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| Author | : Kenneth Scott |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 322 |
| Release | : 1957 |
| Genre | : History |
| ISBN | : 9780812217315 |
Counterfeiting flourished in colonial America and Scott brings to life the many colorful figures who indulged in this nefarious practice.
| Author | : JOHNSON DAVID R |
| Publisher | : Smithsonian Books (DC) |
| Total Pages | : 264 |
| Release | : 1995 |
| Genre | : Business & Economics |
| ISBN | : |
The federal government was compelled to respond to this growing illegal enterprise, which represented a threat to both the national economy and the federal government's authority to control the currency. In 1865 it created the Secret Service - an agency that over the next forty years, would eradicate counterfeiting as a major urban crime.
| Author | : Stephen Mihm |
| Publisher | : Harvard University Press |
| Total Pages | : 470 |
| Release | : 2009-06-30 |
| Genre | : History |
| ISBN | : 0674041011 |
Prior to the Civil War, the United States did not have a single, national currency. Counterfeiters flourished amid this anarchy, putting vast quantities of bogus bills into circulation. Their success, Mihm reveals, is more than an entertaining tale of criminal enterprise: it is the story of the rise of a country defined by freewheeling capitalism and little government control. Mihm shows how eventually the older monetary system was dismantled, along with the counterfeit economy it sustained.
| Author | : George B. Tremmel |
| Publisher | : McFarland |
| Total Pages | : 208 |
| Release | : 2003 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
Since shortly after the end of the Civil War, genuine Confederate paper money has been the subject of much research. While a number of publications are available today that describe and catalog the genuine currency, the availability of published information on its counterfeit counterpart is limited. What is available is somewhat incomplete, inaccurate and general in scope. This work is specifically concerned with the counterfeit currency that was produced and passed with genuine Confederate paper money during the Civil War years. The first part of the book is an historical narrative that discusses the events and people involved in the production and passing of counterfeit currency, and the countermeasures of the Confederate Treasury Department to protect its already weak medium of exchange from losing even more value. The second part of the book is an illustrated catalog that presents descriptions of all known examples of counterfeit Confederate currency. Over 180 illustrations are included and show most of the counterfeit notes. The appendix provides a brief, nontechnical explanation of the printing processes--relief printing, intaglio printing, and lithography--used in the mid-nineteenth century to manufacture counterfeit currency.
| Author | : Ben Tarnoff |
| Publisher | : Penguin Press HC |
| Total Pages | : 369 |
| Release | : 2011 |
| Genre | : True Crime |
| ISBN | : 9781594202872 |
Chronicles the lives of three colorful counterfeiters whose schemes reflected the culture of early America, describing their backgrounds and how they exploited period politics, economics and law enforcement to promote their operations.
| Author | : National Research Council |
| Publisher | : National Academies Press |
| Total Pages | : 73 |
| Release | : 2006-04-19 |
| Genre | : Technology & Engineering |
| ISBN | : 0309180740 |
A key mission of the Bureau of Engraving and Printing of the Department of the Treasury is the design and printing of U.S. banknotes. The BEP is responsible for producing easily recognizable currency that is difficult to counterfeit. In recent years, the bureau has recognized the modern information technology could lead to entirely new types of counterfeiting threats, and it has requested a number of studies by the NRC to assess these evolving threats. In this new request, the BEP asked the NRC to identify and evaluate significant emerging counterfeiting threats and to assess technologically feasible counterfeit-deterrent features for potential use in new designs. This first report provides an assessment of emerging threats including a wide range of digital imaging and printing techniques. It also presents an analysis of a systems approach to the counterfeiting threat. The second report will offer an evaluation of new banknote features to address these threats.
| Author | : Jason Kersten |
| Publisher | : Penguin |
| Total Pages | : 312 |
| Release | : 2009-06-11 |
| Genre | : True Crime |
| ISBN | : 1101060166 |
Read Jason Kersten's posts on the Penguin Blog. The true story of a brilliant counterfeiter who "made" millions, outwitted the Secret Service, and was finally undone when he went in search of the one thing his forged money couldn't buy him: family. Art Williams spent his boyhood in a comfortable middle-class existence in 1970s Chicago, but his idyll was shattered when, in short order, his father abandoned the family, his bipolar mother lost her wits, and Williams found himself living in one of Chicago's worst housing projects. He took to crime almost immediately, starting with petty theft before graduating to robbing drug dealers. Eventually a man nicknamed "DaVinci" taught him the centuries-old art of counterfeiting. After a stint in jail, Williams emerged to discover that the Treasury Department had issued the most secure hundred-dollar bill ever created: the 1996 New Note. Williams spent months trying to defeat various security features before arriving at a bill so perfect that even law enforcement had difficulty distinguishing it from the real thing. Williams went on to print millions in counterfeit bills, selling them to criminal organizations and using them to fund cross-country spending sprees. Still unsatisfied, he went off in search of his long-lost father, setting in motion a chain of betrayals that would be his undoing. In The Art of Making Money, journalist Jason Kersten details how Williams painstakingly defeated the anti-forging features of the New Note, how Williams and his partner-in-crime wife converted fake bills into legitimate tender at shopping malls all over America, and how they stayed one step ahead of the Secret Service until trusting the wrong person brought them all down. A compulsively readable story of how having it all is never enough, The Art of Making Money is a stirring portrait of the rise and inevitable fall of a modern-day criminal mastermind. Watch a Video
| Author | : Peggy E Chaudhry |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 204 |
| Release | : 2009-02-21 |
| Genre | : Business & Economics |
| ISBN | : 3540778357 |
The expansion of world trade has brought with it an explosive growth in counterfeit merchandise. Estimates put the world total for counterfeit products at about one half trillion dollars annually, although it is impossible to accurately determine the true size of the counterfeit market. What is known is that this illicit trade has infected nearly every industry from pharmaceuticals to aircraft parts. Software and music piracy are easy targets widely reported in the media. In 2007, the Business Software Alliance (BSA) estimated that 38% of personal computer software installed worldwide was illegal and the losses to the software industry were $48 billion worldwide. The Recording Industry Association of America (RIAA) reported a 58% increase in the seizures of counterfeit CDs. Overall, a wide range of industries agree that there is a severe problem with the protection of intellectual property rights (IPR) throughout the world, yet there have been virtually no attempts to describe all aspects of the problem. This work aims to give the most complete description of various characteristics of the IPR environment in a global context. We believe a holistic understanding of the problem must include consumer complicity to purchase counterfeit products, tactics of the counterfeiters (pirates) as well as actions (or inaction) by home and host governments, and the role of international organizations and industry alliances. This book establishes the full environmental aspects of piracy, describes successful anti-counterfeiting actions and then prescribes measures IPR owners should take to protect their intellectual property.
