Report of the Committee to Consider the Law on Copyright and Designs
Author | : Great Britain. Committee to Consider the Law on Copyright and Designs |
Publisher | : |
Total Pages | : 292 |
Release | : 1977 |
Genre | : Copyright |
ISBN | : |
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Author | : Great Britain. Committee to Consider the Law on Copyright and Designs |
Publisher | : |
Total Pages | : 292 |
Release | : 1977 |
Genre | : Copyright |
ISBN | : |
Author | : United States. National Commission on New Technological Uses of Copyrighted Works |
Publisher | : |
Total Pages | : 170 |
Release | : 1979 |
Genre | : Copyright |
ISBN | : |
Author | : Emily Hudson |
Publisher | : Cambridge University Press |
Total Pages | : 409 |
Release | : 2020-04-02 |
Genre | : Law |
ISBN | : 110704331X |
This is a detailed account of interpretative practices and the 'law in action' that draws lessons for the drafting of copyright exceptions.
Author | : United States. National Commission on New Technological Uses of Copyrighted Works. Subcommittee on Photocopying |
Publisher | : |
Total Pages | : 114 |
Release | : 1978 |
Genre | : Copyright |
ISBN | : |
Author | : John S Gilchrist |
Publisher | : Sydney University Press |
Total Pages | : 309 |
Release | : 2015-09-01 |
Genre | : Law |
ISBN | : 1743323743 |
The Government and Copyright: The Government as Proprietor, Preserver and User of Copyright Material Under the Copyright Act 1968 focuses on the interplay between law, policy and practice in copyright law by investigating the rights of the government as the copyright owner, the preserver of copyright material and the user of other's copyright material under the Copyright Act 1968 (Cth). The first of two recurring themes in the book asks the question whether the needs and status of government should be different from private sector institutions, which also obtain copyright protection under the law. The second theme aims to identify the relationship between government copyright law and policy, national cultural policy and fundamental governance values. "As the first authoritative treatise on government copyright to be published in Australia, this book will be of immediate interest and relevance to Australian lawyers and policy makers, particularly in the light of ongoing efforts to ensure that the intellectual property system stimulates innovation and fosters trade and investment. Given that government copyright is recognised to some extent in most countries worldwide, this book is a valuable contribution to the international literature on this topic, which remains sparse." From the Introduction by Dr Anne Fitzgerald and Prof. Brian Fitzgerald
Author | : United States. National Commission on New Technological Uses of Copyrighted Works |
Publisher | : |
Total Pages | : 384 |
Release | : 1978 |
Genre | : Copyright |
ISBN | : |
Author | : Peter Baldwin |
Publisher | : Princeton University Press |
Total Pages | : 546 |
Release | : 2016-05-17 |
Genre | : History |
ISBN | : 0691169098 |
Today's copyright wars can seem unprecedented. Sparked by the digital revolution that has made copyright—and its violation—a part of everyday life, fights over intellectual property have pitted creators, Hollywood, and governments against consumers, pirates, Silicon Valley, and open-access advocates. But while the digital generation can be forgiven for thinking the dispute between, for example, the publishing industry and Google is completely new, the copyright wars in fact stretch back three centuries—and their history is essential to understanding today’s battles. The Copyright Wars—the first major trans-Atlantic history of copyright from its origins to today—tells this important story. Peter Baldwin explains why the copyright wars have always been driven by a fundamental tension. Should copyright assure authors and rights holders lasting claims, much like conventional property rights, as in Continental Europe? Or should copyright be primarily concerned with giving consumers cheap and easy access to a shared culture, as in Britain and America? The Copyright Wars describes how the Continental approach triumphed, dramatically increasing the claims of rights holders. The book also tells the widely forgotten story of how America went from being a leading copyright opponent and pirate in the eighteenth and nineteenth centuries to become the world’s intellectual property policeman in the late twentieth. As it became a net cultural exporter and its content industries saw their advantage in the Continental ideology of strong authors’ rights, the United States reversed position on copyright, weakening its commitment to the ideal of universal enlightenment—a history that reveals that today’s open-access advocates are heirs of a venerable American tradition. Compelling and wide-ranging, The Copyright Wars is indispensable for understanding a crucial economic, cultural, and political conflict that has reignited in our own time.
Author | : Tsukasa Aso |
Publisher | : Springer Nature |
Total Pages | : 562 |
Release | : 2022-04-22 |
Genre | : Law |
ISBN | : 981168782X |
For the first time, this book provides an up-to-date history of product design and product design law covering 17 countries — Japan, Korea, China, Singapore, the United Kingdom, Germany, France, Italy, the Nordic countries (Denmark, Finland, Iceland, Norway and Sweden), Russia, the United States, Brazil and Australia — selected for their innovative or influential approach to design or design protection. Each country is the subject of two chapters — one on the history of design and the other on the history of design law — authored by experts in design and intellectual property (IP) law. This unique interdisciplinary approach explains why and how various national design protection systems (that can include design, copyright, trade mark, competition and civil laws) developed, making it an ideal book for students, researchers and lawyers. The book also serves as an international survey of different national policy and legal responses to historical developments and specific design and legal issues allowing readers to consider their advantages and disadvantages — and so is also recommended for policy and law makers, as well as organizations that administer IP rights. Topics include the subject matter of design protection; procedural and substantive requirements; design registration; infringement; and the overlap of design rights and other IP rights. The chapters on design history provide further context to the historical development of these legal concepts by considering major design movements, key designers and iconic designs and the current state of design. The chapters highlight the connected and often complementary relationship between the two histories, not only for each country, but at the regional and international level, often as a result of government policies, trade, colonialism, immigration and globalisation. Design and design practice continue to become more global and evolve with developments in technology. At the same time, design laws are not internationally harmonized and continue to develop at the national level, with a number of significant changes occurring in recent years. This timely book shows how the lessons of the past continue to inform the future direction of design and the legal systems developed to protect it.
Author | : Fiona Macmillan (LLB.) |
Publisher | : Edward Elgar Publishing |
Total Pages | : 272 |
Release | : 2005-01-01 |
Genre | : Law |
ISBN | : 9781781959138 |
Bold in its attempt to be original, this book should be read by anyone interested in the future of copyright, regardless of discipline, and in intellectual property more generally.
Author | : Great Britain. Committee to Consider the Law on Copyright and Designs |
Publisher | : |
Total Pages | : 272 |
Release | : 1986 |
Genre | : Copyright |
ISBN | : |