Corporate Museums Galleries And Visitor Centers
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| Author | : Victor J. Danilov |
| Publisher | : Greenwood |
| Total Pages | : 232 |
| Release | : 1991-08-14 |
| Genre | : Art |
| ISBN | : |
One of the most frequently overlooked areas of the museum world are those museums and museum-like facilities that are part of manufacturing and other types of companies. Usually known as corporate museums, galleries, or visitor centers, they have other names, such as exhibit halls, history rooms, sculpture gardens, information centers, and even halls of fame. In general, they are exhibit-based facilities owned and operated by publicly traded or privately held companies as public relations, marketing, and/or personnel relations vehicles. In some cases, however, they are operated through foundations started and largely funded and controlled by companies. This unique and comprehensive guide describes more than 300 such corporate museums, galleries, and visitor centers from throughout the world. These facilities are often not listed in conventional museum directories. As part of a corporate organization, they generally do not receive the visibility, publicity, and recognition accorded most nonprofit museums. This volume provides the first comprehensive directory of corporate museums, galleries, and visitors' centers. Those interested in these unusual museums, as well as the companies that house them, will want to own a copy of this unique reference work.
| Author | : Xianya Xu |
| Publisher | : Altralinea Edizioni |
| Total Pages | : 250 |
| Release | : 2017-12-23 |
| Genre | : Art |
| ISBN | : 8894869113 |
Corporate Museum has experienced more than one hundred years of growth, and it has become a significant member of the museum-associated universe because of its unique character. Meanwhile, the commercialization and multiplicity of the public museum have blurred the discrepancies between them. Many corporate museums are currently popular cultural tourist sites and representations of regional identities. By depicting an image of a corporate museum’s identity, this book critically investigates the design features of this type of museum, deriving insights from an examination of both its public presentation and its corporate task. It aims to present a basic overview of the corporate museum, including its history, in order to better examine the subject in an appropriate context. With the help of multi-interface examination of selected cases, this book intends to flesh out that the corporate museum serves both a commercial nature and also the public interest.
| Author | : Peter Samis |
| Publisher | : Routledge |
| Total Pages | : 196 |
| Release | : 2016-12-08 |
| Genre | : Social Science |
| ISBN | : 1315530996 |
What does the transformation to a visitor-centered approach do for a museum? How are museums made relevant to a broad range of visitors of varying ages, identities, and social classes? Does appealing to a larger audience force museums to "dumb down" their work? What internal changes are required? Based on a multi-year Kress Foundation-sponsored study of 20 innovative American and European collections-based museums recognized by their peers to be visitor-centered, Peter Samis and Mimi Michaelson answer these key questions for the field. The book describes key institutions that have opened the doors to a wider range of visitors; addresses the internal struggles to reorganize and democratize these institutions; uses case studies, interviews of key personnel, Key Takeaways, and additional resources to help museum professionals implement a visitor-centered approach in collections-based institutions
| Author | : Mr James Salzmann |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 275 |
| Release | : 2012-11-01 |
| Genre | : Art |
| ISBN | : 1409464105 |
This new volume in the series of Handbooks in International Art Business published in association with Sotheby's Institute of Art offers a timely guide to the history, nature and importance of corporate collecting and the different reasons for starting and maintaining corporate collections, including investment, cultural cachet, and asset diversification. Based on interviews with the curators, consultants and investors who run such collections, and more extended case studies of important collections, the book concludes with an examination of when corporate collecting becomes a liability and the market-impact of deaccessioning, looking ahead to the future of corporate collecting.
| Author | : Monica E. Jovanovich |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 311 |
| Release | : 2019-04-18 |
| Genre | : Antiques & Collectibles |
| ISBN | : 1501343769 |
This interdisciplinary collection of case studies rethinks corporate patronage in the United States and reveals the central role corporations have played in shaping American culture. This volume offers new methodologies and models for the subject of corporate patronage, and contains an extensive bibliography on corporate patronage, art collections and exhibitions, sponsorship, and philanthropy in the United States. The case studies herein go beyond the usual focus on corporate sponsorship and collecting to explore the complex organizational networks and motivations behind corporate commissions. Featuring chapters on Margaret Bourke-White, Julie Mehretu, Maxfield Parrish, Pablo Picasso, Diego Rivera, Eugene Savage, Millard Sheets, and Kehinde Wiley, as well as studies on Andrew Carnegie, Andrew Mellon, John D. Rockefeller Sr. and Jr., and Dorothy Shaver, and companies such as Herman Miller and Lord and Taylor, this volume looks at a wide array of works, ranging from sculpture, photography, mosaics, and murals to advertisements, department store displays, sportswear, medical schools, and public libraries.
