce most people’s views on crime and profoundly influence public opinion— public opinion that often frames public policy. Viewers of crime dramas and consumers of news will gain a new understanding of the way their programs are produced. Readers will become more aware of the issues and biases that sometimes cloud perceptions of crime and criminals. Finally, both experts and scholars interested in the subject will improve their discernment of media stories and media depictions, shining a light on crime in a hazy field. This book can be used in the classroom for an array of courses in the fields of media and communications, criminology, sociology, and more.
| Author | : Alison Burke |
| Publisher | : |
| Total Pages | : |
| Release | : 2019 |
| Genre | : |
| ISBN | : 9781636350684 |
| Author | : Jonathan A. Grubb |
| Publisher | : NYU Press |
| Total Pages | : 478 |
| Release | : 2021-07-27 |
| Genre | : Social Science |
| ISBN | : 1479838632 |
From Game of Thrones to Breaking Bad, the key theories and concepts in criminal justice are explained through the lens of television In Crime TV, Jonathan A. Grubb and Chad Posick bring together an eminent group of scholars to show us the ways in which crime—and the broader criminal justice system—are depicted on television. From Breaking Bad and Westworld to Mr. Robot and Homeland, this volume highlights how popular culture frames our understanding of crime, criminological theory, and the nature of justice through modern entertainment. Featuring leading criminologists, Crime TV makes the key concepts and analytical tools of criminology as engaging as possible for students and interested readers. Contributors tackle an array of exciting topics and shows, taking a fresh look at feminist criminology on The Handmaid’s Tale, psychopathy on The Fall, the importance of social bonds on 13 Reasons Why, radical social change on The Walking Dead, and the politics of punishment on Game of Thrones. Crime TV offers a fresh and exciting approach to understanding the essential concepts in criminology and criminal justice and how theories of crime circulate in popular culture.
| Author | : Irvine Welsh |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 358 |
| Release | : 2008 |
| Genre | : Fiction |
| ISBN | : 9780393068191 |
Welsh's sizzling new novel is a thrilling journey into the bright glamour of the Sunshine State and a seething underworld of utter darkness, in this shocking story about the corruption and abuse of the human soul and the possibilities of redemption.
| Author | : Nicole Hahn Rafter |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 2232 |
| Release | : 2018 |
| Genre | : SOCIAL SCIENCE |
| ISBN | : 9780190494674 |
Crime and punishment fascinate. Overwhelming in their media dominance, they present us with our most popular television programs, films, novels, art works, video games, podcasts, social media streams and hashtags. This work offers a foundational space for understanding the cultural life and imaginative force and power of crime and punishment. Across five areas foundational to the study of crime and media, leading scholars from five continents engage cutting edge scholarship in order to provide definitive overviews of over 120 topics.
| Author | : Jean Murley |
| Publisher | : Praeger |
| Total Pages | : 200 |
| Release | : 2008-08-30 |
| Genre | : History |
| ISBN | : |
During the 1950s and 1960s True Detective magazine developed a new way of narrating and understanding murder. It was more sensitive to context, gave more psychologically sophisticated accounts, and was more willing to make conjectures about the unknown thoughts and motivations of killers than others had been before. This turned out to be the start of a revolution, and, after a century of escalating accounts, we have now become a nation of experts, with many ordinary people able to speak intelligently about blood-spatter patterns and organized vs. disorganized serial killers. The Rise of True Crime examines the various genres of true crime using the most popular and well-known examples. And despite its examination of some of the potentially negative effects of the genre, it is written for people who read and enjoy true crime, and wish to learn more about it. With skyrocketing crime rates and the appearance of a frightening trend toward social chaos in the 1970s, books, documentaries, and fiction films in the true crime genre tried to make sense of the Charles Manson crimes and the Gary Gilmore execution events. And in the 1980s and 1990s, true crime taught pop culture consumers about forensics, profiling, and highly technical aspects of criminology. We have thus now become a nation of experts, with many ordinary people able to speak intelligently about blood-spatter patterns and organized vs. disorganized serial killers. Through the suggestion that certain kinds of killers are monstrous or outside the realm of human morality, and through the perpetuation of the stranger-danger idea, the true crime aesthetic has both responded to and fostered our culture's fears. True crime is also the site of a dramatic confrontation with the concept of evil, and one of the few places in American public discourse where moral terms are used without any irony, and notions and definitions of evil are presented without ambiguity. When seen within its historical context, true crime emerges as a vibrant and meaningful strand of popular culture, one that is unfortunately devalued as lurid and meaningless pulp.
