Conversations With Lenard D Moore
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| Author | : John Zheng |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 165 |
| Release | : 2024-10-23 |
| Genre | : Biography & Autobiography |
| ISBN | : 1496853962 |
Known internationally for his Japanese-style poetry, Lenard D. Moore (b. 1958) has published eight poetry collections over the course of his career. Moore has distinguished himself especially in such forms as jazz poetry, haiku, tanka, renga, sequence, and haibun, expressing moments of aesthetic delight as well as a voice enriched with African American culture. Conversations with Lenard D. Moore is a fundamental collection of sixteen interviews with the esteemed writer and former president of the Haiku Society of America. To Moore, jazz is a joyful celebration of American life and culture. The impacts of such great jazz musicians as Max Roach, John Coltrane, Thelonious Monk, Duke Ellington, and Ray Charles are clear in his poetry. The conversations collected here lead the reader into Moore’s creative mind, demonstrating his fusion of African American music, culture, and history into poetry, especially his jazz poetry, jazzku, and bluesku. In interviews that range from 1995 to 2023, Moore reveals his capabilities and responsibilities as a contemporary poet, professor, mentor, editor, and organizer. This volume serves as an indispensable source for writers and readers of poetry and African American literature.
| Author | : John Zheng |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024-11-15 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781496853943 |
A fundamental collection of sixteen interviews with the esteemed writer and former president of the Haiku Society of America
| Author | : Ce Rosenow |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 105 |
| Release | : 2022-07-26 |
| Genre | : Literary Criticism |
| ISBN | : 1793653186 |
Lenard D. Moore and African American Haiku: Merging Traditions identifies Moore as a primary figure in the American Haiku Movement as well as a significant contributor to the field of African American haiku. Ce Rosenow analyzes the ways in which Moore combines haiku with a variety of other traditions: African American storytelling, jazz poetry, ekphrasis, and elegies. An examination of Moore’s haibun, a Japanese form combining prose and haiku, reveals the further development of the African American aesthetic created in his individual poems. Ultimately, the author argues that Moore’s decades-long engagement with haiku and his prolific publication history solidify haiku as an established form in African American poetry.
| Author | : Lenard D. Moore |
| Publisher | : Carolina Wren Press |
| Total Pages | : 200 |
| Release | : 2020-06-02 |
| Genre | : Literary Collections |
| ISBN | : 9781949467338 |
An anthology celebrating twenty-five years of the Carolina African American Writers' Collective edited by founder Lenard D. Moore.
| Author | : Lenard D. Moore |
| Publisher | : Carolina Wren Press |
| Total Pages | : 82 |
| Release | : 2020-09 |
| Genre | : Music |
| ISBN | : 9781949467307 |
A poetry collection by internationally acclaimed poet Lenard D. Moore focusing on jazz music as an experience and an inspiration. In The Geography of Jazz, Moore celebrates jazz music and jazz musicians. Some of the poems address specific events. Others honor individual artists. Many do both. While the poems may not initially signal the rhythms of jazz in their presentation on the page, they convey jazz rhythms through Moore's deft handling of the poetic line and his use of formal techniques including but not limited to assonance, onomatopoeia, and repetition. This collection also includes a new poetic form, jazzku, an innovation that recalls Japanese haiku and tanka.
| Author | : John Zheng |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 189 |
| Release | : 2018-10-24 |
| Genre | : Biography & Autobiography |
| ISBN | : 1496819365 |
Conversations with Gish Jen is the first collection of interviews with the renowned contemporary American author Gish Jen (b. 1955), whose acclaimed fiction and nonfiction have fascinated American readers for more than thirty years. The conversations in this book offer first-hand information not only about Jen’s authorial intentions, but also about her life as a daughter of Chinese immigrants. Spanning more than two decades, beginning in 1991 and ending with a new, unpublished interview from 2017, these interviews provide readers a sense of Jen’s development as a novelist and cultural critic. Jen’s insights into the merits and drawbacks of Eastern and Western cultures, including American individualism and exceptionalism and Asian interdependent mindset and living principles, provide us with keys to understanding the identity struggles of the author herself as well as her fictional characters. The comparative approach Jen adopts in her comments on such topics as education, politics, business, religion, and concepts of creativity and success provokes readers to reflect on their relationships with themselves, with the society in which they live, and with the rest of the world. At the heart of these conversations is Jen’s sense of humor, which makes the book a joyful read for both scholars and casual fans of her work.
| Author | : John Zheng |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 270 |
| Release | : 2016-06-28 |
| Genre | : Literary Collections |
| ISBN | : 149680743X |
Conversations with Sterling Plumpp is the first collection of interviews with the renowned poet of Home/Bass and other much-admired works. Spanning thirty years and drawn from literary and scholarly journals and other media, these interviews offer insights into his poetic innovation of blues and jazz and his mastery of black vernacular in poetry. This collection seems fundamental to an understanding of the life and work of an African American poet who has been innovative in fusing blues and jazz rhythms with poetic insight and in vivifying the vernacular landscape of African American poetry. Born in 1940 in Clinton, Mississippi, Plumpp has been living in Chicago since 1962. Home/Bass received the 2014 American Book Award. The finest blues poet of his generation, Plumpp became a model for contemporary poetry and poetics and a leading figure in the tradition of blues/jazz poetry. He continues to reinvent the language while exploring the registers of individual and communal memory and of local, national, and global history. His poetry is important in attempts to define the black aesthetic from the era of the Harlem Renaissance to the seminal Black Arts Movement. It is also important for its re-articulation of the Great Migration, especially expressed by blues musicians who left Mississippi for Chicago.
