Creative Output

Creative Output
Author: Hall Houston
Publisher: Createspace Independent Publishing Platform
Total Pages: 152
Release: 2017-06-10
Genre:
ISBN: 9781537128283

Creative Output is a teacher's resource book for the most challenging stage of an ESL/EFL lesson - the production stage. Within these pages, you will find a diverse range of speaking and writing activities for fluency practice. In addition, this book describes the essential qualities of effective speaking and writing activities and shows how they fit into a successful lesson. ----- "This book is truly a must-have for any language teachers keen on fostering spoken and written fluency in a fun and engaging way across the whole age and ability spectrum. This little masterpiece offers a wide range of ingenious low prep / high impact tasks that fuel creativity whilst challenging the learner in a principled way. Part A, in which the authors discuss their sound pedagogic approach to promoting creative output in the oral and written medium, is a real gem of wisdom and clarity which pre-service and novice teachers will particularly benefit from. I strongly recommend this book." - Gianfranco Conti, PhD. co-author of the bestselling book 'The Language Teacher toolkit', winner of the 2015 TES best resource contributor award, founder of www.language-gym.com, and former Oxford University researcher

Making the Most of your Creative Output

Making the Most of your Creative Output
Author: Ian Shipley
Publisher: Andrews UK Limited
Total Pages: 30
Release: 2012-10-10
Genre: Art
ISBN: 1782342982

A guide to protecting your copyright and making money from your creativity, touches on music, art, photography and other artistic areas.

Creative Confidence

Creative Confidence
Author: Tom Kelley
Publisher: Crown Currency
Total Pages: 306
Release: 2013-10-15
Genre: Business & Economics
ISBN: 0385349378

IDEO founder and Stanford d.school creator David Kelley and his brother Tom Kelley, IDEO partner and the author of the bestselling The Art of Innovation, have written a powerful and compelling book on unleashing the creativity that lies within each and every one of us. Too often, companies and individuals assume that creativity and innovation are the domain of the "creative types." But two of the leading experts in innovation, design, and creativity on the planet show us that each and every one of us is creative. In an incredibly entertaining and inspiring narrative that draws on countless stories from their work at IDEO, the Stanford d.school, and with many of the world's top companies, David and Tom Kelley identify the principles and strategies that will allow us to tap into our creative potential in our work lives, and in our personal lives, and allow us to innovate in terms of how we approach and solve problems. It is a book that will help each of us be more productive and successful in our lives and in our careers.

Revolutionizing Innovation

Revolutionizing Innovation
Author: Dietmar Harhoff
Publisher: MIT Press
Total Pages: 595
Release: 2016-03-04
Genre: Business & Economics
ISBN: 0262331535

A comprehensive and multidisciplinary view of the emerging paradigm of user and open innovation, offering both theoretical and empirical perspectives. The last two decades have witnessed an extraordinary growth of new models of managing and organizing the innovation process that emphasizes users over producers. Large parts of the knowledge economy now routinely rely on users, communities, and open innovation approaches to solve important technological and organizational problems. This view of innovation, pioneered by the economist Eric von Hippel, counters the dominant paradigm, which cast the profit-seeking incentives of firms as the main driver of technical change. In a series of influential writings, von Hippel and colleagues found empirical evidence that flatly contradicted the producer-centered model of innovation. Since then, the study of user-driven innovation has continued and expanded, with further empirical exploration of a distributed model of innovation that includes communities and platforms in a variety of contexts and with the development of theory to explain the economic underpinnings of this still emerging paradigm. This volume provides a comprehensive and multidisciplinary view of the field of user and open innovation, reflecting advances in the field over the last several decades. The contributors—including many colleagues of Eric von Hippel—offer both theoretical and empirical perspectives from such diverse fields as economics, the history of science and technology, law, management, and policy. The empirical contexts for their studies range from household goods to financial services. After discussing the fundamentals of user innovation, the contributors cover communities and innovation; legal aspects of user and community innovation; new roles for user innovators; user interactions with firms; and user innovation in practice, describing experiments, toolkits, and crowdsourcing, and crowdfunding. Contributors Efe Aksuyek, Yochai Benkler, James Bessen, Jörn H. Block, Annika Bock, Helena Canhão, Jeroen P. J. de Jong, Emmanuelle Fauchart, Dominique Foray, Nikolaus Franke, Johann Füller, Helena Garriga, Fred Gault, Fredrik Hacklin, Dietmar Harhoff, Joachim Henkel, Cornelius Herstatt, Christoph Hienerth, Venkat Kuppuswamy, Karim R. Lakhani, Christopher Lettl, Christian Lüthje, Ethan Mollick, Hidehiko Nishikawa, Alessandro Nuvolari, Susumu Ogawa, Pedro Oliveira, Stefan Perkmann Berger, Frank Piller, Christina Raasch, Susanne Roiser, Fabrizio Salvador, Pamela Samuelson, Tim Schweisfurth, Sonali K. Shah, Christoph Stockstrom, Katherine J. Strandburg, Stefan Thomke, Andrew W. Torrance, Mary Tripsas, Georg von Krogh