| Author | : Paul Mason |
| Publisher | : Routledge |
| Total Pages | : 323 |
| Release | : 2012-12-06 |
| Genre | : History |
| ISBN | : 1135990832 |
Despite being an increasingly high profile subject, few publications address media representations of law and order head on. This book aims to meet this need by bringing together an important range of papers from leading researchers in the field, addressing issues of fictional, factual and hybrid representations of crime in the media.
| Author | : Phil Hamman |
| Publisher | : eLectio Publishing |
| Total Pages | : 100 |
| Release | : 2016-01-12 |
| Genre | : True Crime |
| ISBN | : 163213201X |
A terrified voice cried out in the night. “Who are you? What do you want? The sound of snapping twigs closed in on the five teenagers enjoying an evening around a glowing campfire at Gitchie Manitou State Park. The night of music and laughter had taken a dark turn. Evil loomed just beyond the tree line, and before the night was over, one of the Midwest’s most horrific mass murders had left its bloodstains spewed across the campsite. One managed to survive and would come to be known as the “Gitchie Girl.” Harrowing memories of the terrifying crime sent her spiraling out of control, and she grasped at every avenue to rebuild her life. Can one man, a rescue dog, and a glimmer of faith salvage a broken soul? This true story will touch your heart and leave you cheering that good can prevail over the depravity of mankind. Through extensive research, interviews, and personal insight, the authors bring a riveting look at the heinous crime that shook the Midwest in the early 1970s. Written from rare, inside interviews with the lone survivor, who broke nearly four decades of silence, this shocking yet moving story will not soon be forgotten.
| Author | : John Grisham |
| Publisher | : Anchor |
| Total Pages | : 409 |
| Release | : 2010-03-16 |
| Genre | : True Crime |
| ISBN | : 0307576019 |
#1 NEW YORK TIMES BESTSELLER • LOOK FOR THE NETFLIX ORIGINAL DOCUMENTARY SERIES • “Both an American tragedy and [Grisham’s] strongest legal thriller yet, all the more gripping because it happens to be true.”—Entertainment Weekly John Grisham’s first work of nonfiction: a true crime masterpiece that tells the story of small town justice gone terribly awry. In the Major League draft of 1971, the first player chosen from the state of Oklahoma was Ron Williamson. When he signed with the Oakland A’s, he said goodbye to his hometown of Ada and left to pursue his dreams of big league glory. Six years later he was back, his dreams broken by a bad arm and bad habits. He began to show signs of mental illness. Unable to keep a job, he moved in with his mother and slept twenty hours a day on her sofa. In 1982, a twenty-one-year-old cocktail waitress in Ada named Debra Sue Carter was raped and murdered, and for five years the police could not solve the crime. For reasons that were never clear, they suspected Ron Williamson and his friend Dennis Fritz. The two were finally arrested in 1987 and charged with capital murder. With no physical evidence, the prosecution’s case was built on junk science and the testimony of jailhouse snitches and convicts. Dennis Fritz was found guilty and given a life sentence. Ron Williamson was sent to death row. If you believe that in America you are innocent until proven guilty, this book will shock you. If you believe in the death penalty, this book will disturb you. If you believe the criminal justice system is fair, this book will infuriate you. Don’t miss Framed, John Grisham’s first work of nonfiction since The Innocent Man, co-authored with Centurion Ministries founder Jim McCloskey.
| Author | : Carlos Clarens |
| Publisher | : Da Capo Press |
| Total Pages | : 376 |
| Release | : 1997-03-21 |
| Genre | : Performing Arts |
| ISBN | : 9780306807688 |
Crime movies are as old as filmmaking itself. They embody the American nightmare, functioning both as a mirror of society and a tool for educating the public about its enemies. In this history of the genre Carlos Clarens gives us a mini-history of crime American-style. From D. W. Griffith and New York's Biograph Studios, where raw violence was introduced to celluloid immortality, to today's multimillion-dollar celebrations of blood and power, Crime Movies shows us the whole picture: the unchanging cast of characters (the gangster hero, swaggering, charming, suspicious; the stoolpigeon or strikebreaker; the moll); the stars (James Cagney, Spencer Tracy, George Raft, Edward G. Robinson, Humphrey Bogart, Richard Widmark); the censorship battles, political pressure, and public outcry. This book illuminates movies such as Intolerance, Underworld, Little Caesar, Public Enemy, Kiss of Death, On the Waterfront, Bonnie and Clyde, The Godfather, Goodfellas, Reservoir Dogs, and hundreds of others, while detailing the film-making strategies Hollywood has adopted to deal with the controversial yet profitable and enduring subject of American criminality.
