Blameless

Blameless
Author: Claudio Magris
Publisher: Yale University Press
Total Pages: 368
Release: 2017-04-25
Genre: Fiction
ISBN: 0300227906

From one of Europe’s most revered authors, a tale of one man’s obsessive project to collect the instruments of death, evil, and humanity’s darkest atrocities in order to oppose them Claudio Magris’s searing new novel ruthlessly confronts the human obsession with war and its savagery in every age and every country. His tale centers on a man whose maniacal devotion to the creation of a Museum of War involves both a horrible secret and the hope of redemption. Luisa Brooks, his museum’s curator, a descendant of victims of Jewish exile and of black slavery, has a complex dilemma: will the collections she exhibits save humanity from repeating its tragic and violent past? Or might the display of articles of war actually valorize and memorialize evil atrocities? In Blameless Magris affirms his mastery of the novel form, interweaving multiple themes and traveling deftly through history. With a multitude of stories, the author investigates individual sorrow, the societal burden of justice aborted, and the ways in which memory and historical evidence are sabotaged or sometimes salvaged.

Italy

Italy
Author: Karl Baedeker (Firm)
Publisher:
Total Pages: 728
Release: 1899
Genre: Italy
ISBN:

Italian Opera in Global and Transnational Perspective

Italian Opera in Global and Transnational Perspective
Author: Axel Körner
Publisher: Cambridge University Press
Total Pages: 341
Release: 2022-03-24
Genre: Music
ISBN: 1108843867

This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.