Course Notes The Science Of Digital Color
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Color Correction Handbook
Author | : Alexis Van Hurkman |
Publisher | : Pearson Education |
Total Pages | : 673 |
Release | : 2014 |
Genre | : Computers |
ISBN | : 0321929667 |
The 'Color Correction Handbook' covers a wide variety of techniques that can be used by colourists, no matter what system they're using. From the most basic methods for evaluating and correcting an overall image, to the most advanced targeted corrections and creative stylizations typically employed, this book covers it all.
Blue and Yellow Don't Make Green
Author | : Michael Wilcox |
Publisher | : |
Total Pages | : 120 |
Release | : 1994 |
Genre | : Color |
ISBN | : 9780958789196 |
For more than 200 years the world has accepted that red, yellow and blue - the artists primaries - give new colours when mised. And for more than 200 years artists have been struggling to mix colours on this basis. In this exciting new book, Michael Wilcox offers a total reassessment of the principles underlying colour mixing. It is the first major break-away from the traditional and limited concepts that have caused painters and others who work with colour so many problems. Back Cover.
Bright Earth
Author | : Philip Ball |
Publisher | : University of Chicago Press |
Total Pages | : 426 |
Release | : 2003-04-15 |
Genre | : Art |
ISBN | : 9780226036281 |
From Egyptian wall paintings to the Venetian Renaissance, impressionism to digital images, Philip Ball tells the fascinating story of how art, chemistry, and technology have interacted throughout the ages to render the gorgeous hues we admire on our walls and in our museums. Finalist for the 2002 National Book Critics Circle Award.
Applying Color Theory to Digital Media and Visualization
Author | : Theresa-Marie Rhyne |
Publisher | : CRC Press |
Total Pages | : 269 |
Release | : 2024-12-19 |
Genre | : Computers |
ISBN | : 1040229220 |
Applying Color Theory to Digital Media and Visualization provides an overview of the application of color theory concepts to digital media and visualization. It highlights specific color concepts such as color harmony and data color schemes. Examples of generative AI solutions for color scheme suggestion are provided. The usage of these concepts is shown with actual online and mobile tools. Color deficiencies are reviewed, and color tools for examining how a specific color map design will look to someone with the deficiency are discussed. A five-stage colorization process is defined and applied to case study examples. Features: Presents color theory and data color concepts that can be applied to digital media and visualization problems over and over again Offers a comprehensive review of the historical progression of color models Demonstrates actual case study implementations of color analyses tools Provides overview of color theory and harmony analytics in terms of online and mobile analysis tools Teaches the color theory language to use in interacting with color management professionals Unlike many books on color, which examine artists’ use of color, color management or color science, this book applies fundamental color concepts to digital media and visualization solutions, and the new edition includes generative AI solutions for color suggestion. This is the ideal book for digital media and visualization content creators and developers.
Chromatic Algorithms
Author | : Carolyn L. Kane |
Publisher | : University of Chicago Press |
Total Pages | : 353 |
Release | : 2014-08-13 |
Genre | : Science |
ISBN | : 022600287X |
These days, we take for granted that our computer screens—and even our phones—will show us images in vibrant full color. Digital color is a fundamental part of how we use our devices, but we never give a thought to how it is produced or how it came about. Chromatic Algorithms reveals the fascinating history behind digital color, tracing it from the work of a few brilliant computer scientists and experimentally minded artists in the late 1960s and early ‘70s through to its appearance in commercial software in the early 1990s. Mixing philosophy of technology, aesthetics, and media analysis, Carolyn Kane shows how revolutionary the earliest computer-generated colors were—built with the massive postwar number-crunching machines, these first examples of “computer art” were so fantastic that artists and computer scientists regarded them as psychedelic, even revolutionary, harbingers of a better future for humans and machines. But, Kane shows, the explosive growth of personal computing and its accompanying need for off-the-shelf software led to standardization and the gradual closing of the experimental field in which computer artists had thrived. Even so, the gap between the bright, bold presence of color onscreen and the increasing abstraction of its underlying code continues to lure artists and designers from a wide range of fields, and Kane draws on their work to pose fascinating questions about the relationships among art, code, science, and media in the twenty-first century.
Image Processing for Computer Graphics
Author | : Jonas Gomes |
Publisher | : Springer Science & Business Media |
Total Pages | : 365 |
Release | : 2013-04-17 |
Genre | : Computers |
ISBN | : 1475727453 |
The focus of this book is on providing a thorough treatment of image processing with an emphasis on those aspects most used in computer graphics. Throughout, the authors concentrate on describing and analysing the underlying concepts rather than on presenting algorithms or pseudocode. As befits a modern introduction to this topic, a healthy balance is struck between discussing the underlying mathematics of the subject and the main topics covered: signal processing, data discretization, the theory of colour and different colour systems, operations in images, dithering and half-toning, warping and morphing, and image processing.
Design Fundamentals
Author | : Rose Gonnella |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : Graphic arts |
ISBN | : 9780133962420 |
Design Fundamentals: Notes on Type looks like a design student's sketchbook with handwritten notes and full-color, hand-drawn illustrations. But it's more than that. This gorgeously illustrated "notebook" is a full-blown typography course in disguise. Young designers are lured in by the lush graphics and quirky layout only to discover by the end of the book that they've learned all of the key concepts taught in a foundational course on type. They'll learn about the history of letterforms, the anatomy and physiology of type, the basics of measurements and spacing, how to recognize and choose type for design projects, and more. Fun and fast-paced, this creative notebook isn't required reading, it's desired reading; and it's the third in a series of Design Fundamentals books that students will want to keep and enjoy long after they've mastered these basic building blocks of design. This book includes: - Core instruction on the history, anatomy, and structure of type - Direction on the basics of measurement and spacing: leading, kerning, indents, and line lengths both in text and display sizes, and optical measurement considerations. - Examination of the use, mood, and "voice" of type as seen in creative work and professional examples - Exercises and projects for practice and concept development - Strange and delightful illustrations created specifically for this book (to inspire action) - A companion website stocked with additional projects, a bibliography, glossary, and links to additional visual examples.
The Art and Science of Digital Compositing
Author | : Ron Brinkmann |
Publisher | : Elsevier |
Total Pages | : 384 |
Release | : 1999-06-07 |
Genre | : Computers |
ISBN | : 0080499325 |
Computer-generated visual effects are now used extensively in feature films, commercials, music videos, and multimedia. The backbone of this process, the final and most important step, is known as digital compositing. The Art and Science of Digital Compositing is a comprehensive reference that provides a complete overview of the technical and the artistic nature of this process. This book covers a wide range of topics from basic image creation, representation, and manipulation, to a look at the visual cues that are necessary to create a believable composite. Designed as both an introduction to the field as well as a valuable technical reference, this book should be of interest to both novices and professionals alike. Written by a working professional in the visual effects industry, the book provides over 250 different images and illustrations (including a 40-page color insert) as well as a complete glossary of compositing and visual-effects terminology. Also included are in-depth case studies from well-known films such as Speed, Independence Day, and Titanic.Balances fundamental "hard science" topics with the more qualitative/artistic challenges which face anyone involved in a digital composition projectProvides examples and illustrations from motion picture workCD-ROM contains additional composition examples, illustrations, and development softwareIncludes 32 pages of colour