Crime And Madness In Modern Austria
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| Author | : Rebecca S. Thomas |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 500 |
| Release | : 2021-02-03 |
| Genre | : Social Science |
| ISBN | : 1527565602 |
This collection of essays explores the changing history, rhetoric, politics and representation of crime and madness in modern Austria. From the emergence of Viennese modernism to the post-modern moment, the myths, metaphors and realities of crime and madness have unfolded in the shadow of larger cultural questions regarding cultural norms, gender, war, and national identity. Historically based contributions illuminate such diverse cultural realities as the evolution of psychiatry as medical practice, asylum practices in the early twentieth century, and Austrian participation in and responses to terror and war crimes. From these investigations proceeds the clear insight that cultural responses to crime and madness are often steeped in mythmaking as much as objective policy and practice. Conversely, literary and metaphorical representations of crime and madness reveal attitudes and cultural realities about the Austrian society that produced them and which they reflect. Specialists from the fields of Austrian history, literature and culture studies have collaborated to produce this truly interdisciplinary volume, which responses to crime and madness are often steeped in mythmaking as much as objective policy and practice. Conversely, literary and metaphorical representations of crime and madness reveal attitudes and cultural realities about the Austrian society that produced them and which they reflect.
| Author | : Rebecca S. Thomas |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 0 |
| Release | : 2008 |
| Genre | : Crime |
| ISBN | : 9781847185464 |
This collection of essays explores the changing history, rhetoric, politics and representation of crime and madness in modern Austria. From the emergence of Viennese modernism to the post-modern moment, the myths, metaphors and realities of crime and madness have unfolded in the shadow of larger cultural questions regarding cultural norms, gender, war, and national identity. Historically based contributions illuminate such diverse cultural realities as the evolution of psychiatry as medical practice, asylum practices in the early twentieth century, and Austrian participation in and responses to terror and war crimes. From these investigations proceeds the clear insight that cultural responses to crime and madness are often steeped in mythmaking as much as objective policy and practice. Conversely, literary and metaphorical representations of crime and madness reveal attitudes and cultural realities about the Austrian society that produced them and which they reflect. Specialists from the fields of Austrian history, literature and culture studies have collaborated to produce this truly interdisciplinary volume, which responses to crime and madness are often steeped in mythmaking as much as objective policy and practice. Conversely, literary and metaphorical representations of crime and madness reveal attitudes and cultural realities about the Austrian society that produced them and which they reflect.
| Author | : Ben McCann |
| Publisher | : Columbia University Press |
| Total Pages | : 303 |
| Release | : 2012-05-29 |
| Genre | : Performing Arts |
| ISBN | : 0231504659 |
Michael Haneke is one of the most important directors working in Europe today, with films such as Funny Games (1997), Code Unknown (2000), and Hidden (2005) interrogating modern ethical dilemmas with forensic clarity and merciless insight. Haneke's films frequently implicate both the protagonists and the audience in the making of their misfortunes, yet even in the barren nihilism of The Seventh Continent (1989) and Time of the Wolf (2003) a dark strain of optimism emerges, releasing each from its terrible and inescapable guilt. It is this contingent and unlikely possibility that we find in Haneke's cinema: a utopian Europe. This collection celebrates, explicates, and sometimes challenges the worldview of Haneke's films. It examines the director's central themes and preoccupations—bourgeois alienation, modes and critiques of spectatorship, the role of the media—and analyzes otherwise marginalized aspects of his work, such as the function of performance and stardom, early Austrian television productions, the romanticism of The Piano Teacher (2001), and the 2007 shot-for-shot remake of Funny Games.
| Author | : Allyson Fiddler |
| Publisher | : Berghahn Books |
| Total Pages | : 224 |
| Release | : 2018-10-19 |
| Genre | : History |
| ISBN | : 1789200474 |
Well before the far-right resurgence that has most recently transformed European politics, Austria’s 1999 parliamentary elections surprised the world with the unexpected success of the Freedom Party of Austria and its charismatic leader, Jörg Haider. The party’s perceived xenophobia, isolationism, and unabashed nationalism in turn inspired a massive protest movement that expressed opposition not only through street protests but also in novels, plays, films, and music. Through careful readings of this varied cultural output, The Art of Resistance traces the aesthetic styles and strategies deployed during this time, providing critical context for understanding modern Austrian history as well as the European protest movements of today.