| Author | : Kirstin Chen |
| Publisher | : HarperCollins |
| Total Pages | : 206 |
| Release | : 2022-06-07 |
| Genre | : Fiction |
| ISBN | : 0063119579 |
INSTANT NEW YORK TIMES BESTSELLER • A REESE'S BOOK CLUB PICK “A con artist story, a pop-feminist caper, a fashionable romp . . . Counterfeit is an entertaining, luxurious read—but beneath its glitz and flash, it is also a shrewd deconstruction of the American dream and the myth of the model minority. . . . Chen is up to something innovative and subversive here." — Camille Perri, NEW YORK TIMES BOOK REVIEW Recommended by New York Times Book Review • Washington Post • People • Entertainment Weekly • USA Today • Time • Cosmopolitan • Today show • Harper’s Bazaar • Vogue • Good Housekeeping • Parade • New York Post • Town & Country • GMA.com • Buzzfeed • Goodreads • Oprah Daily • Popsugar • Bustle • theSkimm • The Millions • and more! For fans of Hustlers and How to Get Filthy Rich in Rising Asia, the story of two Asian American women who band together to grow a counterfeit handbag scheme into a global enterprise—an incisive and glittering blend of fashion, crime, and friendship from the author of Bury What We Cannot Take and Soy Sauce for Beginners. Money can’t buy happiness… but it can buy a decent fake. Ava Wong has always played it safe. As a strait-laced, rule-abiding Chinese American lawyer with a successful surgeon as a husband, a young son, and a beautiful home—she’s built the perfect life. But beneath this façade, Ava’s world is crumbling: her marriage is falling apart, her expensive law degree hasn’t been used in years, and her toddler’s tantrums are pushing her to the breaking point. Enter Winnie Fang, Ava’s enigmatic college roommate from Mainland China, who abruptly dropped out under mysterious circumstances. Now, twenty years later, Winnie is looking to reconnect with her old friend. But the shy, awkward girl Ava once knew has been replaced with a confident woman of the world, dripping in luxury goods, including a coveted Birkin in classic orange. The secret to her success? Winnie has developed an ingenious counterfeit scheme that involves importing near-exact replicas of luxury handbags and now she needs someone with a U.S. passport to help manage her business—someone who’d never be suspected of wrongdoing, someone like Ava. But when their spectacular success is threatened and Winnie vanishes once again, Ava is left to face the consequences. Swift, surprising, and sharply comic, Counterfeit is a stylish and feminist caper with a strong point of view and an axe to grind. Peering behind the curtain of the upscale designer storefronts and the Chinese factories where luxury goods are produced, Kirstin Chen interrogates the myth of the model minority through two unforgettable women determined to demand more from life. "If you appreciate a good caper, you’ll want to pick up Kirstin Chen’s novel . . . Fast-paced and fun, with smart commentary on the cultural differences between Asia and America." — TIME “Propulsive and captivating . . . A provocative story of fashion, friendship, and fakes (in more ways than one).” — VOGUE
| Author | : Rosana Pinheiro-Machado |
| Publisher | : Routledge |
| Total Pages | : 311 |
| Release | : 2017-08-10 |
| Genre | : Social Science |
| ISBN | : 1351765116 |
At the end of the 1970s, Chinese merchandise moved to Brazil via Paraguay, forming an on-the-margins-of-the-law trade chain involving the production, distribution, and consumption of cheap goods. Economic changes in the twenty-first century, including the enforcement of intellectual property rights and the growing importance of emerging economies, have had a dramatic effect on how this chain works, criminalizing and dismantling a trade system that had previously functioned in an organized form and stimulated the circulation of goods, money, and people at transnational levels. This book analyses how exchange networks that produced, distributed, and sold cheap manufactured products animated a huge and vibrant system from China to Brazil, examining the process at global, national, and local levels. From a global perspective, intellectual property is a powerful discourse that governs the world system by framing the notion of piracy as a criminal activity. But at the national level, how do nation-states resist and/or endorse, interpret, and apply a global perspective? And what effect does that have on how ordinary people organize their lives around this system? Interweaving discourse on transnational traders and producers, national projects, and international institutions, Counterfeit Itineraries in the Global South presents low-income traders not as passive victims of globalization, but as active actors in the distribution of cheap goods across borders in the Global South. Based on fifteen years of ethnographic field work in China and Brazil, Counterfeit Itineraries in the Global South will be of interest to scholars of economic anthropology, development studies, political economy, Latin America studies, Chinese studies, and socio-legal studies.