Handbook of Creativity

Handbook of Creativity
Author: Robert J. Sternberg
Publisher: Cambridge University Press
Total Pages: 508
Release: 1999
Genre: Psychology
ISBN: 9780521576048

The goal of the Handbook of Creativity is to provide the most comprehensive, definitive, and authoritative single-volume review available in the field of creativity. To this end, the book contains 22 chapters covering a wide range of issues and topics in the field of creativity, all written by distinguished leaders in the field. The chapters have been written to be accessible to all educated readers with an interest in creative thinking. Although the authors are leading behavioral scientists, people in all disciplines will find the coverage of creativity divided in the arts and sciences to be of interest. The volume is divided into six parts. Part I, the Introduction, sets out the major themes and reviews the history of thinking about creativity. Subsequent parts deal with methods, origins, self and environment, special topics and conclusions.

Adapting Tests in Linguistic and Cultural Situations

Adapting Tests in Linguistic and Cultural Situations
Author: Dragoş Iliescu
Publisher: Cambridge University Press
Total Pages: 711
Release: 2017-11-02
Genre: Education
ISBN: 1107110122

This book provides a practical but scientifically grounded step-by-step approach to the adaptation of tests in linguistic and cultural contexts.

Drugs and Behavior

Drugs and Behavior
Author: Fred Leavitt
Publisher: SAGE
Total Pages: 549
Release: 1995
Genre: Psychology
ISBN: 0803947844

What effects do various psychoactive drugs have on such aspects of human behavior as creativity, memory, and sexuality? How effective are such drugs in treating mental disorders? How are new drugs tested and licensed? Presenting an intriguing introduction to the study of psychopharmacology, this fully revised and updated third edition of Drugs and Behavior is uniquely organized around the ways in which human behavior is affected by drugs rather than by categories of drugs only. Beginning with the principles of neurotransmission, pharmacokinetics, and drug classification, the text covers the issues of new drug development, drug dangers and benefits, legalization, drug abuse prevention and treatment, and therapeutic uses of psychoactive drugs. Separate chapters present the latest research findings on drugs' influence on memory, creativity, sex, aggression, and sleep. Features such as chapter-opening questions, bold-facing, defining of new terms, summaries, and end-of-chapter review quizzes help students to understand this complex and controversial material. Professionals and students who are involved in drug and alcohol studies, health, psychology, nursing, or sociology will find this volume to be an invaluable addition to their libraries.

Individual, Relational, and Contextual Dynamics of Emotions

Individual, Relational, and Contextual Dynamics of Emotions
Author: Laura Petitta
Publisher: Emerald Group Publishing
Total Pages: 331
Release: 2018-09-24
Genre: Business & Economics
ISBN: 1787548465

This volume contributes to the ongoing study of the forces that shape the functioning of individual interpersonal workplace relationships, and it demonstrates the complex interplay between emotion, cognitive processes, brain functioning and contextual factors at multiple levels of workplace life.

Copyright's Excess

Copyright's Excess
Author: Glynn Lunney
Publisher: Cambridge University Press
Total Pages: 253
Release: 2018-04-12
Genre: Business & Economics
ISBN: 1107181674

Tests copyright's fundamental premise that more money will increase creative output using the US recording industry from 1962-2015.

Handbook of Creativity

Handbook of Creativity
Author: John A. Glover
Publisher: Springer Science & Business Media
Total Pages: 454
Release: 2013-03-09
Genre: Psychology
ISBN: 147575356X

The motivation underlying our development of a "handbook" of creativity was different from what usually is described by editors of other such volumes. Our sense that a handbook was needed sprang not from a deluge of highly erudite studies calling out for organization, nor did it stem from a belief that the field had become so fully articulated that such a book was necessary to provide summation and reference. Instead, this handbook was conceptualized as an attempt to provide structure and organization for a field of study that, from our perspective, had come to be a large-scale example of a "degenerating" research program (see Brown, Chapter 1). The handbook grew out of a series of discussions that spanned several years. At the heart of most of our interactions was a profound unhappiness with the state of research on creativity. Our consensus was that the number of "good" works published on creativity each year was small and growing smaller. Further, we could not point to a journal, text, or professional organization that was providing leadership for the field in shaping a scientifically sound framework for the development of research programs in creativity. At the same time, we were casting about for a means of honoring a dear friend, E. Paul Torrance. Our decision was that we might best be able to honor Paul and influence research on creativity by developing a handbook designed to challenge traditional perspectives while offering research agendas based on contemporary psychological views.