| Author | : Günter Bischof |
| Publisher | : |
| Total Pages | : 494 |
| Release | : 2012 |
| Genre | : History |
| ISBN | : |
We also suggest that the intellectual biographies of thinkers and professionals are fertile soil for biographical study. Moreover, the prosopographical study of common folks in the Austrian population lifts these lives from the dark matter of anonymous masses and gives rich insight into the lives that ordinary Austrians have been leading. We present an array of political lives, including that of Ignaz Seipel and Therese Schlesinger-Eckstein, as well as "Lives of the Mind" which capture the lives of fascinating intellectual figures in pre- and post-World War II Vienna such as Viktor Frankl and Eugenie Schwarzwald. The approaches to writing biography taken in this volume also suggest that much work needs to be done to shed light on the lives of ordinary Austrians. In this volume we have biographical accounts detailing the lives of soldiers, prisoners of war, and farming families.
| Author | : Thomas W. Kniesche |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 346 |
| Release | : 2019-10-21 |
| Genre | : Literary Collections |
| ISBN | : 3110426609 |
A companion to contemporary German crime fiction for English-speaking audiences is overdue. Starting with the earlier Swiss “classics” Glauser and Dürrenmatt and including a number of important Austrian authors, such as Wolf Haas and Heinrich Steinfest, this volume will cover the essential writers, genres, and themes of crime fiction written in German. Where necessary and appropriate, crime fiction in media other than writing (TV-series, movies) will be included. Contemporary social and political developments, such as gender issues, life in a multicultural society, and the afterlife of German fascism today, play a crucial role in much of recent German crime fiction. A number of contributions to this volume will comment on the literary reflection of these issues in the texts. The goal of the volume is to make available to English-speaking audiences, to students, teachers and to a wider circle of interested readers, a series of articles on genres, topics, authors, and texts that will help them understand the scope and depth of German crime fiction, its ties to international traditions and also the specificity of the German context, its historical development and contemporary situation.
| Author | : |
| Publisher | : |
| Total Pages | : 84 |
| Release | : 2009 |
| Genre | : English imprints |
| ISBN | : |
| Author | : Gemma Blackshaw |
| Publisher | : Berghahn Books |
| Total Pages | : 221 |
| Release | : 2012 |
| Genre | : History |
| ISBN | : 0857454587 |
At the turn of the century, Sigmund Freud's investigation of the mind represented a particular journey into mental illness, but it was not the only exploration of this 'territory' in the Austro-Hungarian Empire. Sanatoriums were the new tourism destinations, psychiatrists were collecting art works produced by patients and writers were developing innovative literary techniques to convey a character's interior life. This collection of essays uses the framework of journeys in order to highlight the diverse artistic, cultural and medical responses to a peculiarly Viennese anxiety about the madness of modern times. The travellers of these journeys vary from patients to doctors, artists to writers, architects to composers and royalty to tourists; in engaging with their histories, the contributors reveal the different ways in which madness was experienced and represented in 'Vienna 1900'. Gemma Blackshaw is Reader in Art History at Plymouth University. She is currently working on a Leverhulme-funded book on portraiture in Vienna circa 1900. She co-curated the exhibition Madness and Modernity: Art, Architecture and Mental Illness in Vienna 1900 (London and Vienna, 2009-10) and co-edited the exhibition catalogue. Sabine Wieber is Lecturer in Art History at the University of Glasgow. She has published on German and Austrian design culture, German national identity and constructions of gender in Vienna circa 1900. She co-curated the exhibition Madness and Modernity: Art, Architecture and Mental Illness in Vienna 1900 (Vienna, 2010).
| Author | : |
| Publisher | : |
| Total Pages | : 1054 |
| Release | : 2008 |
| Genre | : Languages, Modern |
| ISBN | : |
| Author | : Albrecht Classen |
| Publisher | : Walter de Gruyter |
| Total Pages | : 612 |
| Release | : 2012-10-30 |
| Genre | : Literary Criticism |
| ISBN | : 3110294583 |
All societies are constructed, based on specific rules, norms, and laws. Hence, all ethics and morality are predicated on perceived right or wrong behavior, and much of human culture proves to be the result of a larger discourse on vices and virtues, transgression and ideals, right and wrong. The topics covered in this volume, addressing fundamental concerns of the premodern world, deal with allegedly criminal, or simply wrong behavior which demanded punishment. Sometimes this affected whole groups of people, such as the innocently persecuted Jews, sometimes individuals, such as violent and evil princes. The issue at stake here embraces all of society since it can only survive if a general framework is observed that is based in some way on justice and peace. But literature and the visual arts provide many examples of open and public protests against wrongdoings, ill-conceived ideas and concepts, and stark crimes, such as theft, rape, and murder. In fact, poetic statements or paintings could carry significant potentials against those who deliberately transgressed moral and ethical norms, or who even targeted themselves.
