Corrispondenza commerciale inglese. Per le Scuole superiori
Author | : Elisa Cadorin |
Publisher | : HOEPLI EDITORE |
Total Pages | : 308 |
Release | : 1996 |
Genre | : Juvenile Nonfiction |
ISBN | : 9788820322380 |
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Author | : Elisa Cadorin |
Publisher | : HOEPLI EDITORE |
Total Pages | : 308 |
Release | : 1996 |
Genre | : Juvenile Nonfiction |
ISBN | : 9788820322380 |
Author | : Metropolitan Toronto Central Library. Languages Centre |
Publisher | : |
Total Pages | : 366 |
Release | : 1976 |
Genre | : Language Arts & Disciplines |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 366 |
Release | : 1914 |
Genre | : Electronic journals |
ISBN | : |
MLN pioneered the introduction of contemporary continental criticism into American scholarship. Critical studies in the modern languages--Italian, Hispanic, German, French--and recent work in comparative literature are the basis for articles and notes in MLN. Four single-language issues and one comparative literature issue are published each year.
Author | : Livio Codeluppi |
Publisher | : Mondadori Education |
Total Pages | : 1500 |
Release | : 1993 |
Genre | : Business & Economics |
ISBN | : |
Author | : Simone Luzzatto |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 448 |
Release | : 2019-07-08 |
Genre | : History |
ISBN | : 3110528231 |
In 1638, a small book of no more than 92 pages in octavo was published “appresso Gioanne Calleoni” under the title “Discourse on the State of the Jews and in particular those dwelling in the illustrious city of Venice.” It was dedicated to the Doge of Venice and his counsellors, who are labelled “lovers of Truth.” The author of the book was a certain Simone (Simḥa) Luzzatto, a native of Venice, where he lived and died, serving as rabbi for over fifty years during the course of the seventeenth century. Luzzatto’s political thesis is simple and, at the same time, temerarious, if not revolutionary: Venice can put an end to its political decline, he argues, by offering the Jews a monopoly on overseas commercial activity. This plan is highly recommendable because the Jews are “wellsuited for trade,” much more so than others (such as “foreigners,” for example). The rabbi opens his argument by recalling that trade and usury are the only occupations permitted to Jews. Within the confines of their historical situation, the Venetian Jews became particularly skilled at trade with partners from the Eastern Mediterranean countries. Luzzatto’s argument is that this talent could be put at the service of the Venetian government in order to maintain – or, more accurately, recover – its political importance as an intermediary between East and West. He was the first to define the role of the Jews on the basis of their economic and social functions, disregarding the classic categorisation of Judaism’s alleged privileged religious status in world history. Nonetheless, going beyond the socio-economic arguments of the book, it is essential to point out Luzzatto’s resort to sceptical strategies in order to plead in defence of the Venetian Jews. It is precisely his philosophical and political scepticism that makes Luzzatto’s texts so unique. This edition aims to grant access to his works and thought to English-speaking readers and scholars. By approaching his texts from this point of view, the editors hope to open a new path in research into Jewish culture and philosophy that will enable other scholars to develop new directions and new perspectives, stressing the interpenetration between Jews and the surrounding Christian and secular cultures.
Author | : Enzo Mari |
Publisher | : |
Total Pages | : 61 |
Release | : 2002 |
Genre | : Design |
ISBN | : 9788887942675 |
Il libro è costituito da un progetto realizzato da Mari nel '74 e rappresenta uno stimolo (e una provocazione) per legare la creatività alla capacità costruttiva di ognuno, seguendo e/o modificando la traccia data dai disegni progettuali di Enzo Mari per la realizzazione di una sedia, un tavolo, un armadio, un letto. Il libro riprende la precedente pubblicazione "Proposta per un'autoprogettazione" curata dal centro Duchamp e stampata in occasione della mostra alla Galleria Milano, alla quale si aggiungono i testi dello stesso Mari a commento di quest'operazione, la documentazione di ciò che la prima uscita del progetto ha provocato (lettere, commenti, articoli), immagini, disegni e una riflessione sull'attualità della riproposta di oggi.