| Author | : Toru Kiuchi |
| Publisher | : Lexington Books |
| Total Pages | : 357 |
| Release | : 2017-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 1498527183 |
American Haiku: New Readings explores the history and development of haiku by American writers, examining individual writers. In the late nineteenth century, Japanese poetry influenced through translation the French Symbolist poets, from whom British and American Imagist poets, Amy Lowell, Ezra Pound, T. E. Hulme, and John Gould Fletcher, received stimulus. Since the first English-language hokku (haiku) written by Yone Noguchi in 1903, one of the Imagist poet Ezra Pound’s well-known haiku-like poem, “In A Station of the Metro,” published in 1913, is most influential on other Imagist and later American haiku poets. Since the end of World War II many Americans and Canadians tried their hands at writing haiku. Among them, Richard Wright wrote over four thousand haiku in the final eighteen months of his life in exile in France. His Haiku: This Other World, ed. Yoshinobu Hakutani and Robert L. Tener (1998), is a posthumous collection of 817 haiku Wright himself had selected. Jack Kerouac, a well-known American novelist like Richard Wright, also wrote numerous haiku. Kerouac’s Book of Haikus, ed. Regina Weinreich (Penguin, 2003), collects 667 haiku. In recent decades, many other American writers have written haiku: Lenard Moore, Sonia Sanchez, James A. Emanuel, Burnell Lippy, and Cid Corman. Sonia Sanchez has two collections of haiku: Like the Singing Coming off the Drums (Boston: Beacon Press, 1998) and Morning Haiku (Boston: Beacon Press, 2010). James A. Emanuel’s Jazz from the Haiku King (Broadside Press, 1999) is also a unique collection of haiku. Lenard Moore, author of his haiku collections The Open Eye (1985), has been writing and publishing haiku for over 20 years and became the first African American to be elected as President of the Haiku Society of America. Burnell Lippy’s haiku appears in the major American haiku journals, Where the River Goes: The Nature Tradition in English-Language Haiku (2013).Cid Corman is well-known not only as a haiku poet but a translator of Japanese ancient and modern haiku poets: Santoka, Walking into the Wind (Cadmus Editions, 1994).
| Author | : Annette Debo |
| Publisher | : Northwestern University Press |
| Total Pages | : 216 |
| Release | : 2024-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 0810146894 |
Uncovering how poetry refigures Black history to imagine a more just present and future “Poets are lyric historians,” proclaimed Langston Hughes. Today, historical poetry offers a lyric history necessary to our current moment—poetry with the power to correct the past, realign the present, and create a more hopeful, or even hoped-for, future. The Necessary Past: Revising History in Contemporary African American Poetry focuses on six of today’s most celebrated poets: Elizabeth Alexander, Natasha Trethewey, A. Van Jordan, Kevin Young, Frank X Walker, and Camille T. Dungy. Their works reimagine the interiority of Black historical figures like the so-called Venus Hottentot Sara Baartman and the would-be spelling champion MacNolia Cox, the African American Native Guard who fought in the Civil War and the unknown victims of domestic violence, Jack Johnson and Jean-Michel Basquiat, Medgar Evers and those freed and enslaved in the early nineteenth century. These poets shift the power dynamic in revising our shared history, reconfiguring who speaks and whose stories are told, and writing a past that frees readers to change the present and envision a more just future.
| Author | : Toni Jensen |
| Publisher | : Ballantine Books |
| Total Pages | : 305 |
| Release | : 2021-09-21 |
| Genre | : Biography & Autobiography |
| ISBN | : 1984821202 |
NEW YORK TIMES EDITORS’ CHOICE • A powerful, poetic memoir about what it means to exist as an Indigenous woman in America, told in snapshots of the author’s encounters with gun violence. Finalist for the Dayton Literary Peace Prize • Goop Book Club Pick • “Essential . . . We need more voices like Toni Jensen’s, more books like Carry.”—Tommy Orange, New York Times bestselling author of There There Toni Jensen grew up around guns: As a girl, she learned to shoot birds in rural Iowa with her father, a card-carrying member of the NRA. As an adult, she’s had guns waved in her face near Standing Rock, and felt their silent threat on the concealed-carry campus where she teaches. And she has always known that in this she is not alone. As a Métis woman, she is no stranger to the violence enacted on the bodies of Indigenous women, on Indigenous land, and the ways it is hidden, ignored, forgotten. In Carry, Jensen maps her personal experience onto the historical, exploring how history is lived in the body and redefining the language we use to speak about violence in America. In the title chapter, Jensen connects the trauma of school shootings with her own experiences of racism and sexual assault on college campuses. “The Worry Line” explores the gun and gang violence in her neighborhood the year her daughter was born. “At the Workshop” focuses on her graduate school years, during which a workshop classmate repeatedly killed off thinly veiled versions of her in his stories. In “Women in the Fracklands,” Jensen takes the reader inside Standing Rock during the Dakota Access Pipeline protests and bears witness to the peril faced by women in regions overcome by the fracking boom. In prose at once forensic and deeply emotional, Toni Jensen shows herself to be a brave new voice and a fearless witness to her own difficult history—as well as to the violent cultural landscape in which she finds her coordinates. With each chapter, Carry reminds us that surviving in one’s country is not the same as surviving one’s country.