| Author | : Augusto Costa, Rui |
| Publisher | : IGI Global |
| Total Pages | : 407 |
| Release | : 2021-12-03 |
| Genre | : Business & Economics |
| ISBN | : 1799887774 |
Tourism is facing a new paradigm that has been brought on by the introduction of experiences in the development, management, and promotion of tourism. Associating experiences to tourism destination and products allows tourists to relate to their vacations differently and helps to fuel a destination’s competitiveness and compliance with new needs and motivations that are being driven by the tourists. When properly design, managed, and developed, tourism experiences can contribute to the destination’s overall sustainability by maximining tourism’s positive impacts and fostering their spillover to local communities. Planning and Managing the Experience Economy in Tourism is an essential reference book that seeks to advance research on tourism experience as well as investigate how tourism experiences can create and increase tourism competitiveness. The book explores how the experience concept has evolved in the last decade, alongside the needs and motivations of consumers, and how it can be conceptualized, designed, managed, and implemented both at the tourism firm and destination levels. Delving further into concepts like creative tourism, destination attributes, and smart experiences, this book serves as a dynamic resource for travel agencies, tourism managers, tourism professionals, marketers, destination managers, government officials, policymakers, academicians, students, tourism officials, planners, and researchers.
| Author | : Matteo Augello |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 215 |
| Release | : 2022-11-17 |
| Genre | : Design |
| ISBN | : 1350230790 |
Italy is a major player in the global fashion industry, yet little has been written about its contribution to fashion curation. This book explores the management, display and curation of Italian fashion heritage, highlighting the role played by companies and industry associations. By contextualising fashion curation within Italy's economy, culture and art-historical tradition, Curating Italian Fashion unfolds the ties between the preservation of fashion heritage and corporate policies. It traces the shift of companies from sponsors to cultural producers and discusses the different uses of archives and exhibitions. Through the critical analysis of key examples such as Salvatore Ferragamo and Pitti Immagine, this book illustrates how the inevitable commercial interests underlying fashion curation can exist alongside the scholarly contribution of corporate initiatives. Most importantly, it defines the curatorial approaches developed by the involvement of the industry in fashion curation, thus providing an overarching interpretation of the characteristics of this practice in Italy. Matteo Augello provides an unprecedented insight into the management of Italian fashion heritage and presents a comprehensive account of the development of fashion curation in Italy, drawing from archival records, existing literature and oral history. This book is essential reading for scholars, industry professionals and students interested in the intersections of curation, heritage, national identity and corporate cultural policies.
| Author | : Tammy S. Gordon |
| Publisher | : Rowman Altamira |
| Total Pages | : 172 |
| Release | : 2010-01-16 |
| Genre | : Business & Economics |
| ISBN | : 0759119368 |
In small community museums, truck stops, restaurants, bars, barbershops, schools, and churches, people create displays to tell the histories that matter to them. Much of this history is personal: family history, community history, history of a trade, or the history of something considered less than genteel. It is often history based on the historical record, but also based on feelings, beliefs, and memory. It is neglected history. Private History in Public is about those history exhibits that complicate the public/private dichotomy, exhibits that serve to explain communities, families, and individuals to outsiders and tie insiders together through a shared narrative of historical experience. Tammy S. Gordon looks beyond the large professionalized museum exhibits that have dominated scholarship in museum studies and public history and offers a new way of understanding the broad spectrum of exhibition types in the United States.
| Author | : Hennepin County Library. Cataloging Section |
| Publisher | : |
| Total Pages | : 192 |
| Release | : 1992 |
| Genre | : Cataloging |
| ISBN | : |
| Author | : Michael V. Conlin |
| Publisher | : Routledge |
| Total Pages | : 216 |
| Release | : 2016-12-01 |
| Genre | : Business & Economics |
| ISBN | : 1315436191 |
Automobile heritage encompasses a complex range of artefacts and activities. Beyond just historic vehicles which are the primary artefacts of this niche, it also includes communities of collectors and enthusiasts, private owners and public institutions, as well as historic motoring environments, literally thousands of museums, exhibitions and car shows throughout the world, and a range of paraphernalia that includes both original and replicated promotional materials, equipment and parts, and guide books. Although automobile heritage has been the subject of some limited research, Automobile Heritage and Tourism is unique in examining its scope and role within tourism. The book looks at a vast array of topics, from the experience of using and collecting old cars, related destination development, automobile heritage and museums, to events such as vintage automobile racing, promotion and social change. It thereby provides a thorough review of the impacts of automobile heritage on tourism. A number of theories provide a framework and are analysed throughout, including those related to the collection, display, exhibition and use of historic automobiles. The title takes a global and interdisciplinary view of the subject with international contributions from both established and emerging scholars in the field. This book adds to the industrial heritage tourism literature and will appeal to a diverse audience, in particular those in the fields of cultural heritage and industrial heritage tourism, but also practitioners involved with the planning, restoration, exhibition and management of automobile heritage attractions and events.
